SKU: 61474946648

ÁGOSTON SIMÓ CHAMOTTE BIRD FIGURINE (HUNGARIAN)

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Description

ÁGOSTON SIMÓ CHAMOTTE BIRD FIGURINE (HUNGARIAN)An exceedingly rare and beautiful ceramic sculpture of a bird with wings and tail spread open by the accomplished Hungarian ceramics artist goston Sim (aka Sim goston). Created out of a wonderfully grainy chamotte clay and delicately detailed in shades of white, grey, goldenrod, and teal, the figure stands tall at 11. 75" x 9" x 10", and is truly an impressive work of art. GOSTON SIM (1925 2011) studied at the Hungarian College of Applied Arts from

An exceedingly rare and beautiful ceramic sculpture of a bird with wings and tail spread open by the accomplished Hungarian ceramics artist Ágoston Simó (aka Simó Ágoston). Created out of a wonderfully grainy chamotte clay and delicately detailed in shades of white, grey, goldenrod, and teal, the figure stands tall at 11.75" x 9" x 10", and is truly an impressive work of art.

ÁGOSTON SIMÓ (1925-2011) studied at the Hungarian College of Applied Arts from 1943-1949 under ceramics masters: Miklós Borsos, István Gádor, Elek Molnár and Béla Ohmann. From 1950 he worked as a designer for the Granite, Stoneware and Porcelain Factory, and between 1952-54 as a designer for the Ceramic Applied Arts Cooperative. He became a freelance artist in 1954.

Over the years Ágoston Simó competed in and won numerous applied arts competitions, and his work has been featured in a number of prestigious group exhibitions as well as two solo exhibitions in the early 1970s. He also participated in the Siklós Ceramics Symposium in 1972 and 1976. Its scope of activity covers the entire field of ceramics, within which figural sculptures, mural tasks, and tile stoves have played a significant role. In 1985 he won the Award of the National Association of Hungarian Artists, and the Ferenczy Noémi Award in 2002. much of his work can be found in public spaces that include a number of schools and offices, as well as theaters, restaurants, and the Budapest Natural History Museum. He is held in both private and public collections, including the Museum of Applied Arts, Budapest. In addition to being an accomplished sculptor and ceramics artist, He was a six-time county champion of Budapest Forward as a skier (1950-52). Ágoston Simó passed away in 2011 at the age of 86.

Designer ÁGOSTON SIMÓ
Manufacturer ÁGOSTON SIMÓ
Design Period 1960 to 1969
Production Period 1960 to 1969
Country of Manufacture Hungary
Identifying Marks This piece has an attribution mark
Style Vintage, Mid-Century, Hand-Crafted, Modernist
Detailed Condition Excellent — This vintage piece is in near original condition. It may show minimal traces of use and/or have slight restorations.
Product Code
Materials Ceramic
Color White, teal, grey, goldenrod
Width 9.0 inch
Depth 10.0 inch
Height 11.8 inch
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SKU: 61474946648

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Courtney Marie
Alexandria, US
★★★★★ 5
The Best Supplements for Law School
Format: Paperback
These books are worth the money! I know law school books are expensive, but if you're struggling with a certain area of law, forget the price and buy Examples & Explanations. They all come with great practice essay questions and answers, as well as explain concepts in normal-people speak (unlike most law school casebooks).
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Reviewed in the United States on September 19, 2022
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Ryan L Jennings
New York, US
★★★★★ 5
Great
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Great for law school! Perfect condition. Thanks!
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Reviewed in the United States on April 17, 2024
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kcap
San Leandro, US
★★★★★ 1
missing pages
Format: Paperback
missing pages
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Reviewed in the United States on February 2, 2026
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Lina
Boise, US
★★★★★ 3
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I returned this book without reading much
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Reviewed in the United States on January 19, 2024
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Robert A. Mcinnes
Los Angeles, US
★★★★★ 5
Fantabulous!
This is a fantastic and true re-publication of a classic favorite. The illustrations are great (though I wish they were in color), and the type-font and whole format were designed to make this a timeless heirloom, to be passed down the generations. I also learned the correct names of two of the eight reindeer were "Dunder" (not "Donner") and "Blixem" (not "Blitzen"). It shows that Candlewick Press took pains to make sure that what they were republishing was true and accurate to Clement Clark Moore's original work. Note that the name of the illustrator (Matt Tavares) is prominently acknowledged on the cover, though Moore's name is only mentioned in "A Note from the Illustrator", probably owing to the fact that Moore first published his poem anonymously. Still, I'm surprised that "they" did not include Moore's name on the cover. If you are looking to acquire a good, faithful, accurate and wonderfully illustrated version of this classic for your shelves, to be pulled at Christmas-time for reading and re-reading, this would be as good a copy (or perhaps better) than any.
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Reviewed in the United States on January 31, 2010

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