Forty South Tasmania Issue 103, Summer 2021-22

Forty South Tasmania Issue 103, Summer 2021-22INSIDE ISSUE 103 You can't kill history Lyndon Riggall Shifting seascapes: a climate change story Fina Howie Maria Island return Don Defenderfer Nothing bigger than a goat Lian Tanner Artists and artisans: Kerrawyn reborn Pen Tayler Lobster tales: Life underground Terry Mulhern The Abels: Good Day, bad day Rob Shaw Young Tasmanian Writers' Prize 2021: Fiction: Terrified of the telegram boy Jemimah Satchell Fiction: Drowning in love Monique Schnitzer

INSIDE ISSUE 103

You can't kill history | Lyndon Riggall

Shifting seascapes: a climate change story | Fina Howie

Maria Island return | Don Defenderfer

Nothing bigger than a goat | Lian Tanner

Artists and artisans: Kerrawyn reborn | Pen Tayler

Lobster tales: Life underground | Terry Mulhern

The Abels: Good Day, bad day | Rob Shaw

Young Tasmanian Writers' Prize 2021:

Fiction: Terrified of the telegram boy | Jemimah Satchell

Fiction: Drowning in love | Monique Schnitzer

AND MORE...

From the editor: 

Someone whose opinion I respect greatly recently told me, “You have a lot of seriously talented people writing for Forty South Tasmania.” I’d love to square my shoulders and preen a little and blow loudly on my trumpet for a while, but that would be something of a sham because it has been so since long before I became editor. In fact, it has been so since before Forty South was born almost 27 years ago. It has been so since the first issue of Forty South’s predecessor, Leatherwood, in 1991. With that publication was born the culture of good writing that has followed ever since. An article about something Tasmanian has never been enough. We are, and always have been, about good writing. 

There is, of course, a third string to our bow: to good Tasmanian stories and good writing, we must add good photography. Tasmania is photogenic, which helps, and we have a long history of superb photographers in this state. Tony Robertson is one, and he features in this issue of Forty South for the first time. Stanley’s extraordinary The Nut is photogenic too, but we have never seen anyone capture it the way Robertson has. After agonising over which of his beautiful images to use for over cover shot, I gave up and decided to use two of them, on the cover and for Parting shot.  

Another talented Tasmanian photographer is Craig Searle. He is a dedicated hiker who regularly joins Rob Shaw in ticking another Abel off their list, and his photographs have appeared regularly over many Forty South issues helping illustrate Rob Shaw’s column about those climbs. In this issue, however, Craig Searle shows us that he is a writer, and a natural story teller, as well. His lead article contains mystery, adventure and a love of wilderness. 

We have had some seriously talented writers, photographers and tellers of Tasmanian tales over the years, but Craig Searle may be our first true all-rounder.