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Description
Elkay Lustertone Classic 22" Drop In/Topmount Stainless Steel ADA Kitchen Sink, Lustrous Satin, No Faucet Hole, LRAD2222600Elkay Lustertone Classic 22" Drop In Topmount Stainless Steel ADA Kitchen Sink, Lustrous Satin, No Faucet Hole, LRAD2222600 An Elkay Lustertone Classic stainless steel sink looks as great on day 3,000 as it does on day one. The rich, uniform grain is scratch resistant for heavy duty use, whether it's a kitchen sink or a prep, bar, laundry or commercial sink. Light scratches, which occur with everyday use, naturally blend into the finish of this
Elkay Lustertone Classic 22" Drop In/Topmount Stainless Steel ADA Kitchen Sink, Lustrous Satin, No Faucet Hole, LRAD2222600
An Elkay Lustertone Classic stainless steel sink looks as great on day 3,000 as it does on day one. The rich, uniform grain is scratch resistant for heavy-duty use, whether it's a kitchen sink or a prep, bar, laundry or commercial sink. Light scratches, which occur with everyday use, naturally blend into the finish of this durable sink with time. Deeper scratches are repairable with an Elkay stainless steel restoration kit. Available in ADA depths.
Available In:
Please see our color disclaimer.
Features
- ADA COMPLIANT: Product is ADA compliant when properly installed
- REPAIRABLE FINISH: Finish is scratch resistant to heavy-duty use. Deep scratches are repairable. Lustrous grain reflects light evenly for high shine
- DROP-IN INSTALLATION: Sink is designed for drop-in installation to make the sink a focal point of your room
- SINGLE BOWL: Bowl gives you uninterrupted space for washing and stacking dishes or other household tasks
- 18-GAUGE STAINLESS STEEL: Highest quality 18-gauge thickness and Type 304 stainless steel for lasting durability, performance and lustrous beauty
- QUIET: Sound-deadening pad(s) minimizes sound and vibration for a quieter time at the sink
- U-CHANNEL INSTALLATION: Mounting clips placed inside the channel before installation mean less time under the sink for an easier install
- OFFSET DRAIN: Drain placement provides more usable space on the bottom of the sink and in the cabinet below
- MADE IN THE USA: This Elkay product is proudly made in the USA
- DRAIN OPENING: Sink drain opening measures 3-1/2"
- BASE CABINET: Recommended Minimum Base Cabinet Size: 27"
- California residents see Prop 65 Warnings.
Details
| ADA Compliant?: | Yes |
|---|---|
| Bowl Shape(s): | Rectangular |
| Bowl Split: | Single |
| Box Height: | 8.51" |
| Box Length: | 30.66" |
| Box Weight: | 19 lb(s) |
| Box Width: | 26.28" |
| Code / Standard Compliance: | NPCC |
| Collection: | Lustertone Classic |
| Color: | Lustrous Satin |
| Country of Origin: | USA |
| Cutout Dimension: | 21-3/8" x 21-3/8" (543mm x 543mm) with 1-1/2" (38mm) corner radius |
| Drain Size: | 3.5 |
| Finish: | Lustrous Satin |
| Freight Class (LTL Only): | 250 |
| Gauge: | 18 |
| Harmonized System Code: | 7324100000 |
| Inner Depth: | 6" |
| Inside Bowl Dimensions: | 16" x 19" x 5.875" |
| Installation Type: | Drop In/Topmount |
| Item Height: | 6" |
| Item Length (Front to Back): | 22" |
| Item Weight: | 12.25 lb(s) |
| Item Width (Side to Side): | 22" |
| Made In USA?: | Yes |
| Material: | Stainless Steel |
| Minimum Cabinet Size: | 27" |
| Mounting Hardware Included: | Part # 64090012 included for countertops up to 3/4" (19mm) thick |
| Number of Bowls: | 1 |
| Room: | Kitchen |
| SKU: | LRAD2222600 |
| Shape: | Rectangular |
| Sound Deadening: | Bottom only pads |
| Style: | Traditional |
| cUPC Certified?: | Yes |
Warranty
Elkay Warranty Details (PDF)
Installation Instructions
Installation Instructions 1 (PDF)
Product Specifications (PDF)
Product Care
Elkay Product Care (PDF)
Video(s)
Product Video 1
Product Video 2
Product Video 3
Related Products
- Elkay Lustertone Classic 22" Drop In/Topmount Stainless Steel Kitchen Sink, Lustrous Satin, No Faucet Hole, LR22220
- Elkay Lustertone Classic 25" Drop In/Topmount Stainless Steel ADA Kitchen Sink, Lustrous Satin, 18 Gauge, LRAD2521550
keywords, rear drain, offset drain, off set drain
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.4 ★★★★★
Based on 15 reviews
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Product Reviews
★★★★★ 5
Thought provoking
Format: Kindle
Sky Full of Elephants is a work of speculative fiction that begins with the premise that the white population of the United States has been wiped out. Starting a year after “the event” and following Charlie, a man who spent 20 years in prison due to a cowardly lie, and his resentful, biracial 19 year old daughter, who witnessed her only known family drown themselves, it is at its core a quest for identity in its many forms and how trauma can co-opt that search. In rating and reviewing this book, I’m aware that my lens as a Gen-X, cis-het, white woman, will have a differing view from others’ lived experiences. In reading other reviews, I definitely saw points that I didn’t consider, which I hope is the main point of the book. I do think, as a work of speculative fiction, that it does require the suspension of disbelief from the get go. It is a philosophical “what if” that Mr. Campbell invites the reader to consider.
Intrigued by the premise, I was drawn into the story due to Mr. Campbell’s lyrical writing style. The narrative had a rhythmical flow to it that supported the world building and characterizations. I found Charlie to be a very sympathetic character, rebuilding a life shattered by lies in a new world and confronted with the daughter he never had a chance to know. Sydney, Charlie’s daughter, was more of a struggle to empathize with. While her feelings were justified and understandable, her growth throughout the novel was erratic. As the story has an ambiguous ending, perhaps her character will continue to improve. For supporting cast, the grumpy pilot Sailor and his nonbinary child, Zu, offer a counterpoint to Charlie and Sidney’s emerging relationship. The king and queen of Alabama and the thriving town of Mobile were well fleshed out. The Walkers and Sidney’s Aunt Agatha in Orange Beach represented those who were lost in their own way, either due to clinging to their former proximity to whiteness or to the religious biases they were raised with. I found the Walkers to be the most tragic of all.
The questions of identity throughout the story are what kept be invested throughout. Are we defined by the color of our skin, our behaviors, the groups we belong to, the choices we make? Are others more valuable or worthy who don’t suffer the same things we do? Does there have to be those that are “lesser” to make us feel whole? As a trauma survivor with C-PTSD, I struggle with my own issues of identity and worthiness, and as a former Special Education teacher, I’ve been witness to that struggle in others. I have never understood or accepted the idea of White Supremacy or Christian Supremacy or any of the myriad ways that humanity continues to other each of us. In reality, there is no “us” or “them” only”we”. Charlie questions who he is as a Black man in the US, a convict, a teacher, a father, and ultimately a fixer and healer. Sidney grapples with her biracial otherness, her wealthy upbringing and sheltered life, the trauma of abandonment, and the lies that her life was built on.
The ethical question of the machine at the epicenter of the event adds another layer to the story. While the effects of the first usage were unintended, once they were known is it right to continue to fix it and use it again? Can healing a part of collectiveness that harms or destroys another part ultimately be worth the cost? The world and its people are broken and desperately need healing. But just like the question of eugenics, what of value is lost when specific traits are universally stripped away? And who gets the to decide what is of value anyway? The ambiguity of the ending doesn’t answer the question entirely of what happens when the machine is repaired, but Charlie’s ability to fix things leads me hopeful. Personally, I cared enough about these characters to be interested in a sequel.
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Reviewed in the United States on February 24, 2026
★★★★★ 5
A book that makes you think!
Format: Paperback
This was a super good read, very imaginative. It dealt with identity, belonging, insecurities, family matters. The way it was written was unlike any book I’ve read this year.
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Reviewed in the United States on May 4, 2026
★★★★★ 3
The Possibilities
Format: Kindle
Despite its potential, this book ultimately failed to resonate with me. I found myself repeatedly compelled to put it down, as the focus on the empowerment aspect was overshadowed by the narrative’s preoccupation with re-triggering ourselves through the perpetuation of a harmful lie. This lie, which has tragically cost many Black men their lives and livelihoods, diverted our attention from the more profound themes of rebuilding culture, redefining ourselves, and creating a new world. Instead of exploring the possibility of a beautiful utopia, we were subjected to a process of de-centering ourselves and centering them, their likeness, and the relentless pursuit of proving our worth. While there were indeed wise words that moved me, I was left questioning the purpose of dedicating so much time to those who did not share our sentiments. Who are these individuals who required our convincing, and who are we who felt compelled to do so? I found Sydney, her family, and the inhabitants of Orange Beach to be unlikable characters. I fear that the plot was compromised when the focus shifted to inclusion.
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Reviewed in the United States on April 5, 2026
★★★★★ 5
Wow! Loved it!
Format: Paperback
Wow, I don't even know what to say about this book, but well done. I was a little bit mystified in the beginning. Our FMC and MMC definitely had me feeling a specific sort of way. A father, who was released from prison after "The Event" where all the white people in the Nation killed themselves, struggles with his identity. His daughter, Sidney, a biracial young adult who was raised by her white family, struggles with the fact that things she was taught were not necessarily true, and finds it hard to connect to her blackness. This is a tumultuous story of a beautifully written adaptation to an entirely new way of life. I didn't necessarily agree with certain ideations of the author, who in his book, claimed that there was a lost feeling after "The Event," but that's just personal experience, and I think that many black people would adapt. This book brings up so many feelings. How would I feel if "The Event" happened? Now that the "system" is dismantled? This book brings up dialogue and conversation. Amazingly well done. I'm still pondering. I know that this will be something I think about often. Wow.
Very seldom do I tear up at books, but the representation of black joy in this story genuinely made my heart feel full. The love that when black people come together with nothing but amazing energy, was described so adequately in this book. I could feel it myself. And to that, I have to applaud Cebo Campbell.
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Reviewed in the United States on February 4, 2026
★★★★★ 4
Good first novel
Format: Audiobook
Excellent read, but thought provoking. The ending was not what I expected.
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Reviewed in the United States on May 18, 2026
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