SKU: 85562340139

John Prine - John Prine

Sale price$79.19 Regular price$87.99
Save 10%

Pay in installments of $22.00 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Aug 19 - Aug 24

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

John Prine - John PrineJohn Prine Self titled 1971 debut by the American country folk master singer songwriter 180 gram 45 RPM double LP release from Analogue Productions! Mastered directly from the original master tape by Bernie Grundman Pressed at Quality Record Pressings Tip on old style gatefold double pocket jackets with film lamination by Stoughton Printing On April 7, 2020, John Prine died a victim of the COVID 19 pandemic after a storied career as a singer

John Prine - Self-titled 1971 debut by the American country/folk master singer-songwriter 180-gram 45 RPM double LP release from Analogue Productions! Mastered directly from the original master tape by Bernie Grundman Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing On April 7, 2020, John Prine died a victim of the COVID-19 pandemic after a storied career as a singer/songwriter. His first album, John Prine, released in September 1971, marked the beginning of Prine's long musical journey. But Prine's start as a talented songwriter began years before that in Maywood, Illinois. Music journalist Erin Osmon, who traced the history leading up the album, spoke with Wisconsin Public Radio about the brilliance of Prine's songwriting and how he could write such memorable songs. 'I think he did it because he kept it simple. When we think about great Midwestern songwriters, of course Bob Dylan comes to mind. But you know, many people compared Prine and Bob Dylan when Prine's self-titled album came out, ' Osmon said. 'But with Prine, there was such a sense of simplicity and modesty. Prine never wanted to alienate the listener. On the contrary, he wanted to invite as many people as possible. That's why he wrote such simple yet profound statements through his lyrics.' Prine's musical experience began when his older brother Dave introduced him to the Old Town School of Folk Music in Chicago. Prine met Ray Tate, the lead guitar teacher at OTS. Tate described Prine as a focused, dedicated student who wanted to learn fingerpicking and fingerstyle guitar. Later Tate, and other instructors at OTS founded a club called the 5th Peg right across the street from the Old Town School, which is the first place Prine appeared on stage. One night a young arts critic from the Chicago Sun-Times, by the name of Roger Ebert, happened into the 5th Peg and caught Prine's set. Music wasn't Ebert's beat. But after Ebert saw Prine's set, he felt moved enough to share the news of a new local talent, ' Osmon recalled. 'And from there, all of Chicago took notice because Roger was a respected critic by then. He was a Chicago personality, and that made Chicagoans take note. After Roger's review, folks started trickling in. They wanted to be at the feet of the singing mailman.' Through some chance encounters, with singer-songwriter Kris Kristofferson and others, Prine wound up signed to Atlantic Records. Prine recorded his debut album at American Sound Studios in Memphis; the band for the recording was a studio session group called the Memphis Boys, the Memphis equivalent of the Los Angeles session band, the Wrecking Crew. 'They know that record labels hire them to make hits, and if they don't deliver on that, they fail, ' Osmon said. 'They knew correctly that Prine's stuff was really about the lyrics. So eventually, they all kind of dove into the songs and paid close attention to the lyrics, trying to highlight the words as much as they could.' The album became an instant hit with songs such as 'Illegal Smile, ' 'Hello In There, ' 'Sam Stone, ' 'Your Flag Decal Won't Get You Into Heaven Anymore, ' and of course, the classic 'Angel From Montgomery.' All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing. Tracklist: 1 Illegal Smile 2 Spanish Pipedream 3 Hello In There 4 Sam Stone 5 Paradise 6 Pretty Good 7 Your Flag Decal Won't Get You Into Heaven Anymore 8 Far From Me 9 Angel From Montogomery 10 Quiet Man 11 Donald And Lydia 12 Six O' Clock News 13 Flashback Blues

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 85562340139

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.3 ★★★★★
Based on 17 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
D
Verified Purchase
Dev Girl
Waukegan, US
★★★★★ 4
Well written, entertaining - whether this stuff is true or not depends on your opinion.
Format: Paperback
I loved Monroe's first book. *This* book is entertaining, although annoying at times trying to figure out who's talking. I'm silent on whether I believe Monroe's fantastic stories. But if you're okay with that risk, I'd recommend this for both entertainment & perhaps to help unleash some creativity in your self.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 27, 2024
A
Verified Purchase
Andrea Freund
Belleville, US
★★★★★ 5
Changed forever
Format: Kindle
We become so mired in our subjective “reality”. I find it truly beneficial to have a different, perhaps more objective perspective. I hope this enables me to make necessary changes to my journey before its conclusion.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 30, 2025
L
Verified Purchase
life is good
Dallas, US
★★★★★ 5
Enlightening!
Format: Paperback
A history of Monroe's discoveries and seminars I took his seminars in the 1993-4 periods Excellent beyond my expectations
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 3, 2025
G
Verified Purchase
GiveHerAGoodMunchin
Port Orchard, US
★★★★★ 5
Excellent trilogy. This is book 2
Format: Paperback
Bob Monroe is an OG OBE G. Love this trilogy. If you can read, read this
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 25, 2025
J
Verified Purchase
Joe Neal
Bozeman, US
★★★★★ 5
Great (excellent) details for the date written
Format: Paperback
NOTE: I toned this version down in 2021 – I was in a bad place when I wrote the original and there were some hostile and entirely inaccurate personal remarks in it. A few tables/charts with a wealth of information have tiny text but most of this was easy enough to read. The photos are poorly produced (at least in the paperback version I reviewed), which is sad given they would be so handy otherwise. This is a classic post-war treatise on the weapons used for ground warfare during World War II by the U.S. Army and as such the Marines. It was first published around 1947 when the war was fresh and doubtlessly numerous technical details were still classified. It was written by a man intimately involved in many design projects. The coverage pretty much explains the breadth. Examples of use are included for some weapons and detailed tables of data for many. He explains references to the "long primer" for the 76-mm gun and the 81-mm mortar T1 extension tube. I am happy to have bought it for that and numerous other details. One thing I missed when I first wrote the original rambling, a bit over the top review back in September 2015 was that the 57mm M1 antitank gun is not mentioned even though it was a key component of Infantry weaponry in 1944-45, sometimes maligned but often quite effective when carefully used as noted in many, many detailed accounts. Perhaps it was skipped because it was a revision of the British 6 pounder and not designed by Barnes men? Yet, it is an example of the issues caused by the pre war budget minders forcing the Army into desperate choices as explained later – and the using arms who decided to adopt it almost at the last minute, late in 1943. Until a weapon is adopted by the Army ammunition cannot be developed – it costs too much money and time to do so. Most of the book is positive and ignores failures, posed from the viewpoint of a proud designer not an actual user. Yet those failures illustrate the issues Ordnance had to deal with during the war. The U.S. invented the bazooka as the 2.36-inch model in 1942 yet the Germans fielded the more powerful 8.8-cm (88mm) model in 1944; and the U.S. did not get the 3.5-inch (90mm) into production-ready state until the war was ended. This was caused by offloading development onto people who went out for a “super rocket launcher” that had no place in the war. All too often, some excited designers did indeed get ahead of themselves when it came to what worked but was a bit too much (and ultimately impractical for the Army at the time). The inability to develop hollow-charge (HEAT) ammo for cannon and howitzers to reach its minimum potential (twice the caliber in penetration or better) was common for all countries including the U.S. The 105mm howitzer round was pretty good and while disparaged by all and sundry even the 75mm howitzer’s shell could (and did) take out medium armor. Barnes refers to the M3 and M5 light tank as "excellent" when the tanker's epithet would have been "tin plated coffin with a pea-shooter". Here we have an issue with comparing numbers such as armor thickness and penetration power of guns to facts; it is common to think they were butchered such as in Africa when in fact they fought well enough, flaws and all. But they were not the weapons the tankers wanted (nor deserved), and thus tanker’s complaints were valid. And, yes, they were not seen as a prime resource for fighting German tanks and hence reverted to recon and infantry support roles. Where they continued to meet and destroy German armor (but also be destroyed). Any German field commander would have loved to have a battalion of M5s on hand chasing down and chewing up U.S. troops; the contribution of the men in the light tanks in Europe in 1944 and 1945 is all too often belittled by the “number nerds” who toss the light tanks off as useless. They were anything but useless. Why were the M10, M18, and M36 designed as “Gun Motor Carriages” and not tanks? Because they were developed for the tank destroyer forces and the very bigoted officers who held the most sway on development wanted them to be nothing but “motorized antitank guns”. If they had been designed as tanks that would have invalidated Tank Destroyer Doctrine immediately. And yet, in the end, the men doing the fighting needed and wanted tanks, so they used them as tanks as much as they could, despite the open roof and lack of internal machine guns. It is claimed the gun motor carriages were cheaper than tanks (a specious argument given price varied by manufacturer and ultimately depended more on quantities produced not some arbitrary raw number) but to produce the gun motor carriages for a specialist role that was neither tank nor artillery (albeit they were used for both) was a costly thing to do. The failure to develop a better light tank in time is not mentioned even though the T7 light tank with a 57-mm gun was ready in mid-1942 and could have been in the field around 1943 (the Armored Forces botched that one). The M24 was a nice tank but too late simply because development came too late because development had been stunted badly by congress and it’s miserly pre-1941 budget. There are errors: The design of the M24 began in 1943, not 1945. The 76-mm gun could hardly penetrate the "...heaviest German tank armor." But it could penetrate a lot of armor and the myth that all German tanks were Tigers and Panthers is one of those fantasies of the war pursued by people who are glorifying the war not understanding it (most German armor was medium or lighter), let alone the myth that they were always met head-on is ridiculous. The 90-mm gun was not optimized for anti-tank use and hence had the same issues with dealing with the frontal armor of the Panther (though it could handle the Tiger) and yet was better at that than many other guns. The tendency to adapt anti-aircraft guns for anti-tank guns was common and is where Germany got its 88s and the 128mm. The U.S. found it did not need a lot of 90mms (the homeland was not threatened and what it produced was enough for its needs); there was never the demand for a higher altitude version and hence nothing like the 8.8cm FLAK 41 was developed which led to the 8.8cm Kwk43 and Pak43s; yet Ordnance built their own versions of hot 90mm for tank use. I missed the boat in my original review failing to detail how the Army’s main issue was the budget provided by Congress and politicians from 1920 through 1940. They starved the Army; the U.S. was peaceful and they had no interest in making it a military country and as such kept the Army small (and starved the air forces and Navy as well but not as badly). This crippled development; while the Soviets started building a modern Army in 1930 complete with investment in tank forces and tank arsenals; the Germans in 1934 or so; and British in 1934 or so; the U.S. politicians did not begin serious spending on the Army until 1941. Before then, the budget was all about “beans, bullets, and bayonets” and of course bodes to wield them. The Army had to struggle with what it had and put to field what was practical not what was best. Thus, for example, the recoilless rifles (used by the Germans in 1940) did not arrive in U.S. use until 1945. And yet a U.S. officer bult the first recoilless rifle to be used way back around 1916. Indeed, a brief little discussion on how the U.S. produced what it did based on budget would have opened many eyes. The Soviets produced so many thousand T34s for example, more than the U.S. – and in the U.S. the budget people were always saying, “You don’t need any more, stop building them!” As mentioned, the number of 90mm AA guns the U.S. produced was not based on manufacturing capacity but because they didn’t need more. Thus - there is a lot of information and many details many people will never have heard before. There are also many missing details concerning the Ordnance Department struggles to get things done in a very brief time frame thanks to how Congress had refused to let them do anything earlier. Dig into that deeper and you might find it nauseating the way people played games that hindered the U.S. Army in its job of helping beat the Germans. And sometimes couldn't put 2 and 2 together to get the right answer. But, they were human after all, and people do make mistakes. In my original review I argued that “If you want a politics free book you will not get it in this once, not unless you shut your eyes and remain ignorant . . .” but that is wrong. If this was a political book, Barnes might have ripped the budget mongers of the 1920s and 1930s a new sphincter for leaving the Army (and U.S. military as a whole) in such a bad situation as they did when war broke out. But, Barnes had more class than I do.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 19, 2015

recommand products