SKU: 48290683125

Pale Blue Gardenia Slip Nightgown

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Description

Pale Blue Gardenia Slip NightgownAlways in style, Heidi's classic slip nightgown promises a peaceful sleep draped in super soft, lightweight cotton. The subtly feminine silhouette with flowing skirt and fitted bust offers an alluring alternative to traditional shift nightgowns, while a contrasting scalloped hem adds a sophisticated finish you won't find in everyday sleepwear. Offered here in a hand painted pale blue gardenia print, this night to day essential brings you firmly into

Always in style, Heidi's classic slip nightgown promises a peaceful sleep draped in super soft, lightweight cotton. The subtly feminine silhouette with flowing skirt and fitted bust offers an alluring alternative to traditional shift nightgowns, while a contrasting scalloped hem adds a sophisticated finish you won't find in everyday sleepwear. Offered here in a hand-painted pale blue gardenia print, this night-to-day essential brings you firmly into the now with a hint of Old World glamor. Slip nightgown runs small, please size up if you have a larger chest.

Looking to make this the perfect gift? Don't forget the personalized gift-wrapping option when adding this lovely nightgown to your cart.

Pair this nightgown with our Pale Blue Gardenia Classic Robe

  • Soft, cool cotton forms a slight A-line fit with a close-fitting bust and adjustable straps
  • Hand-painted chinoiserie gardenia print designed in pale blue
  • Delicate scalloped trim creates a soft, feminine finish
  • Customers say: "Love the fabric, it feels wonderful!"
  • Printed by local artisans in the Rajasthan region of India
  • Handmade luxury, designed in California
  • If you have a larger cup size, we suggest ordering the next size up
Print Story

I am thrilled to be launching the first pattern in my new Chinoiserie Collection: The Gardenia Print. The soothing nature scene is captured in soft tonal colors that beckon you to breathe easy and feel your best.  

Chinoiserie, a Western style of art inspired by Chinese motifs and techniques, was very popular in European art, furniture, and fabrics during the 17th and 18th centuries. The style was especially celebrated on exquisitely detailed wallpapers, displayed with pride in countless French and English estates and country homes. 

When I was growing up, my mother had most of the rooms in our house covered with beautiful wallpaper. My great grandmother loved wallpapers by the famous interior designer Nancy McClelland, and had every wall of her Brick House on Shelburne Farms papered with unique American prints. Those memories, woven with my own inspiration, helped create what you see today.  

My Gardenia Print has been meticulously drawn and painted by hand in the Chinoiserie tradition. The gardenia flower is a personal favorite of mine. I love its soft white petals, and the fragrance instantly transports me to happiness! Using a classic Chinoiserie scene, I set the blossoms among birds both large and small to invoke depth and tranquility. 

Chinoiserie has always represented to me a sophisticated look infused with a vibrant, welcoming energy. I have tried to capture this feeling on fabric. My goal was to create a print that could transform any ordinary moment – morning or evening – into an elegant affair. You deserve to be wrapped in beauty before a busy day unfolds, and while it’s winding to an end.

Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 48290683125

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4.3 ★★★★★
Based on 28 reviews
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R. G. T.
Bozeman, US
★★★★★ 5
Find yourself, your heritage and the wonder of words!
Format: Hardcover
Get this book! "If we are Black it should be Perfect. Crystal has shared a wonderful book. Curl up with a cup of soul and enjoy it."―Nikki Giovanni, Poet I could not say anything more than Nikki or others who’s reviews stare more eloquently the wonder of Crystal’s words!-Regina
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 18, 2021
M
MW in KY
Louisville, US
★★★★★ 5
Amazing Collection!
Format: Hardcover
I've loved Crystal Wilkinson's fiction for so long, so I'm thrilled to see her new book of poems (along with some essays and gorgeous/compelling artwork by Ron Davis). So many memorable image systems work their ways through the poems: creek water, tobacco, the Black body, blood, knives, food and kitchens--symbols and themes which have always marked Wilkinson's oeuvre in one way or another. Her language is lyrical in describing the brutalities of farm life, abuse, grief, and loss. This poetry collection is just stunning!
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Reviewed in the United States on November 9, 2021
P
Peggy Hardman
Draper, US
★★★★★ 4
Need my own copy.
Format: Kindle
Looking forward to more of her work, and rereading this book. Some very evocative lines awake my granma memories much like the granmother memories herein.
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Reviewed in the United States on February 24, 2022
R
Verified Purchase
Readergurl
Charlottesville, US
★★★★★ 5
Amazing Book...
Format: Paperback
It takes a lot nowadays for me to rate any Fiction book 5 stars. I read way more non-fiction, and usually only read highly recommended fiction, or some that's given to me. There are plenty of other reviews here that tell you how it's not a "happy" book (why that matters i dont know), so i wont go on about that part. I dont base my reading choices on whether they have a happy fantasy story. This story is very real. The writing is really good. I have several points that i use to rate a book: the story itself, the actual writing style, the 'entertainment' value, the emotions it brings out - laughter, sadness, etc., and if it's very memorable - either by being very different than anything i've ever read, or by something else about it being very different. The only point out of all of those that i wouldnt give a 5 would be the writing style/prose - which i'd give a 4. It's very good, but not "amazing" to me like some authors are. The author brought me into the characters - where i could feel what they were feeling, and i understood why they did the 'bad' things they did - totally. I felt the way they lived, the area, the poverty... As the story progressed, i stayed up one night for HOURS wanting to know what happened - until the sun rose actually. As the finale was coming - which i had no idea would be the way it was - i was literally gripping the book with both hands and holding it up to my face. I realized this and laughed to myself since i hadnt even noticed. Then - i sobbed thru the last 20 pgs - i havent cried from ANY fiction for a long time. Yes, i get into books and really let them take me away, but this book has a special kind of writing and a special story that i never expected to effect me sooo much. The author THEN does something so amazing at the very end - when i couldnt believe it could get any better. I KNEW what i wanted to happen - and i kept thinking to myself, "no, it wont - because it will just seem to corny if it does." (Even tho i wanted it so much.) She made it happen in a special way, without making it corny but while bringing me the hope and good feeling i needed after all the sobbing. (I dont want to give anything away just in case you dont know the story.) This book scores an A+. If you love good, moving, American fiction you will love this.
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Reviewed in the United States on October 21, 2013
F
Verified Purchase
Francophile in Michigan
Alexandria, US
★★★★★ 4
Brava, Ms. Ward
Format: Paperback
I read this novel, along with nine others, for a college literature course. Of the ten, this was the only book to elicit a strong emotional reaction from me. There were moments when I hung my head in frustration, threw up my hands in respect (God bless Ward’s writing style), and wiped my face of tears and snot after crying my eyes out. An incredibly moving and poignant novel. The novel opens with its narrator Esch, fourteen years old and pregnant. She often follows her brothers around, and is constantly surrounded by men as well as the gruesome society of dog-fighting. Esch’s predominant male surrounding is, perhaps, the main influence that encourages her to sleep with her brother’s friends, and to submissively pine for the one boy, Manny, who unforgivingly mistreats her. Though Esch’s character was impeccably frustrating, and borderline stereotypical and archetypal, her faults lie with a motherless young girl, who wants to be wanted and loved. Both frustrating and annoying, this characterization was, at times, unlikable, yet that is exactly what made Esch so human. I applaud Ward’s lyrical writing style, as well her ability to write such gruesome and honest depictions that made me literally cringe when reading. Ward is able to effortlessly incorporate poetic language into her novel that, at times, made me set the book in both awe and envy, knowing I would never be able to produce such a product. I did find there to be a disconnect between the poetic language and the colloquial diction. That’s to say, I found it a bit unbelievable that Esch would speak so poorly to her family and friends, yet express herself so eloquently in her narration. Regardless, I found the poetic language to be successful and moving. I knew before reading the book that it was centered on Hurricane Katrina. However, I was surprised that the novel was centered on the build-up to the hurricane. Katrina itself is more or less twenty pages. The chapter pertaining to the hurricane, as well as the aftermath of the hurricane, were the sections of the novel that I found most captivating. Living through the hurricane with Esch and her family was difficult to read, which is perhaps why Ward chose to limit its description. That said, I wish I had more of Katrina and its aftermath. I waited for the hurricane for 200 pages, and it seemed to end as soon as it started. Though I was unsatisfied by the ending, I appreciated that the novel was a work that was not so much about Katrina as it was about survival and family. I was captivated by Ward’s poetic writing and honest characters. I will definitely be on the lookout for her other works, as well as an avid recommender of this novel.
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Reviewed in the United States on December 10, 2015

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