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Description
Biennials, Triennials, and DocumentaDiscover the transformative impact of international survey exhibitions on contemporary art with 'Biennials, Triennials, and Documenta'. This comprehensive history delves deep into the evolution of biennial art exhibitions from their inception in the 1950s to their significant role today. Featuring a detailed analysis of notable events such as the Biennale de la Mditerrane in 1955, Havana Biennial 1986, and Documenta11 in 2002, this book unveils how
Discover the transformative impact of international survey exhibitions on contemporary art with 'Biennials, Triennials, and Documenta'. This comprehensive history delves deep into the evolution of biennial art exhibitions from their inception in the 1950s to their significant role today. Featuring a detailed analysis of notable events such as the Biennale de la Méditerranée in 1955, Havana Biennial 1986, and Documenta11 in 2002, this book unveils how these key exhibitions have shaped artistic expression and curatorial practices globally. Explore case studies that highlight the rise of mega-exhibitions in Asia and the influence of star curators since the 1970s. With a focus on the interplay between globalization and contemporary art, this work serves as an essential resource for art enthusiasts, scholars, and students alike, providing insights into the changing landscape of biennials and triennials. Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled. Condition: BRAND NEW. ISBN: 9781444336658. Year: 2016. Publisher: John Wiley & Sons (UK). Pages: 304.Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.
Condition: BRAND NEW
ISBN: 9781444336658
Year: 2016
Publisher: John Wiley & Sons (UK)
Pages: 304
Description:
This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s.
Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s
Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la MĂ©diterranĂ©e in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York™s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014
Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene
Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art
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★★★★★ 5
Bag
Color: Brown/Acorn
High quality
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Reviewed in the United States on June 2, 2026
★★★★★ 5
Worth the money
Color: Gold-tone Hardware/Leather/Dress Blues
Was made of excellent material and put together nicely. Looked like black in the picture but was dark navy, I just didn’t read the description.
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Reviewed in the United States on May 13, 2026
★★★★★ 5
Perfect size
Color: Vanilla/Acorn
Perfect size . This will hold everything you need. It’s not too small not too big
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Reviewed in the United States on May 4, 2026
★★★★★ 5
Colors and size
Color: Vanilla/Acorn
Perfect for my needs
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Reviewed in the United States on April 30, 2026
★★★★★ 5
Polished Everyday Crossbody, Though Priced Like a Designer-Branded Bag
Color: Vanilla/Acorn
This crossbody bag has a clean, classic look that works well for everyday use, errands, travel, or casual outfits where you want something more polished than a basic purse. The north-south shape gives it a slim profile, so it does not feel overly bulky, but it still has enough room for daily essentials like a phone, wallet, keys, small cosmetics, cards, and other small items.
The zipper closure is a practical feature because it keeps everything more secure than an open-top bag, especially when walking around, shopping, or traveling. The front and back zippered pockets are also useful for items you want quick access to, like a phone, receipt, lip balm, or transit card. I like that the layout keeps the bag organized without making it feel complicated.
The material is mostly PVC with some polyester and polyurethane, so it has more of a coated designer-bag feel rather than soft genuine leather. That makes it easier to wipe clean and more resistant to everyday marks, but buyers should know they are paying more for the brand/style than for leather construction. The bag feels structured and presentable, but it may not have the same long-term aging or softness as a real leather crossbody.
For comfort, the crossbody style is convenient because it keeps your hands free and distributes weight better than carrying a small handbag by hand. It is best for people who want a stylish everyday bag, not someone looking for a large tote or something that can carry bulky items.
For pricing, similar branded crossbody bags usually range from about $80–$200, depending on the brand, size, material, and whether it is leather or coated canvas/PVC. At around $180, this is on the premium side for a PVC-blend crossbody, but it is fairly typical for the Michael Kors price range. Overall, it feels worth considering if you like the style and brand name, but value-focused buyers may want to compare sale prices or color options before paying full price.
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Reviewed in the United States on May 14, 2026
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