SKU: 54886591097

Élever II (Elevate II) 2024

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Description

Élever II (Elevate II) 2024Enhanced Matte Paper Poster 41 x 51cm (16"x 20") From Victor : Elevating oneself into a space of infinite Beauty, this realm is where we seek to be through our constant Believe. Limited Edition Only 10 of these exclusive prints are available, each crafted with meticulous attention to detail in collaboration with our trusted partner, Printful. Every nuance of the artwork is captured with exceptional clarity and sharpness. Each print is individually

Enhanced Matte Paper Poster | 41 x 51cm (16"x 20")

From Victor :
“Elevating oneself into a space of infinite Beauty, this realm is where we seek to be through our constant Believe.”

Limited Edition

Only 10 of these exclusive prints are available, each crafted with meticulous attention to detail in collaboration with our trusted partner, Printful. Every nuance of the artwork is captured with exceptional clarity and sharpness. Each print is individually numbered and includes a Certificate of Authenticity, ensuring its rarity and value. Own a unique piece of art that adds distinction and beauty to any space.

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SKU: 54886591097

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4.6 ★★★★★
Based on 28 reviews
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Product Reviews
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Verified Purchase
Doctor Moss
Battle Creek, US
★★★★★ 5
Just for Fun
You can't help, in reading these stories, remarking on how comics (and popular culture in general) reflect what we want on our minds and how we want to feel about ourselves. Superman today is intense. He fights apocalyptic battles, and he sometimes loses! There's a lot at stake -- everything, EVERYTHING, lies in the balance. Superman himself seems literaly beyond human. In order to live the life of challenges he faces, he must be beyond the concerns of everyday life -- he can't really share in the life that the rest of us live. Superman in the fifties lived in a much more comfortable, stable world, and his own life was much more continuous with ours. In these stories, he discovers that he is not alone -- his long last pal, Krypto, shows up, and he discovers his cousin, Supergirl. He has girlfriends -- Lana Lang and Lois Lane compete for his attention (without a lot of the psychological anxiety that Superman will face in the future over his inability to live a normal life and raise a normal family). The villains, like Lex Luthor, aren't even purely evil -- they have their limits. Bizarro is not evil at all, just . . . dumb and amusing so long as Superman can repair any damage he does. It's a little bit trivial to point out how comics reflect cultural reality, but . . . they do. It's fun to revisit the fifties here -- i suspect it's not so much an innocent age as one in which the story we told ourselves about ourselves (as in our Superman comics) was focused where we wanted it to be focused -- family, friends, the pleasures of everyday life. But, putting aside all the sociology and pretenses of cultural history, these stories are just fun to read. It's not the Superman we know now, it's just different, a change of pace, fun.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 28, 2013
F
Verified Purchase
Francis Neal Cornett Jr
West Palm Beach, US
★★★★★ 5
Fun Times
Format: Kindle
Best Collection from my youth. Although I was not born until 1957, my dad's first cousin was an avid DC Comics collector, and these 1950s stories were the bulk of my experience of Superman during my 1960s childhood. Contrast the fight against fellow survivors of Krypton in this volume with that in Man of Steel. Here are the primary colors, can-do spirit, and ultimately optimistic view of science and the future so fondly remembered by older fans. In the end, there is probably no reconciling the angry countercultural gloom and discontent of modern comics with these gems of the past, but if as I you are sick to death of the politically correct socialism, these are a much needed breath of fresh air.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 30, 2021
W
Verified Purchase
william mont
Whiting, US
★★★★★ 5
Superman stories from the fifties
Format: Paperback
A collection of Superman stories, I haven’t seen in decades. Wonderful.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 16, 2021
T
Verified Purchase
Troy A. Garcia
Phoenix, US
★★★★★ 5
Excellent superman action
Format: Paperback
Good stuff from end of the golden.age to silver age
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2021
R
Verified Purchase
Ryan of the East Coast
Lexington, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019

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