SKU: 95886127384

Mobilize 3In1 Charger Station Magsafe Compatible 25W Qi2.2 Black

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Description

Mobilize 3In1 Charger Station Magsafe Compatible 25W Qi2.2 BlackDe Mobilize 3in1 Charger Station MagSafe Compatible biedt razendsnelle laadervaring en is te gebruiken met alle smartphones die draadloos laden ondersteunen. Voor alle toestellen (behalve Apple iPhone) is een MagSafe Case nodig om het toestel op de juiste plek te houden. Dit 3in1 laadstation is ontworpen om je earbuds (alle earbuds met draadloze oplaadcase) en smart watch (Apple & Samsung) tegelijk met je smartphone op te laden. Met een stijlvol

De Mobilize 3in1 Charger Station MagSafe Compatible biedt razendsnelle laadervaring en is te gebruiken met alle smartphones die draadloos laden ondersteunen. Voor alle toestellen (behalve Apple iPhone) is een MagSafe Case nodig om het toestel op de juiste plek te houden. Dit 3in1 laadstation is ontworpen om je earbuds (alle earbuds met draadloze oplaadcase) en smart watch (Apple & Samsung) tegelijk met je smartphone op te laden. Met een stijlvol design en een krachtige output van 25W, is dit laadstation de perfecte aanvulling voor je nachtkastje of bureau. Het is 1 van de eerste MagSafe chargers die jouw smartphone met 25W laadt d.m.v. de vernieuwde Qi2.2 technology, mits je toestel dit ondersteunt.

MagSafe Compatibiliteit
Dit laadstation is volledig compatibel met MagSafe, wat een naadloze en veilige magnetische bevestiging van je smartphone garandeert voor een optimale laadsnelheid. Het is direct geschikt voor de iPhone 12 serie en latere modellen, die allemaal van deze technologie gebruik maken. *Met de Mobilize magnet ring of MagSafe compatible case is het ook mogelijk om andere toestellen die draadloos laden ondersteunen compatible te maken voor deze 3in1 Charger Station.

Apple & Samsung Watch en Earbuds Draadloos Opladen
Naast je smartphone kun je ook je Apple en Samsung Watch opladen. Door de oplaadpad handmatig 180° om te draaien, kies je zelf welke Watch je wilt opladen. Daarnaast kun je alle earbuds die draadloos opladen ondersteunen opladen. De earbuds worden opgeladen tot 3W waarbij de watches tot 2.5W opgeladen kunnen worden. 

Eenvoudige Installatie
Het opladen van je apparaten met deze 3in1 Charging station is heel simpel. Koppel de 1 meter lange USB-C to USB-C kabel aan een USB-C laadblok en plaats je apparaten op de daarvoor bestemde plekken en het opladen begint onmiddellijk. Geen gedoe met verschillende kabels of het zoeken naar vrije stopcontacten meer.

Kenmerken van het Mobilize 3in1 Charger Station:

  • Compatibel met MagSafe
  • Compatibel met alle smartphones mits het toestel draadloos geladen kan worden en er gebruikt wordt gemaakt van een MagSafe case of Mobilize Magnet ring
  • Ondersteunt draadloos opladen voor Apple Watch & Samsung Watch
  • Geschikt voor alle earbuds (zoals Apple Airpods en Samsung Galaxy Buds) die d.m.v. een draadloze oplaadcase opgeladen kunnen worden
  • 25W snelladen voor efficiënte energievoorziening
  • Stijlvol design dat in elk interieur past
  • Incl. 1 meter lange USB-C to USB-C laadkabel
  • Kleur: Zwart
  • Excl. laadblok *Voor een optimale werking adviseren wij een Mobilize USB-C charger van minimaal 35W te gebruiken
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SKU: 95886127384

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4.1 ★★★★★
Based on 5 reviews
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D
Verified Purchase
DoubtfulReader
Dallas, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
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Matt M.
Phoenix, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Houston, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
New York, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017
D
Verified Purchase
Danley Wolfe
New York, US
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 16, 2023

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