SKU: 2233448006

Kraus, Joseph Martin: Sinfonia in C major Violin Obligato (VB137/ VB138) (AE150)

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Description

Kraus, Joseph Martin: Sinfonia in C major Violin Obligato (VB137/ VB138) (AE150)Description Kraus, Joseph Martin (1756 1792) Product Code: AE150 Description: Sinfonia in C major Violin Obligato (VB137 VB138) Edited by: Allan Badley Bertil van Boer Year of Publication: 1998 Instrumentation: vn pr; 2fl 2cor 2vn va vc b Binding: Score: Spiral Parts: Unbound Duration: 19 min(s) Key: C major ISBN: 1 877171 50 6 Audio sample Details Described by scholars as a symphony, a sinfonia concertante, and even a violin concerto, the Sinfonia in

Description

Kraus, Joseph Martin (1756-1792)

Product Code: AE150
Description: Sinfonia in C major Violin Obligato (VB137/ VB138)
Edited by: Allan Badley/Bertil van Boer
Year of Publication: 1998
Instrumentation: vn pr; 2fl 2cor 2vn va vc b
Binding: Score: Spiral / Parts: Unbound
Duration: 19 min(s)
Key: C major
ISBN: 1-877171-50-6

Audio sample

Details

Described by scholars as a symphony, a sinfonia concertante, and even a violin concerto, the Sinfonia in C with the obbligato violin was most likely written in Stockholm about 1778-1779, based upon handwriting and watermark evidence. It represents one of Kraus's first compositions after settling in Sweden. The purpose for which it was written remains unknown, and indeed it is not entirely certain if the work was ever performed during the composer's lifetime. The sole surviving source is the autograph preserved in the Universitetsbibliotek at Uppsala University. This was acquired by Kraus biographer Fredrik Samuel Silverstolpe sometime after 1825 from the Stockholm antiquarian book market. On the final page is a note penned by Silverstolpe giving the themes and fate of the Symphony in D major (VB 143), which was published during the composer's lifetime in Paris and London with an attribution to Joseph Haydn. It is clear from the context of the work, Kraus's first with a slow introduction, that it does not conform well to the standard notion of a true symphony. The solo violin has extensive passages that go beyond the usual obbligato parts found in other contemporaneous symphonies, yet the work does not have the form or structure of a concerto. In addition, there are passages for solo flute and violoncello, as well as a couple of brief appearances for the violas, that add a further dimension to the symphony. It may well be that this work might be either a reworking or contain material from a now lost Sinfonia concertante for obbligato flute, violin, viola, violoncello and orchestra that was written in 1777 in Gttingen. Kraus's autograph score presents few problems to the editor beyond the usual task of ironing out inconsistencies. Thus, the style and notation of articulation and dynamic markings have been standardized throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Bertil van Boer Allan Badley

Performance

30 September 2009 Conductor: Gerd Schaller Münchner Rundfunkorchester Kloster Ebrach, Kaisersaal - Ebrach - Germany
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SKU: 2233448006

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★★★★★ 5
My second pair and what they look like after 2 years
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I wanted to write a review on these shoes. This is my second purchase. I bought the first pair 2 years ago and the bottoms started wearing out, after all it was 2 years. I read reviews saying that they did not hold up well. My pictures show before and after. The reason I purchased again is because I am impressed with the quality and comfort for the money.
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I used these Feethit men’s slip on running shoes for about six months, and my experience was a bit mixed. Starting with the positives, they are pretty comfortable right out of the box. They are lightweight and easy to slip on, which makes them great for quick trips or casual everyday wear. The fit was true to size for me, maybe even a little on the loose side, which I did not mind for a relaxed feel. However, the durability just was not there. After about six months, I started to notice wear and tear, and eventually I got a tear in the sole right under my heel. That made them really uncomfortable to walk in, especially for longer periods. Once that happened, it was basically game over for using them regularly. Because of that, I would not recommend these for heavy use, workouts, or long days on your feet. They seem better suited for light, occasional wear rather than something you rely on daily. Overall, they are comfortable and easy to wear at first, but they do not hold up over time. If you are looking for something long lasting, you may want to look at other options.
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These shoes don’t stretch so I was unable to get my foot in the shoe. They are my size, but the opening has no stretch so you can’t get your foot in the shoe. I tried several different ways and then realized even though the shoe is the correct size, the opening was too small. They made the opening for the shoe probably the same size on all shoes, so unless you have kids feet you won’t even be able to slide them on. I’ve never had a shoe I couldn’t get on. I’ve worn Sketchers no problem. This is design flaw and I highly recommend you don’t buy!
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These tennis shoes are so comfortable!!! I would recommend anybody to get these, especially if you do a lot of walking they’re very light but have a good heal support and the soul is nice and soft and cushy.. They’re also so cute. I got the blue ones and red also.
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