SKU: 35051254807

Nishiki-e shūshindan 錦絵修身談 (Brocade Pictures for Moral Education) / 幼女兄を愛して白刃の下に立つ "Standing beneath the white blade, loving the younger sister"/ 小林年参 Kobayashi Toshimitsu (active 1876–1904)

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Nishiki-e shūshindan 錦絵修身談 (Brocade Pictures for Moral Education) / 幼女兄を愛して白刃の下に立つ "Standing beneath the white blade, loving the younger sister"/ 小林年参 Kobayashi Toshimitsu (active 1876–1904)Comprehensive info on Yoshitoshi' series and complementary prints, with info for every printAnything you want to know about this series is there. Quite rare designs. Year: 1883Title of the series: "Nishiki e shshindan" (Brocade Pictures for Moral Education)This print title: "Standing beneath the white blade, loving the younger sister"The six Yoshitoshi volumes were accompanied by The Ninety Two Oban size Color Prints Issued in 1883 As Supplements to

Comprehensive info on Yoshitoshi' series and complementary prints, with info for every print
Anything you want to know about this series is there. Quite rare designs.

Year: 1883

Title of the series: "Nishiki-e shūshindan" 錦絵修身談 (Brocade Pictures for Moral Education)
This print title: 幼女兄を愛して白刃の下に立つ "Standing beneath the white blade, loving the younger sister"

The six Yoshitoshi volumes were accompanied by

The Ninety-Two Oban-size Color Prints Issued in 1883 As Supplements
to the Textbooks "Nishiki-e shūshindan" 錦絵修身談

In October 1883 [see "Dating the Prints", below] a set of ninety-two full-color oban-size prints designed by students of Yoshitoshi were published by Tsuji Keiji and his publishing house Fukyūsha as supplements, or accompaniments, to the six volume set of textbooks. These prints illustrated the ninety-one short stories in the six volumes. A number of the prints issued were based upon Yoshitoshi's black and white illustrations in the texts. Each of the full-color prints carries the same title as the textbooks, 錦絵修身談 (Brocade Prints for Moral Education), along with the volume number, across its top. The story name, along with its number in the volume it appears in and the page number of the portion of the text it is illustrating appears in a vertical red cartouche.


Publisher Tsuji Keiji 辻敬之
Publishing house Fukyūsha 普及舎.

Info for this print:

after Yoshitoshi's black & white design in Volume 5, story 5
幼女兄を愛して白刃の下に立つ八丁
signed:
年参写 Toshimitsu utsushi
年親校 Toshichika kō

artist names:
小林年参 Kobayashi Toshimitsu
富永年親 Tominaga Toshichika
ホリキク (Carver: Hori Kiku)

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SKU: 35051254807

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4 for world
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So I’m giving a 4 Star more so probably because I love the world and the original shatter me series. This particular book was fine it wasn’t bad but I also felt like nothing really happened either. If that makes sense. I don’t regret reading or buying at all but just wished more happened within the story. Still obsessed with its Warner and Ella love theme 🥰
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Reviewed in the United States on April 8, 2026
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I liked that this book was fast paced and more background for the main characters was provided. I love the voice of this author as it is poetic, honest, and stirring. It drags a little bit towards the end but otherwise it is pretty good!
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Marissa Casper
Natrona Heights, US
★★★★★ 3
No plot or character progression.....
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Tahereh Mafi’s Release Me was a very mixed reading experience for me, landing at a solid 3 stars overall. While the book is undeniably entertaining and packed with action, it also suffers from major pacing and development issues that kept me from fully connecting with the story. The biggest highlight, without question, was the return of the original characters. Kenji and Warner absolutely carried this book from beginning to end. Their banter, personalities, and presence brought back the charm and emotional attachment that made the original series so addictive. Every scene involving them felt comforting and familiar, almost like coming home after being away for a long time. Juliette’s appearances and the dynamic between the older cast members were easily the strongest aspects of the novel. Unfortunately, I struggled heavily with Rosabelle and James. Their relationship felt repetitive and emotionally stagnant, with so much focus placed on their “doomed” and forbidden romance that it often overshadowed the larger conflict happening around them. There was constant back-and-forth between Rosabelle trying to escape, James making frustrating decisions, and Warner cleaning up the chaos. At times, it genuinely felt like the plot was moving in circles. What makes this book frustrating is that so much technically happens, yet by the end it somehow feels like nothing truly changed. Character arcs barely progressed, relationships remained in the exact same place they started, and several storylines felt oddly untouched. Juliette is still pregnant, we still know very little about what comes next for many of the characters, and even fan-favorite dynamics like Kenji and Nazeera barely received meaningful development. That said, I can’t deny that the book was compulsively readable. There were moments where I genuinely could not put it down because the pacing and action kept things moving quickly. The dialogue and humor between the characters carried much of the entertainment value, and the nostalgia factor played a huge role in keeping me invested. If I hadn’t already loved these characters from previous books, though, I honestly don’t think this story would have worked nearly as well for me. Ultimately, Release Me feels like the definition of “no plot, just vibes.” It’s entertaining, nostalgic, and full of beloved characters, but lacks the meaningful progression and emotional payoff I was hoping for. Fans of the original series will likely still enjoy revisiting this world, but readers looking for strong plot advancement or major character growth may leave feeling a little unsatisfied.
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