SKU: 22124500144

KEF Q Series Q4 Meta Two-way On-wall Speaker

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Description

KEF Q Series Q4 Meta Two-way On-wall Speaker2 way on wall speaker The slender and sleek Q4 Meta is a highly versatile on wall speaker that can be used as left, centre, and right (LCR) speaker, or as a surround speaker. Featuring a 5. 25" 12th generation Uni Q driver array with MAT, the HiFi speaker delivers an expansive, immersive soundscape without taking up valuable floor space. Q Series HiFi Speakers The successors to our renowned, award winning HiFi speaker range, the Q Series has evolved

2-way on-wall speaker

The slender and sleek Q4 Meta is a highly versatile on-wall speaker that can be used as left, centre, and right (LCR) speaker, or as a surround speaker. Featuring a 5.25" 12th generation Uni-Q driver array with MAT™, the HiFi speaker delivers an expansive, immersive soundscape without taking up valuable floor space.


Q Series
HiFi Speakers

The successors to our renowned, award-winning HiFi speaker range, the Q Series has evolved once more in its 9th iteration since 1991. Now incorporating the revolutionary Metamaterial Absorption Technology (MAT™) and a suite of innovative acoustic technology derived from our flagship HiFi speakers, high fidelity sound is more accessible than ever. Leveraging the latest 12th generation Uni-Q driver array and cutting-edge analysis techniques, the Q Series has been carefully fine-tuned. This includes a crossover redesign that refines the signal path response for a more natural, detailed sound. The result is a comprehensive line-up of eight speakers that can be easily tailored to your space and desired set up. Whether for stereo music or multi-channel home cinema, the Q Series offers a solution for everyone.

Revolutionary sound absorption with MAT™

The crucial new advancement in the Q Series is the integration of Metamaterial Absorption Technology (MAT), a revolutionary innovation that takes the performance of the latest 12th generation Uni-Q driver array to another level in terms of accuracy and clarity. 

MAT is a highly complex maze-like structure, in which each of the intricate channels efficiently absorbs
a specific frequency. When combined, the channels act as an acoustic black hole, absorbing 99% of the unwanted sound that comes from the rear of the tweeter. This eliminates the resulting distortion for a purer, more natural acoustic performance.

Superior KEF sound

The latest 12th generation Uni-Q driver array with MAT is found in all eight models of the Q Series and delivers an incredibly detailed performance. It’s the result of decades of accumulated in-house knowledge and the application of state-of-the-art simulation and analysis tools. The developments are many and all play a part in the Q Series’ impressive performance.

The Uni-Q driver array has been redesigned to maximise the performance improvements that MAT delivers. The conical waveguide that couples the tweeter dome to the metamaterial absorber has been specially designed for the driver based on its depth. The re-engineered tweeter gap damper strategically places two rings of porous material to tame the resonances and imperfections effectively, greatly improving detail and clarity.

The tweeter motor system has been redesigned to maximise the transmission of energy from the rear of the tweeter to the MAT absorber. The area of the tweeter rear chamber vent is increased by 250%, allowing more sound to reach the metamaterial absorber and therefore its effectiveness. This also significantly reduces the acoustic pressure behind the dome, allowing the tweeter to operate more linearly leading to lower distortion still.

The Flexible Decoupling Chassis first used on the flagship Blade and The Reference loudspeakers is employed on the Uni-Q driver array to dramatically reduce colouration of the sound caused by midrange vibration transmission to the cabinet, while also mitigating the potential of additional sound created by the driver basket that occurs with traditional decoupling methods. It works by decoupling the massive midrange motor from the Uni-Q chassis, dissipating its vibration before it can travel to the cabinet and
be radiated as unwanted sound.

These innovations combine to ensure the Q Series sounds more transparent and lifelike than ever.

An extra half way

The evolved Q Series has been upgraded from a 2.5-way to a 3-way speaker design4. This updated configuration separates the frequency ranges, with the Uni-Q driver handling the high and midrange frequencies, and a newly designed bass driver dedicated to the low frequencies management.

The optimisation of the drivers for their respective frequency bands allows the 12th Uni-Q driver to perform even better. By minimising the motion of the mid-frequency cone, the tweeter can transmit high frequency sound over a smoother and more stable surface. This reduction in movement leads to a diminished distortion in the lower midrange frequencies, resulting in a significant improvement in detail and clarity.

Deep and clean bass

The Q Series features a new bass driver design4 – a hybrid structure with a shallow, concave, aluminium skin atop a paper cone – which gives stiffness to achieve a piston-like movement for better bass punch and speed. Combined with a 3D FEA-optimised surround geometry, this significantly improves linearity at higher excursions. This results in a precise and agile bass management even at high output.

Additionally, the flared port, modelled with computational fluid dynamics, minimises turbulence and reduces chuffing noise. This enables the ported speakers to produce bass that is cleaner and more controlled.

Refined crossover from 1000 measurements

A critical component of the Q Series is the refined crossover, which ensures seamless integration of all speaker parts. To achieve this, our engineers take more than 1,000 specific measurements for each speaker model using a custom-built reference microphone array in our anechoic chamber in Maidstone, UK. These extensive on and off-axis measurements allow our team to thoroughly understand each model's acoustic interactions, enabling precise crossover design through advanced simulation and prototyping. This meticulous process draws from the development of the LS50 Meta and has been further enhanced
through the creation of the latest Blade, The Reference and R Series, allowing each speaker model for precise signal path optimisation and the best possible performance.

Shadow Flare for improved clarity

Derived from the flagship models, Shadow Flare4 is a further upgrade for the evolved Q Series. It reduces unwanted cabinet diffraction , allowing the 12th generation Uni-Q with MAT to work at its highest potential. Shadow Flare is a precision-designed surface that extends the waveguide effect of the Uni-Q driver array. This means the tweeter no longer has a line of sight to the cabinet edges, creating a ‘shadow region’ where the potential for diffraction is highest, minimising the acoustic impact to negligible levels. The improved clarity and reproduction of fine details make listening a thrilling experience. Subtle nuances, such as the delicate brushwork on cymbals or the intricate overtones of a piano, are clearer on the Q Series.

Perfected for your enjoyment

The Q Series comprises eight distinct models. The range extends from compact bookshelf speakers to powerful floorstanders, as well as a slender on-wall speaker and high-performance home cinema models. Whether installed in a spacious living room or a cosy corner, the diversity of form factors and capabilities within the Q Series allows you to curate your desired HiFi set up to suit your space and listening preferences, from music to movies and gaming.

Multi-dimensional music

Lose yourself in a symphony, rock out to your favourite band, or curate a mood-boosting playlist - the Q Series speakers are primed to deliver a captivating audio experience. There are two 3-way floorstanding models - Q11 Meta and Q7 Meta - which provide refined detail and powerful bass to bring your music to life. If you want to place the speakers on a cabinet or shelf, the Q Series provides a selection of bookshelf speakers including the 3-way Q Concerto Meta, as well as the more compact Q3 Meta and Q1 Meta. Designed for Q Series bookshelf speakers, the SQ1 floor stand creates a sturdy platform for them to perform. For those with constraints on floor or shelf space, the Q3 Meta and Q1 Meta can be easily wall-mounted using the optional B2 Wall Bracket. Additionally, the slender Q4 Meta is specifically designed as an on-wall speaker solution. It can also be used as an LCR (left, centre, right) speaker for a more expansive soundscape without taking up any floorspace.

Movie moment, maximised

The Q6 Meta 3-way centre speaker features the same Uni-Q driver as the main speakers, providing a perfect tonal match and a seamless soundstage. This ensures voices are crisp and clear, delivering excellent dialogue clarity. This versatile closed-box speaker is also designed to be used as an LCR (left, centre, right) speaker that can be positioned in cabinets and alcoves.

Sense everything from every direction with the addition of surround sound to create an immersive and atmospheric experience. The flexible Q4 Meta on-wall speaker is ideal for use as a surround speaker. The Q8 Meta can serve as a surround or rear speaker with the integrated wall mount feature. Alternatively, it can be placed upon another main speaker for Dolby Atmos height to bounce sound off the ceiling, bringing Dolby Atmos to the room without the need of custom installation. Pair the Q Series with KEF subwoofers for even more extraordinary impact. Whether it's the subtle rustle of leaves in a forest scene or the dynamic swell of a suspenseful scene, the Q Series will ensure you don’t miss any important moments.

Detail by design

The Q Series speakers feature a contemporary minimalist design with a satin finish that offers a premium, subtle glow. Available in Satin Black, Satin White, and Walnut finishes with carefully selected colour driver units, they are designed to blend effortlessly into any interior. Dedicated grilles are included with the speakers, providing the option to protect the drivers if needed. These colour-matched grilles maintain the cohesive aesthetic, while the magnetic fixing provides a secure and precise fit, in keeping with the clean and seamless styling of the Q Series.

Specifications

Design
Two-way bass reflex

Drive units
Uni-Q Driver Array:
HF: 25 mm (1 in.) vented aluminium dome
with MAT
LF/MF: 130 mm (5.25 in.) aluminium cone

Frequency range (-6dB)
52 Hz - 20kHz

Typical in-room bass response (-6dB)
44 Hz

Frequency response (±3dB)
65 Hz - 20 kHz

Crossover frequency
1.8 kHz

Amplifier requirements
10 - 150 W

Sensitivity (2.83V/1m)
86 dB

Harmonic distortion (90dB, 1m)
<2% 145 Hz and above
<1% 170 Hz - 20 kHz

Maximum output
108 dB

Impedance
4 Ω (min. 3.2 Ω)

Weight *
5.7 kg (12.6 lbs.)

Dimension (H x W x D) with terminal *
400 x 250 x 142 mm (15.7 x 9.8 x 5.6 in.)

Finishes
Satin Black / Satin White / Walnut
Shipping Notes
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Exchange/Return Notes
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SKU: 22124500144

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4.0 ★★★★★
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Dev Girl
Waukegan, US
★★★★★ 4
Well written, entertaining - whether this stuff is true or not depends on your opinion.
Format: Paperback
I loved Monroe's first book. *This* book is entertaining, although annoying at times trying to figure out who's talking. I'm silent on whether I believe Monroe's fantastic stories. But if you're okay with that risk, I'd recommend this for both entertainment & perhaps to help unleash some creativity in your self.
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Reviewed in the United States on August 27, 2024
A
Verified Purchase
Andrea Freund
Birmingham, US
★★★★★ 5
Changed forever
Format: Kindle
We become so mired in our subjective “reality”. I find it truly beneficial to have a different, perhaps more objective perspective. I hope this enables me to make necessary changes to my journey before its conclusion.
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Reviewed in the United States on December 30, 2025
L
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life is good
Bozeman, US
★★★★★ 5
Enlightening!
Format: Paperback
A history of Monroe's discoveries and seminars I took his seminars in the 1993-4 periods Excellent beyond my expectations
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Reviewed in the United States on April 3, 2025
G
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GiveHerAGoodMunchin
Los Angeles, US
★★★★★ 5
Excellent trilogy. This is book 2
Format: Paperback
Bob Monroe is an OG OBE G. Love this trilogy. If you can read, read this
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Reviewed in the United States on August 25, 2025
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Joe Neal
Port Orchard, US
★★★★★ 5
Great (excellent) details for the date written
Format: Paperback
NOTE: I toned this version down in 2021 – I was in a bad place when I wrote the original and there were some hostile and entirely inaccurate personal remarks in it. A few tables/charts with a wealth of information have tiny text but most of this was easy enough to read. The photos are poorly produced (at least in the paperback version I reviewed), which is sad given they would be so handy otherwise. This is a classic post-war treatise on the weapons used for ground warfare during World War II by the U.S. Army and as such the Marines. It was first published around 1947 when the war was fresh and doubtlessly numerous technical details were still classified. It was written by a man intimately involved in many design projects. The coverage pretty much explains the breadth. Examples of use are included for some weapons and detailed tables of data for many. He explains references to the "long primer" for the 76-mm gun and the 81-mm mortar T1 extension tube. I am happy to have bought it for that and numerous other details. One thing I missed when I first wrote the original rambling, a bit over the top review back in September 2015 was that the 57mm M1 antitank gun is not mentioned even though it was a key component of Infantry weaponry in 1944-45, sometimes maligned but often quite effective when carefully used as noted in many, many detailed accounts. Perhaps it was skipped because it was a revision of the British 6 pounder and not designed by Barnes men? Yet, it is an example of the issues caused by the pre war budget minders forcing the Army into desperate choices as explained later – and the using arms who decided to adopt it almost at the last minute, late in 1943. Until a weapon is adopted by the Army ammunition cannot be developed – it costs too much money and time to do so. Most of the book is positive and ignores failures, posed from the viewpoint of a proud designer not an actual user. Yet those failures illustrate the issues Ordnance had to deal with during the war. The U.S. invented the bazooka as the 2.36-inch model in 1942 yet the Germans fielded the more powerful 8.8-cm (88mm) model in 1944; and the U.S. did not get the 3.5-inch (90mm) into production-ready state until the war was ended. This was caused by offloading development onto people who went out for a “super rocket launcher” that had no place in the war. All too often, some excited designers did indeed get ahead of themselves when it came to what worked but was a bit too much (and ultimately impractical for the Army at the time). The inability to develop hollow-charge (HEAT) ammo for cannon and howitzers to reach its minimum potential (twice the caliber in penetration or better) was common for all countries including the U.S. The 105mm howitzer round was pretty good and while disparaged by all and sundry even the 75mm howitzer’s shell could (and did) take out medium armor. Barnes refers to the M3 and M5 light tank as "excellent" when the tanker's epithet would have been "tin plated coffin with a pea-shooter". Here we have an issue with comparing numbers such as armor thickness and penetration power of guns to facts; it is common to think they were butchered such as in Africa when in fact they fought well enough, flaws and all. But they were not the weapons the tankers wanted (nor deserved), and thus tanker’s complaints were valid. And, yes, they were not seen as a prime resource for fighting German tanks and hence reverted to recon and infantry support roles. Where they continued to meet and destroy German armor (but also be destroyed). Any German field commander would have loved to have a battalion of M5s on hand chasing down and chewing up U.S. troops; the contribution of the men in the light tanks in Europe in 1944 and 1945 is all too often belittled by the “number nerds” who toss the light tanks off as useless. They were anything but useless. Why were the M10, M18, and M36 designed as “Gun Motor Carriages” and not tanks? Because they were developed for the tank destroyer forces and the very bigoted officers who held the most sway on development wanted them to be nothing but “motorized antitank guns”. If they had been designed as tanks that would have invalidated Tank Destroyer Doctrine immediately. And yet, in the end, the men doing the fighting needed and wanted tanks, so they used them as tanks as much as they could, despite the open roof and lack of internal machine guns. It is claimed the gun motor carriages were cheaper than tanks (a specious argument given price varied by manufacturer and ultimately depended more on quantities produced not some arbitrary raw number) but to produce the gun motor carriages for a specialist role that was neither tank nor artillery (albeit they were used for both) was a costly thing to do. The failure to develop a better light tank in time is not mentioned even though the T7 light tank with a 57-mm gun was ready in mid-1942 and could have been in the field around 1943 (the Armored Forces botched that one). The M24 was a nice tank but too late simply because development came too late because development had been stunted badly by congress and it’s miserly pre-1941 budget. There are errors: The design of the M24 began in 1943, not 1945. The 76-mm gun could hardly penetrate the "...heaviest German tank armor." But it could penetrate a lot of armor and the myth that all German tanks were Tigers and Panthers is one of those fantasies of the war pursued by people who are glorifying the war not understanding it (most German armor was medium or lighter), let alone the myth that they were always met head-on is ridiculous. The 90-mm gun was not optimized for anti-tank use and hence had the same issues with dealing with the frontal armor of the Panther (though it could handle the Tiger) and yet was better at that than many other guns. The tendency to adapt anti-aircraft guns for anti-tank guns was common and is where Germany got its 88s and the 128mm. The U.S. found it did not need a lot of 90mms (the homeland was not threatened and what it produced was enough for its needs); there was never the demand for a higher altitude version and hence nothing like the 8.8cm FLAK 41 was developed which led to the 8.8cm Kwk43 and Pak43s; yet Ordnance built their own versions of hot 90mm for tank use. I missed the boat in my original review failing to detail how the Army’s main issue was the budget provided by Congress and politicians from 1920 through 1940. They starved the Army; the U.S. was peaceful and they had no interest in making it a military country and as such kept the Army small (and starved the air forces and Navy as well but not as badly). This crippled development; while the Soviets started building a modern Army in 1930 complete with investment in tank forces and tank arsenals; the Germans in 1934 or so; and British in 1934 or so; the U.S. politicians did not begin serious spending on the Army until 1941. Before then, the budget was all about “beans, bullets, and bayonets” and of course bodes to wield them. The Army had to struggle with what it had and put to field what was practical not what was best. Thus, for example, the recoilless rifles (used by the Germans in 1940) did not arrive in U.S. use until 1945. And yet a U.S. officer bult the first recoilless rifle to be used way back around 1916. Indeed, a brief little discussion on how the U.S. produced what it did based on budget would have opened many eyes. The Soviets produced so many thousand T34s for example, more than the U.S. – and in the U.S. the budget people were always saying, “You don’t need any more, stop building them!” As mentioned, the number of 90mm AA guns the U.S. produced was not based on manufacturing capacity but because they didn’t need more. Thus - there is a lot of information and many details many people will never have heard before. There are also many missing details concerning the Ordnance Department struggles to get things done in a very brief time frame thanks to how Congress had refused to let them do anything earlier. Dig into that deeper and you might find it nauseating the way people played games that hindered the U.S. Army in its job of helping beat the Germans. And sometimes couldn't put 2 and 2 together to get the right answer. But, they were human after all, and people do make mistakes. In my original review I argued that “If you want a politics free book you will not get it in this once, not unless you shut your eyes and remain ignorant . . .” but that is wrong. If this was a political book, Barnes might have ripped the budget mongers of the 1920s and 1930s a new sphincter for leaving the Army (and U.S. military as a whole) in such a bad situation as they did when war broke out. But, Barnes had more class than I do.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 19, 2015

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