SKU: 98180537175

HOTONE Multi-Effect Pedaal Dual Effect Chain Gitaar Ampli Modellering Bass Simulatie IR Cabine Simulatie met FX E/S Loop Expressie Pedaal MIDI Audio Interface USB OTG Stereo Ampero II

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Description

HOTONE Multi-Effect Pedaal Dual Effect Chain Gitaar Ampli Modellering Bass Simulatie IR Cabine Simulatie met FX E/S Loop Expressie Pedaal MIDI Audio Interface USB OTG Stereo Ampero IIDubbele effectketen met ondersteuning voor meerdere signaalrouteringen in serie parallel; USB poort voor firmware update, opladen bewerken effecten IR via gratis software voor Mac pc, 8 ingangen, 8 uitgangen USB audio interface; ondersteuning voor reamp functie en opneembare AUX audio ingangen Dynamisch touchscreen van 5 inch (800 x 480) met onmiddellijke bediening, 4 toewijsbare voetschakelaars met halo leds en een gentegreerd expressiepedaal voor

  • Dubbele effectketen met ondersteuning voor meerdere signaalrouteringen in serie/parallel; USB-poort voor firmware-update, opladen/bewerken/effecten/IR via gratis software voor Mac/pc, 8 ingangen, 8 uitgangen USB-audio-interface; ondersteuning voor reamp-functie en opneembare AUX-audio-ingangen
  • Dynamisch touchscreen van 5 inch (800 x 480) met onmiddellijke bediening, 4 toewijsbare voetschakelaars met halo-leds en een geïntegreerd expressiepedaal voor een uitstekende game-ervaring. Lijn-, XLR-, hoofdtelefoon- en I/O-MIDI-ingangen om aan de meest uiteenlopende verbindingsbehoeften te voldoen
  • Tot 12 gelijktijdige effectmodules. De bijgewerkte effectenbibliotheek biedt meer dan 460 effecten, waaronder HOTONE algoritmen van de volgende generatie. Inclusief 20 IR klassieke Celestion luidsprekers - Aangedreven door Celestion Digital. Ondersteunt tot 2048 IR-bemonsteringspunten voor een betere toonresolutie
  • Merk"Scene" -functie, die soepele geluidsovergangen biedt. Elke patch van de Ampero II kan maximaal vier scènes bevatten. Geïntegreerde stereo-krultang met maximale opnametijd. 60 seconden en annulering/herstelfunctie. 100 ingebouwde drumritmes
  • De Ampero II keurt het nieuwste digitale triple-core platform en hoogwaardige onafhankelijke AD/DA-converters uit de ESS-Sabre-serie. Het wordt geassocieerd met CDCM HD en F.I.R.E. modelleringstechnologieën. voortdurend in ontwikkeling. 24-bits signaalverwerking, dynamisch bereik tot 127 dB

Ampero II, de ultieme opvolger van Ampero I, brengt versterkermodellering en effectverwerking naar een hoger niveau. Ampero II combineert klassieke bedieningselementen van de eerste generatie, klaar voor het podium, met het krachtige drie-core digitale audioverwerkingsplatform van de tweede generatie en biedt zo een echt professionele game-ervaring. Ondanks zijn compacte en lichte ontwerp beschikt de Ampero II over een groot aantal audio- en besturingsinterfaces die zijn ontworpen voor live optredens.

Ampero II is een complete effecteenheid die oude elementen en geavanceerde innovaties naadloos combineert. Met zijn superieure prestaties, rijke klanken en intuïtieve interactie is hij de perfecte metgezel voor elke muziekmaker en gitarist.

Afmetingen (lxbxh): MENU/VALUE knop (hoofdknop): Door deze knop te draaien of te drukken, kunt u het menu wijzigen en de instellingen aanpassen.

Bedankt voor je Pedaal: Hiermee kunt u de instellingen van een of meer effecten regelen, inclusief het uitvoervolume.

3 stuks EXP-statusindicator: Toont de huidige status van het expressiepedaal.

Bedankt voor je Vergrendelingsknop van het apparaat: Wordt gebruikt om het apparaat te vergrendelen of te ontgrendelen (met uitzondering van voetschakelaars, expressiepedaal en externe controllers).

Bedankt voor je Scherm: Toont de huidige status van het apparaat. Gebruik het touchscreen om effecten te selecteren, patches te bewerken en tooninstellingen uit te voeren.

6 stuks Bedieningspedalen: Hiermee kunt u de patch wijzigen, effecten in- en uitschakelen, het tempo aanpassen, enz.

7 stuks. VOLUME-knop: hiermee kunt u het volume van asymmetrische uitgangen of symmetrische en telefoonuitgangen afzonderlijk instellen.

8 stuks. MIDI-ingang: Standaard 5-pins MIDI-ingang voor het ontvangen van MIDI-berichten. Perfect voor de Ampero Control.

MIDI OUT/THRU: Standaard 5-pins MIDI-uitgang voor MIDI-berichtenoverdracht.

9 stuks. Aansluiting van de voeding: 18V DC negatief centrum

10 stuks Schakelaar: Voor het in- en uitschakelen van het apparaat.

11st USB: USB 2.0 Type-C aansluiting voor aansluiting op uw computer.

12 stuks AUX-IN: 1/8 inch stereo-ingang voor het aansluiten van externe apparaten (telefoon, MP3-speler) voor oefenen en jam (of opname). PHONES: 1/8 inch stereo-uitgang voor het aansluiten van een headset.

13 stuks SYMETRISCHE UITGANG: XLR-stereo-uitgangen maken verbinding met de mixer of audio-interface. Gebruik voor een mono uitvoer alleen de linker symmetrische uitgang. De massa-verbinding van de XLR kan worden onderbroken in de ALGEMENE instellingen.

14 stuks Niet-symmetrische uitgang: De 1/4 inch TS stereo-uitgangen verbinden met versterkers of andere apparatuur. Gebruik voor een mono uitvoer alleen de linkerasymmetrische uitgang.

15 stuks Stereo FX LOOP: 1/4" TRS stereo asymmetrische ingang (RETURN)/uitgang (SEND) aansluitingen om andere apparaten aan te sluiten of de 4-kabelmethode met uw versterkers toe te passen.

Opmerkingen Afmetingen (lxbxh): Voor het aansluiten van de stereo FX-lus is een Y-kabel nodig voor het scheiden/combineren van de connectoren.

Bedankt voor je U moet een FX-lus-gerelateerde module (FX SND/FX RTN/FX LOOP) toepassen op uw effectketen voordat u deze gebruikt (zie de volledige gebruikershandleiding voor details).

16 stuks Ingangsspanning: L (MONO) asymmetrische ingang TS 1/4 inch voor gitaar of andere instrumenten. Gebruik voor een mono invoer alleen de linker ingang. R - Combi-connector voor 1/4 inch XLR of TS ingang. Gebruik de 1/4 inch TS aansluiting om stereogeluid te vormen met de linker ingang. XLR voor het aansluiten van een microfoon met +48V fantoomvoeding en microfoonvoorversterkeropties.

17 stuks EXP/CTRL: 1/4 inch TRS-ingang, voor het aansluiten van een extern expressiepedaal/pedaalcontroller. Perfect voor de Ampero Press of Ampero Switch +.

Geavanceerde signaalverwerking

Ampero II keurt het nieuwste digitale triple-core platform en onafhankelijke AD/DA-converters van hoge kwaliteit aan. In combinatie met CDCM HD en F.I.R.E modelleringstechnologieën levert het dynamische, expressieve, muzikale en authentieke geluiden als nooit tevoren.

Verbeterde IR-prestaties

Ampero II ondersteunt tot 2048 bemonsteringspunten, twee keer zoveel als zijn voorganger, voor een nauwkeurige geluidsweergave van vastgelegde IR-bronnen en akoestische omgevingen. Met 20 IR klassieke luidsprekers en 50 IR-slots voor gebruikers bereikt je geluid nieuwe hoogten.

Verbind met vertrouwen

De vele I/O-opties van de Ampero II zijn ontworpen voor het podium. Symmetrische en asymmetrische stereo-uitgangen bieden onafhankelijke signaalverwerking met aparte volumeregeling, wat perfect is voor het leiden van een signaal naar het PA-systeem en een ander signaal naar uw versterker. Het bevat ook een expressiepedaal met volume/expressie-schakeling, een externe EXP/CTRL-ingang en standaard I/O MIDI-aansluitingen voor nog meer bedieningsopties.

Deel Tone Catch in de community

Ampero II ondersteunt Tone Catch-technologie, waarmee u het geluid van uw favoriete versterkers en pedalen rechtstreeks in de processor kunt vastleggen. Je kunt ook geluiden van gebruikers over de hele wereld delen en ontdekken via de HOTONE-community. Met één klik kunt u in contact komen met andere gebruikers en artiesten.

Touchscreen met soepelere navigatie

Ampero II beschikt over een elegant dynamisch 5-inch kleurentouchscreen dat een nog intuïtievere en intelligentere interface biedt. De meertalige bediening van het touchscreen zorgt voor een ultra-soepele gebruikerservaring.

Originele kwaliteitseffecten

De originele HOTONE-effecten omvatten hoogwaardige vervorming, dynamiek, filter, modulatie, vertraging en galm, enz. Nauwkeuriger micro-subwoofer-algoritme op basis van realistische studio-opnamegegevens, onafhankelijke voorversterkermodellen en simulatie van eindversterkers.

Speel en zing in alle vrijheid

De stereo-ingang van Ampero II bevat een rechte kanaalcombo-ingang voor microfoons, met een 48 V fantoomvoeding en tot 52 dB versterking. Of je nu gitaar, bas, synth speelt of een dynamische microfoon/condensator gebruikt, Ampero II dekt je met geïntegreerde vocale effecten voor een professionele zangervaring.

Technische specificaties

Audio-signaalverwerking 24-bits diepte, bemonsteringssnelheid 44,1 kHz
Frequentierespons: 20 Hz - 20 kHz ± 1 dB
Dynamisch bereik Maximale snelheid: 127 dB (digitaal naar analoog)
Effecten 460+ (inclusief wereldwijde equalizer)
Aantal effectmodules 17 stuks
Effect locaties Totaal 12 gelijktijdige effectlocaties
Patches 300 stuks
Looptijd van de looper 60 seconden in stereo
Display: Dynamisch touchscreen van 5 ″ 800 x 480 kleuren
USB-poort USB 2.0 Type-C-poort; ondersteunt USB Audio 2.0; ondersteunt het omschakelen van de bemonsteringsfrequentie van 44,1 naar 192 kHz
IR-behandeling Ondersteunt 24-bits/44,1 kHz, 1024 en 2048 punten mono WAV-bestanden; ondersteunt tot 50 IR-gebruikers
Vereiste stroom 9-18 V DC negatief centrum
Stroomverbruik: Maximale snelheid: 1,2 A 9 V DC
Afmetingen van het apparaat 330 x 157 x 61 mm
Maximale belasting: 1695 g
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SKU: 98180537175

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4.7 ★★★★★
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tfabglam5
Natrona Heights, US
★★★★★ 5
Sustained Energy on Demand
I am always on the lookout for a high quality supplement that provides me with energy, focus and brain support. And ... at a reasonable price. This is it! I am post menopausal and also have hypothyroid disease, so I need any kind of extra help I can get to keep me going without crashing. I take 2 capsules on an empty stomach first thing in the morning before I leave for work. By the time I get to work, I am "ready and rarin' " to go. If I miss taking Awakening, I feel tired, sluggish and unmotivated. This really helps to keep me going throughout a very long day. I usually leave home before 7 am and return home after 7 pm nearly 5 days a week. Don't hesitate to give this a try and see for yourself how good and energized you will feel. It's that extra help that will keep you going so that you can get things done and stay on-task.
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Reviewed in the United States on February 28, 2021
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Karen Joan
San Leandro, US
★★★★★ 5
A Martian Named Smith
There is no question that Robert Anson Heinlein is one of the Fathers of Science Fiction. There is also no question that STRANGER IN A STRANGE LAND is his most famous work, having been called "the most famous science fiction novel ever written." Is it his best? Perhaps not. But it is a ground breaking classic, one that I enjoy reading again and again. STRANGER IN A STRANGE LAND is the story of Valentine Michael Smith (Mike), a male born of human parents on the first Earth colony ship to Mars. Literally born as the ship landed on Mars, Mike's parents and the rest of the crew died, and Mike was raised by Martians. 25 years later, a second Earth colony ship lands on Mars, and discovers Mike, the native inhabitants of Mars, and a host of unanswered questions. Mike returns to Earth, and STRANGER IN A STRANGE LAND is the detailed chronicle of his introduction to, interaction with, and transformation of human culture. STRANGER IN A STRANGE LAND was Heinlein's first truly adult science fiction novel, and he took on some pretty heady topics. Politics, religion, sex, equality, and the concept of a truly un-human culture (which happened to be superior), to name a few. Heinlein wove these themes into STRANGER IN A STRANGE LAND, each of which contributed to his idealistic vision of a perfect world.He intermixed shock value, logic, and plain good storytelling to get his points across, and I think he did so quite wonderfully. 1. Religion. Heinlein was not an atheist, as some have claimed. He did believe in a higher power; what he did not have any use for was organized religion. He believed in faith. If you had faith, true faith, then the trappings of religion were unnecessary and superfluous. They just did not matter. The Church of All Worlds in STRANGER IN A STRANGE LAND was set up to show that no matter what the religious trapping were, it was faith that really mattered. He also created a religion where happiness and self-belief were the main drivers, rather than fire, brimstone, and fear. Makes great sense to me. 2. Sex. Contrary to popular belief, STRANGER IN A STRANGE LAND did not promote promiscuity or free love. What Heinlein did was to create a world where people were open about sex, where it was enjoyable and exciting, but with it came great responsibility. In this world, sex wasn't hidden, secret, or naughty; rather it was honest and pure and fun. People who could develop this utopian attitude became happier, healthier, less jealous, more caring, and, yes, more sexual. Responsibility to partners, offspring, and an entire extended family became the norm. In his own way, by exploring sexuality, Heinlein was exploring and redefining the meaning of family. He was also trying to define sex as a miraculous union, and to show that humans should treat it as the miracle of bonding and "growing closer" that it is. 3. Equality. Before the sexual revolution and equality for women, Heinlein clearly believed in equality of the sexes, equality of the races, equality of faiths...basically the equality of all humans. Yes, he felt women should be treated with respect and reverence and be protected and nurtured because they gave birth and perpetuated the species, but he clearly believed that they were intelligent and capable. He also believed that women had sexual needs equal to those of men and had the right to pursue those needs. 4. Politics. In STRANGER IN A STRANGE LAND, Heinlein clearly had little use for government, politics, or politicians. He believed that government in general was a necessary evil, but preferred that it be kept small and out of his business. He didn't care what it was based on or what guided it - astrology was the ridiculous example used in STRANGER IN A STRANGE LAND - as long as it left him alone. Works for me. He also had little use for entitlements, and expected human beings to work for what they received. Again, works for me. 5. Un-Human, Superior Culture. Heinlein did a remarkable and revolutionary thing when he created the Martian culture of STRANGER IN A STRANGE LAND. The Martians of this novel are clearly not humanoids from another planet. They do not think like humans, act like humans, look like humans, reproduce like human, live like humans, or do anything like we do here on the planet Earth. There is nothing remotely recognizable about these Martians; they are completely alien. We can't them, and they can't understand us. They are older, more advanced, and can perceive the universe around them in ways that humans do not. But humans can, if properly taught, learn some of the things that Martians do. What a marvelous concept. In 1962 the original version of STRANGER IN A STRANGE LAND won the Hugo Award for the Best Science Fiction Novel of the Year. After Heinlein's death in 1988, his wife Virginia discovered the original uncut manuscript and arranged to have it published in 1991. It is interesting to read the two books side by side, to see the differences, and to compare them. I enjoy both versions very much, and am still not sure which is my favorite. Whatever version you choose, I HIGHLY RECOMMEND STRANGER IN A STRANGE LAND. Whether you have read it before or not, whether you love it or not, you will find it to be an interesting and thought-provoking read.
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Reviewed in the United States on June 20, 2009
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Marcel Dupasquier
Carnegie, US
★★★★★ 4
A strange book I don’t grok
I have started to read this book directly after I had read “The Moon is a harsh Mistress” and after the first chapter, I almost stopped reading again. The first chapter starts promisingly enough, after a Mars expedition with only four couples, finding the fitting couples that contained all the required capabilities in themselves had been difficult enough, had failed, years later, another expedition is started, and this time, the flight takes much shorter. They find a young man there and bring him back, but how they treat him here, locked and no women allowed, for the first time really showed me how old Robert Heinlein’s books really are and here, for the first time, it was an annoyance. What would happen if a woman would visit him? We find out in the second chapter, and the answer is, basically, nothing. Then, for about 10% of the book, we get Jill, working in the hospital where the Man from Mars is kept, discussing with Ben, a journalist, about the implication of the Man from Mars. Once he owns the whole Mars, once he owns a majority of Lunar Enterprises. In any case, the government under the Secretary General cannot keep him alive. Then, finally, some action occurs: Ben tries to get the Man released, but fails miserably; Jill subsequently tries to prisonbreak with the Man. They escape to Ben’s place but the henchmen are not far away. They ring at the door, there is a confrontation and... it’s over. They go to another benefactor, Jubal, who keeps Jill and the Man hidden for rest of almost half of the book. There, Jubal thinks about how to help the Man, together with getting Ben back, while he tries to learn as much as possible about the Martian and Mars. Then, the henchmen appear again, ready to arrest everybody, and after the Martian makes the policemen disappear once more, Jubal eventually manages to bluff the Secretary General into calling back the second arresting team and agreeing to meet with the Man from Mars with him, Jubal, as the official delegate for the Martian. At the meeting, Jubal does what he can to make the Man’s live safe: He gives the Secretary General the mandate the manage the money of the Martian with the payment as much money as he sees fit. Having thus secured the Martian’s safety, the Martians keeps living at Jubal’s place and learning. They visit a service of the Fosterite church, where people gamble, visit the bar and have stories with women but when the archbishop wants to have one-to-one talk with the Martian, latter recognizes former’s evilness and discorporates him. Eventually, the Man from Mars has learned all he can at Jubal’s and he and Jill set out for the world. They join a circus troupe where the Martian performs a levitating trick with Jill, only it is not a trick, he really does so. But they are unsuccessful, the marks see right through it. They leave again, but not before they have listened to a snake charmer sermon about the Fosterites and before they make her a water brother. They next move to Las Vegas where Jill works in a show and the Martian as croupier and they elucidate naughty pictures. Thereafter, they go to San Francisco, where the Martian reads all the books about the various religions without grokking anything. They then visit a zoo where the Martian breaks out laughing as he, observing monkeys, finally groks people. They founded their own church, but it’s not a religion. The Martian had hereto shown some extraordinary capabilities, such as being able to enter a trance state where he could stay under water for hours, telekinesis and the ability to discorporate things or beings at will. Had the reader so far been wondering how he could do that, if the Old Ones on Mars has changed him somehow on Mars, now it become clear that this was not the case. Everybody can do it but, in order to facilitate such deeds, which were connected to Martian creed, one had to understand the Martian concepts, which one could only by firstly learning the Martian language. The Martian church was thus foremost a Martian language school. That was however not all it was. The Martian idea was that there was no God than God in everyone of us. All other religions were considered as truths, only that they were kind of hiding that God was each of us, and thus the creed was “Thou are God.” In the Martian church, also free love was practiced. We get hence a chapter where Ben was shocked by this and fled the church most hurriedly to report to Jubal, only to join it again the next chapter. And of course, we get Fosterites who try to start a persecution against their competitors. The end then also makes sense, but I don’t understand why. It was on one hand logical but on the other hand why was it necessary? This is thus not really a work of science fiction and but rather a theological treatise. I think it could have shortened somehow, then realized, that what the original editors thought as well. It was my third book I read from Robert Heinlein, Starship Troopers was a good concept which Joe Haldeman made into a good book, the Moon is a harsh Mistress was a quick read that kept me hooked, but considering, it is basically a story of the American struggle for independence, just on the Moon, and it will also be my last. There are other science fictions authors out there.
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Reviewed in the United States on November 15, 2022
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b slev
Charlottesville, US
★★★★★ 5
seekers paradise
Format: Kindle
Some of this book disturbed me a little but overall I found it amazing and fascinating. Possibilities abound in fantasy and can be just the thing you need to open up. Enjoy! I sure did.
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Reviewed in the United States on May 22, 2026
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Jenni DaVinCat
Grantham, US
★★★★★ 3
We Should All Be a Little Stranger.
I understand why this book is often cited as one of the most important sci-fi books of all time. While reading it, you might begin to question why it’s lumped into the sci-fi category because the themes are very human. It is science fiction, that cannot be argued, but it’s also a coming of age story, a religious story and at its very core, a story about love. Valentine Michael Smith was born and raised on Mars, but he is a human. He is brought back to Earth to learn what it means to be a human. This causes the reader to be forced to think outside of the box because Michael is not just coming from a different human culture, he has never learned what it means to be a human so any chapter told from his perspective is like an outsider, looking in on human culture. It’s wildly fascinating to think about ourselves in this manner. As Michael progresses in his grokking of humans, he gets out to explore the world and to challenge it. Our concepts of God/religion and sex/love are strange to him. We tend to not really think about it from an outside perspective because this is just the way life is, but being forced to think about it, makes for a very fascinating read. I’d never really considered myself to be a “prude” but there were times that this book made me feel that way. At times, the reader must take a step back and remember that Heinlein did intend for many of the themes to be viewed as satire of what is commonly accepted. There were a few negatives when reading this book, however. It was written in the sixties, which was a very different time from today in terms of the way women are spoken to/about and how they are treated. Heinlein wasn’t too bad in this regard, but there were a few sentences that made me stop for a second. Heinlein also has some of his characters go on these long drawn-out speech tangents that go on for pages and pages. I felt it was a little unnecessary to go on for that long, especially considered the length of the uncut version. It took me a little while to get through this book and normally I’m a pretty quick reader. Negatives aside, I do feel like this book is important. The story itself is not challenging, but as I stated before, it challenges the reader to think about humans from an outside perspective and that is fascinating. He really doesn’t seem to rely too much on Sci-fi elements, preferring to focus on the human elements of the story (love, religion etc.). If you’re looking for something long and fulfilling, this may just be the sci-fi book for you!
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Reviewed in the United States on September 29, 2016

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