SKU: 14708337827

Elephant Baby Shower Backdrop, Elephant Baby Shower, Elephant Party, Elephant Birthday, Blue and Silver Backdrop, Blue Baby Shower elephant

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Description

Elephant Baby Shower Backdrop, Elephant Baby Shower, Elephant Party, Elephant Birthday, Blue and Silver Backdrop, Blue Baby Shower elephantWelcome to our little shop! We are a couple professional designers who love to design for party Items!. We strive to provide the highest quality, excellent service and incredible lowest price for you. If you have any questions please feel free to convo us, and we will happily reply you in 24 hours. We offer digital files (you print) in ANY SIZE you need or select a printed option from the dropdown menu. We can customize with wording, size and colors

Welcome to our little shop!


We are a couple professional designers who love to design for party Items!. We strive to provide the highest quality, excellent service and incredible lowest price for you.If you have any questions please feel free to convo us, and we will happily reply you in 24 hours.


We offer digital files (you print) in ANY SIZE you need or select a printed option from the dropdown menu.


We can customize with wording, size and colors (this does not requiere an extra charge). Other customizations can be done with a small additional fee.


Select DIGITAL or PRINTED OPTION from the dropdown menu at checkout.


BACKDROP OVERVIEW ––––––––––––––––––––––––––

- Digital File only or Printed and Shipped Backdrop (select your option at checkout)

- Sizes available from the dropdown menu

- Turnaround Time 10-15 business days


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Size:

All backdrops are printed in width x height format.


If you are unsure about the size please check the images of the listing for size chart recommendations.


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Package: Rolled in a hard tube for delivery (No Wrinkles)

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Features:

Lightweight,easy handling and carry;

Wrinkle-Free;

Durable and Strong;

Intense vivid colour and realistic detail;

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About Materials:

We have the following materials:


POLYESTER CANVAS: this material is water-proof and 8oz thick, you could use damp towel to wipe stains if it gets stained, we ship it rolled up on tube.


**About FOIL/GLITTER:

Please note that this is just a graphic representation of GLITTER / FOIL. The product will NOT include actual glitter/foil, instead it will have a high resolution graphic that will print to look like glitter / foil . We would recommend professional printing or using a high quality laser printer to make our customers achieve the best results if they decide to print the files at home.


**About NEON/GLOW IN THE DARK

Please have in mind that the design shows an effect of glow in the dark, printed items will NOT actually glow in the dark.


**WHAT YOU WILL RECEIVE WITH YOUR BACKDROP PURCHASE:**


- DIGITAL FILE ONLY: A PDF and JPG file sent to your email. No physical items will shipped on this option. Printing will be needed on your own or locally.

Please type in "personalization" box or via Etsy message the size you'd like for your file and wording.


If you are looking for a custom design PLEASE message us BEFORE purchase to make sure we can do what you are asking for.**


- PRINTED OPTIONS: A physical backdrop shipped to your door. Sizes and turnaround time may vary depending on the size and your location. (5-10 business days) Monday - Friday


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PROCESSING TIME


For Digital orders: 1 - 2 business days, or 24 HRS RUSH FEE option available (Monday to Friday). Please select the option of your preference.


For Printed orders:5-10 Business Days to all US. All the printed orders must be approved before printing. Delays on the approval of proof file will delay the turnaround time.


On average, please allow 10-15 business days for US deliveries once your backdrop order leaves our warehouse.


If you have a specific date you need your order by or are concerned the above time frames won't be sufficient, simply message us and we can work with you to ensure on time delivery.


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About Color:

Please note that every computer has different color and resolution settings so colors shown on your screen may vary slightly from the actual print depending on your settings. The Backdrop Shop cannot offer refunds of replacements on items that have slight color variations for this reason as this is the natural process for any printed item.We have done our best to give a color description of each backdrop.

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How to hang up the backdrop:

If you will be using a backdrop stand please select the pole pocket option, if you would be using the command wall hanger please select the eyelets option.

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ORDERING


1. Purchase the item and complete.


2. IN NOTES TO THE SELLER BOX

Please specify all wording and details you would like for your purchase.


For example:

- Size

- Colors

- Party Theme

- Name

- Age

- Wording you want on the design


3. PROOF & REVISE FOR PRINTED BACKDROPS

You'll receive a proof of your design after purchase within 1-3 business days via Etsy message or email if the Etsy message is not answered. You can either approve or request revisions to the design. Up to 3 revisions are included on the listed price, additional rounds of revisions incur in additional fee.


Please be aware of the proof files we send via Etsy convo, if we do not get a response regarding the approval of the product, we will send an email to your registered etsy email account. *Please approve your proof or resubmitt your order with specific changes as soon as possible after receiving it or this will delay the process.


If your event date is close, please keep an eye for the proof, otherwise Delivery will be delayed (Digital File/Proof cost will not be refunded).


Your backdrop will not be printed until you are happy with your design. We won't print without approval.


4. PROOF & REVISE FOR DIGITAL FILES

Once you approve the proof, we will send the final product. If we don't receive an approval via Etsy message or email within 3 business days, we will send the high resolution file to your registered Etsy email.


A digital file (.PDF and .JPG) high quality (100dpi is our standard, if you need higher please request) for printing will be sent to the email registered on your order within 2-3 business days from your purchase, Monday to Friday, if the proof file has been approved. If you need it sooner, message us via Etsy conversation! Rush Orders available. (24HRS Option Available).


Thanks for Shopping with us!


If you have any dissatisfaction or problems once received, Please feel free to contact us before leaving a negative feedback. We would try our best to help you solve the problem.

Wish you have a happy shopping in our store!

Thank you !


* PLEASE NOTE Customer have a total of 3-5 days after receiving the product to indicate if they had received with a factory defect, regarding the seams and finishings, eyelets or top pocket. Past this time is assumed the customer received the product in good condition and we cannot longer offer refund or change the products for a factory defect.


Thank you so much for stopping by Our Shop

Sweet Cards Store

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 14708337827

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4.8 ★★★★★
Based on 11 reviews
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Tahira
Natrona Heights, US
★★★★★ 5
Size
Format: Hardcover
Nice books! Bought these for my 2 year old grandson fits his little hands perfect. Cute and durable carrying case.
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Reviewed in the United States on April 25, 2026
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Dayna
Belleville, US
★★★★★ 5
Nice books for a 2 year old
Format: Hardcover
My grandson loves these books. They’re easy to hold.
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Reviewed in the United States on January 24, 2026
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Charles McDade
Lowell, US
★★★★★ 5
Little books for toddlers
Format: Hardcover
Great and would definitely recommend
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Reviewed in the United States on January 4, 2026
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Verified Purchase
R. C. Walker
Charlottesville, US
★★★★★ 5
The jewel in modern Russia's literary crown.
The problem with modern totalitarian regimes - the most disgusting form of government - is that they produce no art: no music, no literature, no poetry, no architecture, no visual arts. The art that does come out of such states comes from those who hate what they are and oppose them (at least passively). One of the most terrifying possibilities of the 21st Century is that the ultra-conservative/religious right wing of American politics will realize its long-held aim of a totalitarian theocracy. (Another case of the need to be careful what you wish for: the NRA's policy of making sure white supremacists have an adequate supply of Uzis may backfire. If the rightwingers establish their tyranny, one of the first things they'll do is repeal the 2nd Amendment.) The tyrannies of the 1930s and `40s were classics of the form - although reading Orwell's "1984" shows the terrifying possibility that more far-reaching totalitarianism could occur. In prewar Stalinist Russia, the alleged art of the state was "Soviet realism". Even the actual (and therefore anti-Soviet) artists of Russia occasionally felt the brunt of Stalin and his thugs - with results such as Shostakovich's intensely Stalinist (and therefore antimusical) "Hymn of the Forest". The dreary banality of all the arts under such antihuman regimes as Bolshevik Russia and Nazi Germany was almost beyond belief. Even so, flowers bloomed in the virtually sterile artistic soil of Stalin's Russia. Great musical talents such as Prokofiev and Kabalevsky - although no fans of their genocidal dictator - were able produce pretty much what they wanted because their styles tended not to offend Stalin and his cultural goon squad. Literature in the Soviet period suffered even more than music: Russia's greatest writers could publish their works, if at all, abroad. What the government allowed to be published were propagandistic (although not entirely hack) works like Shokolov's "Virgin Soil Upturned". Although the hack writers of the Stalinist period didn't lack talent, the really great writers of the Bolshevik state were obliged to work mostly sub rosa. From the 1920s to the end of his life, Mikhail Afanasyevich Bulgakov lived and worked within the Stalinist tyranny. Denied permission to emigrate and virtually denied permission to create, he lived unhappily until 1940 when he died prematurely of cancer. Paradoxically, Stalin was actually rather fond of Bulgakov, having seen and enjoyed one of his plays. Bulgakov died early enough to avoid Stalin's usual betrayal of nearly everyone he originally befriended (however marginally). The dictator died before he got around to Lavrentiy Beria and some others, but they were certainly on his list by that time. Even at that late date, more than a decade after his death, Bulgakov remained an obscure figure. His greatest work was not published in any form until 1966. This work is "Master and Margarita", one of a small handful of immortal novels produced within (and in defiance of) Soviet Russia - and possibly the greatest of them. The greatness of M&M is advanced by its universality. This is achieved by abstracting it to a large extent from the political reality of 1930s Moscow. While the novel paints a vivid picture of life in the Soviet capital, the Stalinist system is virtually invisible and its founder totally so. M&M could be taking place in the capital of any strongly centrist European state. It should be noted that many editions of M&M exist. The only one you will wish to purchase is this one (translated by Burgin and O'Connor). It is far above the others in the accuracy and felicity of its translation, not to mention its wonderful notes and analytical essay ("Afterword"). The "Master" of the novel's title is in many respects Bulgakov himself: a brilliant writer with little success at being published, whose masterpiece (a novel) seems condemned to nonpublication. The novel in this case is about Pontius Pilatus, the Procurator of Judea until mid-36 CE (the year in which Yeshua bar-Yosif ["Jesus son of Joseph"] was crucified). Some chapters of this novel appear in M&M, allowing the author to tie many elements of M&M together. Bulgakov is well versed in Gospel history, learnedly referring to Yeshua as "ha-Notsri". This term is frequently mistranslated as "the Nazarene" or "of Nazareth" (leading the author of "Matthew" of quote a probably nonexistent older text). It actually means "of the branch", from netser or nezer ("branch") - generally taken to mean a claimed descent from the very early Israeli king David. Bulgakov cleverly gives Pilatus a character that doesn't match what we know of him from Josephus. Similarly he gives us a different Yeshua and Yehudah ("Judas") than we would expect. The "Margarita" of the title, the Master's muse, is in some respects Bulgakov's 3rd wife (and also his muse), Elena Sergeyevna Shilovskaya. In terms of text devoted to her, Margarita is a far more important than the Master. The Master's story line in this work is reality mostly hers. Her name is an important clue to the novel as a whole. Marguerite (Margarita) is one of the names given to Faust's inamorata. In her passionate devotion to the Master, in her uncompromising and uncompomisable innocence, Margarita is a dramatic picture of Marguerite - but more real and compelling than the portraits of Goethe and Gounod. In a literary sense, Margarita as a shadow of Marguerite, just as M&M is a shadow of the Faust legend. It seems equally obvious that the Master must be a shadow of Faust himself. Yet the connection seems improbably remote. The Master appears as anything but Faustian, and rather than immersing himself in the world he has removed himself from it and immured himself in an asylum. Even so, his connection with Faust is palpable and compelling. Faust sought something that was not approved by the mediaeval state: knowledge (particularly of the dark arts). Bulgakov sought something deeply disapproved by the Stalinist state: truth. Indeed, no tyrant or would-be tyrant can tolerate truth. (This, I believe, explains Führer Bush's hatred of the truth and Vice-Führer Cheney's pathological fear of it.) The trinity Faust-Marguerite-Mephisopheles brings us inevitably to the protagonist (dare I say hero?) of M&M, Woland. His name, founded on the German for "where?", raises instant questions about where he is actually from and, consequently, who he actually is. That he is the "devil" of New Testament legend becomes quickly and readily apparent. He begins his visit to Moscow by going after a number of unsavory individuals. That they are of little consequence is a necessary reflection of the fact that going after people of real consequence would have landed Bulgakov in a non-mythical hell thanks to Russia's non-mythical devil (Stalin). That Woland's real mission is salvation - at least of Margarita and the Master - will seem far-fetched to the reader until it actually happens. The question is whether that mission was deliberate - for as Goethe says of his devil, "That Power I serve ... wills forever evil yet does forever good." More accurately in M&M, Woland's mission seems to be insuring that evil begets evil and good begets good. Woland in turn is part of yet another trinity: himself, Behemoth, and Korovyov. Behemoth ("the Beast", one might say) appears mostly in the form of a 6-foot upright cat. Korovyov is more human in form but just as obviously a demon. This trinity turns parts of Moscow upside-down through the use of particularly bizarre pranks. (It might be observed that the prominent presence in their company of an owl and a mirror suggests "[Till] Eulenspiegel", another famous prankster.) The merriment begins almost at once with the death of the unpleasant Rimsky, run over by a streetcar. The image of his head, rolling kabumpty-bumpty-bump down the street is hilariously macabre. Much of the novel is full of this trinity's high-jinks. I'd have to reread the novel with a mind to make notes in this regard, but I suspect that other trinities appear with some frequency in M&M. As the pranks in Moscow wind down, the story shifts gears to focus on the adventures of Margarita with Woland and his entourage. There is a grand ball that takes place in an impossibly large space. This is a reflection of Dante Alighieri's "Inferno". There is then a witch's Sabbath in a remote location. This Faustian episode is accompanied by another, a wild ride on black horses, that appears again at the end of the novel. Throughout, as earlier, it is Woland who guides and directs the activities. Finally, it is Woland, saying he does so at the request of Yeshua, who arranges the salvation of the Master and Margarita. Bulgakov - who has been standing things on their heads throughout the text - thus ultimately stands Christian mythology on its head. It is one of his greatest achievements that he uses the Master's novel and his own novel's ending to add a deep and refreshing humanity to hoary and less human New Testament myths. M&M has lent several sayings to popular Russian culture. Most important of them is the non sequitur, "manuscripts don't burn". In the novel, the Master burns his novel, just as Bulgakov burned the original ms. of M&M. The phrase comes from Woland, but magically produces the Master's ms. Bulgakov, on the other hand, re-transcribed his work from memory. The problem here is, and Bulgakov certainly knew it, that manuscripts do burn. If that were not so, we should now be able to purchase a CD of Sibelius' 8th Symphony. Still, it's amazing how many musicians and authors have left posthumous instructions that certain mss. should be burned, only to have people with a better grasp of reality refuse to burn them. Bulgakov's incomparable novel ends in a chapter of ravishing prose, of which I would like to quote a small paragraph. "'And there too," said Woland, pointing backward. `What would you do in your little basement?' The fragmented sun dimmed in the glass. `Why go back?' continued Woland in a firm and gentle voice. `O Master, thrice a romantic, wouldn't you like to stroll with your beloved under the blossoming cherry trees by day and then listen to Schubert by night? Wouldn't you like to sit over a retort, like Faust, in the hope of creating a new homunculus? Go there! Go there! There where a house and an old servant already await you, where the candles are already burning, but will soon go out because you are about to meet the dawn. Take that road, Master, that one! Farewell! It is time for me to go.'"
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Reviewed in the United States on June 29, 2007
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Rocco
San Leandro, US
★★★★★ 5
One of My Favorite All Time Novels!
The novel The Master and Margarita, by Mikhail Bulgakov, is a masterpiece of the Stalinist-Soviet era of the twentieth century. Bulgakov, in his banned novel, elucidates his vision and interpretation of the period under harsh Stalinist and Communist bureaucratic oppression. These interpretations, not made evident until the book’s release in the mid 1960’s, deal not only with love and devotion, but also with good and evil, virtue and remorse, and responsibility and redemption. Motivated and inspired by Goethe’s themes found in the literary tale Faust, the book ranges from hilarious interludes and occurrences to deep philosophical views of society and political parody. The novel itself interplays three stories: the first concerning the devil (Stalin?) in Moscow in the 1920’s and 1930’s (although no years are given by Bulgakov), the story of the Master and his love, Margarita, and the topic of the Master’s novel, Pontius Pilate and Jesus. Within these three stories is an amazing portrayal of comedy, philosophy, heartbreak, betrayal, fear and love. Woland’s (the devil) attacks on literary society in Moscow is likely a portrayal of Stalin’s crackdown on artistic expression in the early 1930’s. Bulgakov experienced this crackdown firsthand, actually writing a letter to Stalin in the 1930’s asking to leave the Soviet Union. Stalin instead allowed Bulgakov to enter a writer’s guild, although continued to repress the literature and art created by the guild’s artisans and writers. In the novel, Woland’s henchmen, including the personified black cat (Behemoth) and the tall freak with the pince-nez glasses, contribute to this fear of “big brother” with their recurring appearances in places visited by the book’s characters. Bulgakov makes his views of Soviet officials and society in general apparent throughout the novel as well. One official, for example, is seen by office visitors (or not seen!) as an empty suit working at a desk. The suit answers phones, shuffles papers and carries on government business, but has no visible hands or head. Bulgakov portrays other officials who oversee Moscow apartments as apparatchiks with no real direction or knowledge of how to interact with people in difficult situations. Moreover, Bulgakov points out the greed and selfishness, or perhaps desperation, of Soviet citizens in pursuit of better living quarters and money. Berlioz’s uncle, for example, comes to Moscow after the death of his wife’s nephew (Berlioz) only with the intent to claim Berlioz’s Moscow apartment. Of course, he finds it has been commandeered by the devil and his retinue. People crazily diving after ten Ruble notes at the devil’s black magic performance, only to find out later that the bills are fake, is yet another example. Bulgakov daringly plays with themes of religious fear and remorse throughout his novel as well, with the story (as told by Woland and the Master) of Pontus Pilate and Jesus (Yeshua Ha-Notsri). Perhaps this is Bulgakov’s way of defying and making fun of the reality of Stalinist and Communist imposed atheism on Russian society. How ironic that the devil himself has to convince two atheists, Berlioz and Bezdomny, that Jesus really did exist. Moreover, Bulgakov’s (or the Master’s) portrayal of Pilate as having misgivings over the crucifixion of Jesus may be his way of wondering or perhaps hoping that Soviet officials may feel the same remorse for sequestering Soviet society. His portrayal of Levi, a former tax collector who watches in agony as Jesus and three others are executed, may also indicate this notion, since Levi later approaches Woland to ask for the Master and Margarita to be reunited. His portrayal of Jesus as believing that “all men are good” as opposed to Pilate’s belief that “all men are bad,” not only speaks to the theme of the book, but also to the Soviet authority. This speaks to the theme of redemption prevalent throughout the book in that people can be redeemed and can forgive others even for the most heinous of crimes. Bulgakov may be saying that even Stalin’s crimes, although not to be forgotten, are to be forgiven if one wishes to find one’s own salvation and peace. Even the devil shows compassion, putting Margarita through the hell of the criminal ball yet then permitting her to return to the arms of the Master. Hence, perhaps the main lesson of Bulgakov’s work is that happiness is not found by distinguishing good from evil but rather through redemption and the reconciliation of one’s own soul. If Bulgakov seeks vengeance over his treatment by Soviet authorities, he will never find peace. The character of “the Master” is, likely, Bulgakov himself. The Master has been driven insane by the rejection of his novel by critics, who deem it as “Pilatism,” and the censorship of literature in general. His depression and anxiety have landed him in a mental hospital and deprived him of his love, Margarita. Although the Master attempts to burn his manuscript, Margarita saves a part of it which she cherishes in her lover’s absence. The key problem for the Master, however, is not so much the people and oppressors around him but rather his inability to overcome fear itself. Pilate pervades the entirety of the novel, combining the three stories, and is perhaps a reflection of how Bulgakov felt about himself and Soviet society in general; remorseful and seeking redemption. The love story between Margarita and the Master is one of beauty and allusion. The realities of a forced and contrived society rife with selfishness and repression pull them apart. However, their reunion is a symbol of overcoming the system. Although Margarita has to do the devil’s bidding (sell her soul and become a witch), she does it to reunite with her lost love. She is redeemed, however, because she is sincere in her devotion. Even the devil himself is somewhat of a redeemer, as he helps to reveal the stories of Margarita, Pilate and Jesus. Perhaps Bulgakov was speaking here to the power of the human spirit, in that even when manipulated by a devil (Stalin and the corrupt governing system) people can still persevere. Every character, in the end, finds some semblance of redemption. The characters and hence society live on because, as Bulgakov famously makes clear in the novel (as said by Woland), “manuscripts don’t burn.” The Master and Margarita is indeed a masterpiece of literary art. One could read it numerous times and come away with new meanings and life lessons each time. Its themes of redemption and the enduring nature of the human spirit are the characteristics that allow the novel to continue in perpetuity. It is unfortunate that Bulgakov did not live to see the success of his magnum opus. However, if the lessons and beauty of his book ring true, perhaps he does know of its success.
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Reviewed in the United States on April 8, 2014

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