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Hofmann, Leopold: Violin & Cello Concerto in G major (Badley G1) [Study Edition] (AE028/SE)

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Hofmann, Leopold: Violin & Cello Concerto in G major (Badley G1) [Study Edition] (AE028/SE)Description Hofmann, Leopold (1738 1793) Product Code: AE028 SE Description: Violin & Cello Concerto in G major (Badley G1) [Study Edition] Edited by: Allan Badley Year of Publication: 2000 Instrumentation: vn pr; vc pr, pfte Binding: Piano Reduction: Stapled Parts: Unbound Duration: 21 min(s) Key: G major ISBN: 1 877231 93 2 Solo Instrument(s): Violin, Cello Audio sample Details During the 1760s and early 1770s, the years of his greatest fame and

Description

Hofmann, Leopold (1738-1793)

Product Code: AE028/SE
Description: Violin & Cello Concerto in G major (Badley G1) [Study Edition]
Edited by: Allan Badley
Year of Publication: 2000
Instrumentation: vn pr; vc pr, pfte
Binding: Piano Reduction: Stapled/ Parts: Unbound
Duration: 21 min(s)
Key: G major
ISBN: 1-877231-93-2
Solo Instrument(s): Violin, Cello

Audio sample

Details

During the 1760s and early 1770s, the years of his greatest fame and productivity, Hofmann wrote around sixty concertos including a number of double concertos, one of which is scored for violin and violoncello. Hofmann was a very fine violinist and an experienced composer of concertos for both instruments. A concerto for this exact combination of solo instruments, performed, oddly enough, by "Les deux Frres Hoffmann" on 12 December 1761, appears in Philippe Gumpenhueber's Repertoire for that year. In spite of appearances there is nothing to connect this work or any other with Leopold Hofmann and grave doubt as to whether he was one of the performers involved. There were several court musicians named Hoffmann (or Hofmann) in Vienna at this time and as far as we know neither of Leopold's two brothers performed professionally. The most likely candidates for this performance are either Anton or Johann Baptist Hoffmann (violin) and Johann Nikolaus Hoffmann (violoncello). The sole surviving copy of the work - a set of contemporary manuscript parts now preserved in the Gesellschaft der Musikfreunde in Wien (IX 21568) - are enclosed within a wrapper which reads " Concerto / a/ Violino Violoncello Conc. / Violino Primo / Violino Secondo / Viola / con / Basso / Del Sigre / Leopoldo Hoffmann / 1782 " Although there is no external corroborative evidence to support Hofmann's authorship of this work, it bears many striking resemblances to his other string concertos and can be accepted as genuine with few qualms. The date, added by a later hand and barely visible, should be accepted with a good deal of caution although the remarkable cadenzas, surely the work of Hofmann himself, may point to a relatively late composition date. In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in this source. As is usual in Hofmann's concertos there are no dynamic markings in the solo sections; these are left to the discretion and good taste of the performer. The style and notation of articulation and dynamic markings have been standardized throughout, and, where missing from the source, reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth century sources, the present manuscript is very inconsistent in its notation of appoggiature ; these too have been standardized to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley

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SKU: 43309635398

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Interloper
Grantham, US
★★★★★ 1
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Reviewed in the United States on February 25, 2026
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JAMES HAYES
Belleville, US
★★★★★ 4
Instructions are useless
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The instructions are poorly written and not very helpful. The divider itself is easy to assemble, and honestly, it would’ve been quicker if I had skipped the directions altogether. Once put together, though, it works as intended.
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Platinum Motif
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This divider is great for creating a little privacy or separating a small area without taking up much space. The fabric is thick enough to block visual clutter, and the frame is lightweight but stable once it’s opened. It folds flat for storage, which is convenient if you only need it occasionally. Assembly was straightforward, and it was the perfect size. It’s a practical piece for apartments, studios, or home offices where you want a quick, temporary partition.
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This is a good privacy screen that's easy to assemble and looks nice. Be a little careful moving it, as the corners can twist. It's sturdy once in place, and the thick material is completely opaque. If the folds bother you, you might want to iron it, but I'm happy with it as is.
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Dan & Stacey
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Lightweight divider that works well for video call backgrounds
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This divider works fine for what it is, but it’s definitely on the lightweight side. Setup was very easy and only took a few minutes. The frame is fairly light, so it’s easy to move around or reposition if needed. That said, the tradeoff is that it’s not especially sturdy. It stands fine on its own but I wouldn’t expect it to handle much bumping or movement. I mainly bought it to use as a background for Zoom calls when I’m working from my den, and for that purpose it works great. The fabric panel blocks the room behind me and gives a cleaner background on camera. It’s not huge though. To keep the camera from seeing around it, I have to position it directly behind my chair. If you’re expecting it to divide a large room or create a big privacy barrier, it may feel a bit small. Overall, it does the job and works well for temporary setups or video call backgrounds, but the lightweight frame keeps it from feeling like a premium divider. The product description and photos are accurate.
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