SKU: 55290536283

Mozart, Leopold: Symphony in A major (Eisen A1) (AE167)

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Description

Mozart, Leopold: Symphony in A major (Eisen A1) (AE167)Description Mozart, Leopold (1719 1787) Product Code: AE167 Description: Symphony in A major (Eisen A1) Edited by: Cliff Eisen Year of Publication: 1997 Instrumentation: 2vn va vc b Binding: Score: Spiral Parts: Unbound Duration: 12 min(s) Key: A major ISBN: 1 877171 67 0 Audio sample Details The symphony A1 (Seiffert 3. 30) survives in a unique source, copied at Lambach during the 1750s. It is now housed in Augsburg at the Mozart Gedenksttte

Description

Mozart, Leopold (1719-1787)

Product Code: AE167
Description: Symphony in A major (Eisen A1)
Edited by: Cliff Eisen
Year of Publication: 1997
Instrumentation: 2vn va vc/b
Binding: Score: Spiral / Parts: Unbound
Duration: 12 min(s)
Key: A major
ISBN: 1-877171-67-0

Audio sample

Details

The symphony A1 (Seiffert 3.30) survives in a unique source, copied at Lambach during the 1750s. It is now housed in Augsburg at the Mozart-Gedenksttte (shelfmark MG II 47). At least two other early copies are lost: one owned by Breitkopf and advertised in their thematic catalogue for 1766; and a set of manuscript parts, discovered by Ernst Ludwig Thei at Seitenstetten, but now untraceable. Like other early symphonies by Leopold Mozart, then, A1 had a respectable if limited distribution. In this respect it is unlike other Salzburg symphonies of the 1750s and early 1760s, few of which circulated outside the Archdiocese. It is a mark of Leopold's 'international' reputation that his instrumental music found a ready audience throughout most of German speaking Europe. Editorial dynamics and other articulations are given in brackets; editorial slurs are dotted. No distinction is drawn between staccato dots and strokes; as his violin treatise, autographs and authentic performing parts show, only one symbol was employed by Leopold Mozart (and later byWolfgang): the stroke, which indicates varying shades of accent and articulation, depending on the context. The only instance in which Leopold notated dots was under slurs. Additionally, slurs have not been automatically added to connect grace notes and main notes. Although Mozart's Gründliche Violinschule prescribed the universal performance of such slurs, even in cases where they are not notated, irregularities in musical orthography, changes in musical style, and the specific contexts in which grace notes appear, all suggest that this 'rule' may not have applied in numerous instances. As with most aspects of eighteenth-century performance, the performance of slurs, articulation, tempo and ornamentation are subject to 'good taste'. Obviously wrong notes and rhythms have been corrected without comment. Cliff Eisen

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SKU: 55290536283

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It’s just as described. I love it. Very pretty and lots of space.
Size: Medium (6.8"W*4.4"D*2.2"H), Color: Beige
The quality of it was great. It’s very pretty and easy to travel with. Love the removable eaaring holder. Gives enough room for everything
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It is really well made and perfect for travel!
It is just like the picture and it is lovely. Plenty of room and under the tray it is large enough for changes with pendents. It is perfect for a girl and will be perfect for the amount of jewerly you take when traveling. Thank You!
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Very nice little box.
This is a great little jewelry box. I don’t have tons of jewelry right now, so this fits everything well, and the leather-look material is very nice. I like the simple design and organization, and it is a nice size to travel with. It looks really pretty sitting on my dresser and goes with the aesthetic of my home well.
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Pretty
Very nice simple jewelry box. My only issue is spacing to put necklaces is a bit tight, but there is plenty of room in this little guy. I put a lighter next to it, for size comparison.
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