SKU: 6721223822

Putco LumaCore 1156 Amber - Pair

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Description

Putco LumaCore 1156 Amber - PairBright up the night and let everyone see your vehicle from all around with the high powered Putco LumaCore LED bulb. A perfect replacement bulb for brake lights, reverse lights, turn signals, license plate lights, and more! So stop running those old and dim OEM bulbs and go with the most LumaCore LED bulbs. With a 6000k color temperature, each state of the art LED bulb features multiple LEDs mounted in a 360 arrangement providing a spectacular amount

Bright up the night and let everyone see your vehicle from all around with the high-powered Putco LumaCore  LED bulb. A perfect replacement bulb for brake lights, reverse lights, turn signals, license plate lights, and more! So stop running those old and dim OEM bulbs and go with the most LumaCore LED bulbs. With a 6000k color temperature, each state-of-the-art LED bulb features multiple LEDs mounted in a 360° arrangement providing a spectacular amount of light output in all directions. This creates a better viewing angle and overall light emission with reduced hot spots. To deter the biggest enemy of light bulbs (heat) these LEDs are built with a copper core that allows for high-efficiency heat control as well as a more powerful light output.The Putco LumaCore bulbs are offered in three different color options, White, Red, and Amber that are specifically constructed to work flawlessly with OEM turn signals, brake lights, running lights, and more. These LEDs are perfect replacement bulbs for any SUV, car or truck. Not only do these lights make your vehicle more visible to other drivers, but they also help increase your driving safety. With a cleaner, brighter light your vehicle can change from an OEM look to a sleek Aftermarket look in minutes. The LumaCore bulbs were designed to be a more economical replacement bulb by using much less power then a standard incandescent bulb, burning cooler and running up to 50,000 hours!Beef up your vehicle's lighting today and shine brighter at night with the LumaCore Replacement LED Bulbs!Designed by Putco of Des Moines, IA.

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1997-1998 Acura CL Base
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1999 Acura NSX Alex Zanardi Edition
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1992-1994 Acura Vigor GS
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2019 Alfa Romeo 4C Spider
1988-1992 Audi 80 Base
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1993-1994 Audi 90 S
1995 Audi 90 Sport
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1993-1994 Audi 90 Quattro CS
1995 Audi 90 Quattro Sport
2006-2013 Audi A3 Base
2010-2013 Audi A3 TDI
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1998 Audi A4 Avant
1996-2008,2010-2014 Audi A4 Base
2003-2008 Audi A4 Cabriolet
1998-2008,2010-2012 Audi A4 Quattro Avant
1996-2008,2010-2014 Audi A4 Quattro Base
2004-2008 Audi A4 Quattro Cabriolet
2010-2014 Audi A5 Cabriolet
2008-2014 Audi A5 Quattro Base
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1995-1997 Audi A6 Avant
1995-2004,2007-2010 Audi A6 Base
1995-2004,2007-2010 Audi A6 Quattro Avant
1995-2005,2007-2010 Audi A6 Quattro Base
1997-1999 Audi A8 Base
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2000-2003,2006-2010 Audi A8 Quattro L
2003-2005 Audi Allroad Quattro Base
1994-1998 Audi Cabriolet Base
2011-2012 Audi Q5 Premium
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2011-2012 Audi Q5 Prestige
2008-2010 Audi Q7 Base
2008-2012 Audi Q7 Premium
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2010-2012 Audi Q7 Prestige
2009-2010 Audi Q7 TDI
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2011-2012 Audi Q7 TDI Premium Plus
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2008 Audi RS4 Base
2008 Audi RS4 Cabriolet
2001-2002,2004-2008 Audi S4 Avant
1993-1994,2000-2002,2004-2008,2010-2011,2013 Audi S4 Base
2004-2008 Audi S4 Cabriolet
2014 Audi S4 Premium Plus
2014 Audi S4 Prestige
2008,2010-2011 Audi S5 Base
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1995,2002-2003 Audi S6 Avant
1995,2007-2008,2010 Audi S6 Base
2007-2008 Audi S8 Base
2002 Audi TT Quattro ALMS Edition
2000-2006,2008,2010-2011,2014-2015 Audi TT Quattro Base
2012-2013 Audi TT Quattro Premium Plus
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2006 Audi TT Quattro Special Edition
2012-2013 Audi TT RS Quattro Base
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1990-1994 Audi V8 Quattro Base
2011 BMW 1 Series M Base
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2014-2016 BMW 228i Base
2015-2016 BMW 228i xDrive Base
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2000 BMW 328Ci Base
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2009-2010,2013-2015 BMW 335i xDrive Base
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1989-1995,2001-2007 BMW 525i Base
1993 BMW 525iT Base
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1997-2000,2008-2010 BMW 528i Base
2009-2010 BMW 528i xDrive Base
2008 BMW 528xi Base
1994-1995,2001-2007 BMW 530i Base
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1989-1993,2008-2010 BMW 535i Base
2010 BMW 535i GT Base
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2008 BMW 535xi Base
1994-1995,1997-2003 BMW 540i Base
2004-2005 BMW 545i Base
2006-2010 BMW 550i Base
2010 BMW 550i GT Base
2010 BMW 550i GT xDrive Base
2004-2005 BMW 645Ci Base
2006-2007 BMW 650i Base
1987-1992 BMW 735i Base
1988-1992 BMW 735iL Base
1993-1995,1999-2001 BMW 740i Base
1993-1996,1999-2001 BMW 740iL Base
2007-2009 BMW 750i Base
1988-1996,1999-2001 BMW 750iL Base
2007-2009 BMW 750Li Base
2007-2008 BMW 760Li Base
1994-1997 BMW 840Ci Base
1993-1997 BMW 850Ci Base
1994-1995 BMW 850CSi Base
1992 BMW 850i Base
2014-2016 BMW M235i Base
2015-2016 BMW M235i xDrive Base
1997-1999,2001-2006,2010,2015 BMW M3 Base
2015-2016 BMW M4 Base
2016 BMW M4 GTS
2000-2003,2006-2010 BMW M5 Base
2007-2010 BMW M6 Base
2013-2015 BMW X1 sDrive28i
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2006 BMW X3 3.0i
2008 BMW X3 3.0si
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2009-2010 BMW X3 xDrive30i
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2001-2006 BMW X5 3.0i
2000-2006 BMW X5 4.4i
2002-2003 BMW X5 4.6is
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2010-2013 BMW X5 M
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2010-2011 BMW X6 ActiveHybrid
2010-2014 BMW X6 M
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1999-2002 BMW Z3 Coupe
1999-2002 BMW Z3 M Coupe
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4.1 ★★★★★
Based on 7 reviews
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Product Reviews
E
Verified Purchase
Eileen O Malley Callahan
Port Orchard, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Birmingham, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Louisville, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Natrona Heights, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
A
Verified Purchase
amber a
Carnegie, US
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down. I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long. Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 24, 2015

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