SKU: 24003427813

Maton EBG808 Artist Series Sitka Spruce and Blackwood ID-9462

Sale price$1127.70 Regular price$1253.00
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Description

Maton EBG808 Artist Series Sitka Spruce and Blackwood ID-9462Maton EBG808 Artist With Sitka and Blackwood The combination of a AAA Sitka Spruce soundboard, Ebony fingerboard, Ebony bridge and Blackwood back, sides and neck produces a tone that is rich, full, well balanced and with the glassy highs essential to the tone of this fantastic guitar. This Maton EBG could be just what you've been looking for! One of the most visually stunning furniture timbers available, Blackwood has also become an important

Maton EBG808 Artist With Sitka and Blackwood

The combination of a “AAA” Sitka Spruce soundboard, Ebony fingerboard, Ebony bridge and Blackwood back, sides and neck produces a tone that is rich, full, well balanced and with the glassy highs essential to the tone of this fantastic guitar. This Maton EBG could be just what you've been looking for!

One of the most visually stunning furniture timbers available, Blackwood has also become an important tonewood. Most of the Blackwood comes from the Otway Ranges in Victoria, Australia. It often displays "fiddleback" character and "AAA" grade Blackwood can be intensely figured. It has a warm, full tone with a particularly pleasing mid frequency response and has become one of the most sought after timbers. It may be of interest to learn, that whenever a Maton employee gets to make their own guitar, they almost always choose Blackwood.

It is used in nearly every Maton either as a neck, back & sides, or internal component.

The AP5 Pro Pickup System includes a separate microphone and piezo pickup, both of which can be blended via their individual controls. The microphone is direct mounted to the preamp casing via an adjustable arm, which permits easy final tweaking of microphone position to suit the individual artists style.

Includes Original Hardshell Case.

Check out some of our other Maton Guitars

Specifications:

Shipping Weight: 20

Serial: 10695

Top Wood: "AAA" Select" Grade Solid Sitka Spruce

Back Wood: Blackwood

Nut Width: 1 47/64"

Scale: 25.5"

Inlays: MOP snowflake inlays

Rosette: Herringbone soundhole rosette

Neck Wood: Select Queensland Maple

Fretboard: Ebony

Bridge: Rosewood

Tuners: Gold Grover Rotomatic

Body Binding: Five-ply inner binding Blackwood outer binding

Pickguard: Tortoise shell

Headstock Shape: Blackwood veneer keyhole headstock

Headstock Overlay: Blackwood

Headstock Inlay: Maton Logo

Frets To Body: 14

Body Depth: 4 59/64"

Lower Bout Width: 14 13/32"

Upper Bout Width: 11 7/32"

Total Length: 39 23/32"

Pickup(s): AP5-Pro pickup system

Case: Hardshell Case Included

FP Featured - Line 1: Maton EBG808 Artist

Shipping Notes
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  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 24003427813

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Quality filter.
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I have been using these filters for years on my Grand Caravan. Wait till they go on sale and stock up on them.
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Gregg Smith
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This filter was perfect for my 2020 ram 1500, however I had to get a replacement because the gasket was not included in the box as delivered. I contacted the seller and they replaced it within two days. The replacement unit had both the filter, and the gasket in the box it should've been.
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pullitmans
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Royce Green
Cuba, US
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Exposing the Roots of Christian Nationalism
Format: eTextbook
Kevin M. Kruse’s One Nation Under God: How Corporate America Invented Christian America dismantles the enduring myth that the United States was founded as a “Christian nation.” Instead, Kruse demonstrates how this identity was deliberately constructed in the mid‑20th century as a political strategy. Beginning in the 1930s, business leaders alarmed by Franklin D. Roosevelt’s New Deal sought to counter what they perceived as government “slavery.” To resist these reforms, they partnered with clergy and promoted the idea of “freedom under God,” blending economic resistance with religious appeal. This alliance reached its zenith during Dwight Eisenhower’s presidency. Eisenhower expanded religion’s role in public life, inaugurating the National Prayer Breakfast, adding “under God” to the Pledge of Allegiance, and making “In God We Trust” the official national motto. These initiatives reshaped American identity, fueling a surge in church membership and embedding religious language into civic rituals. The phrase “one nation under God” became a widely accepted marker of patriotism, crossing political and denominational lines. Kruse’s central argument is that Christian nationalism was not inherited from the Founders but deliberately cultivated by corporate and political interests in the 20th century. By exposing its origins, he reveals how this “invented tradition” continues to shape and divide American politics today. C.S. Lewis, in The Screwtape Letters, anticipated this danger with remarkable clarity. He warned that the gravest temptation is not outright disbelief but the subtle corruption of faith—when Christianity is treated as a means to another end rather than as an end in itself. Lewis’s insight resonates with Kruse’s account: both show how faith can be co‑opted when believers confuse God’s kingdom with Caesar’s. History is important, but it is equally important that we do not allow bad history to repeat—or even to rhyme—when each stanza leads us further from God. Kruse provides the historical scaffolding, Lewis the theological discernment. Together they invite us to vigilance: to name the temptations of Christian nationalism, to resist its allure, and to anchor our communities in the truth that God’s kingdom cannot be co‑opted by worldly power.
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Reviewed in the United States on December 16, 2025

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