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SKU: 85445888145

FIIO FT1

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Description

FIIO FT1FIIO FT1 De FIIO FT1 oorschelpen zijn gemaakt van zorgvuldig gekozen Amerikaanse zwarte walnoot van FAS kwaliteit, wat de kenmerkende gladde nerf en fijne textuur van het hout laat zien, die de inherente schoonheid benadrukken. De hoge dichtheid van dit massieve hout minimaliseert effectief holteresonantie en dempt staande golven. Het membraan van de FIIO FT1 is voornamelijk gemaakt van selectief verkregen papierhoutvezels, afkomstig van 90 jaar oude

FIIO FT1

De FIIO FT1 oorschelpen zijn gemaakt van zorgvuldig gekozen Amerikaanse zwarte walnoot van FAS-kwaliteit, wat de kenmerkende gladde nerf en fijne textuur van het hout laat zien, die de inherente schoonheid benadrukken. De hoge dichtheid van dit massieve hout minimaliseert effectief holteresonantie en dempt staande golven.

Het membraan van de FIIO FT1 is voornamelijk gemaakt van selectief verkregen papierhoutvezels, afkomstig van 90 jaar oude Noord-Europese sparren. Deze spar staat bekend om zijn heldere geluid en rijke klankkwaliteit en is een premiumkeuze voor muziekinstrumenten en vezelproducten. De volwassen spar ondergaat uitgebreide verwerking, waaronder weken, koken en druk, om een ​​gespecialiseerde pulp te produceren. Om optimale akoestische veerkracht te garanderen, wordt een nauwkeurige mix van koolstofvezels verwerkt. Het membraan wordt vervolgens gebakken en gevormd, waardoor een uiteindelijke dikte van ongeveer 0.1mm wordt bereikt, wat gewicht en duurzaamheid in evenwicht brengt. Om de akoestische mogelijkheden van de nanohoutvezels te maximaliseren, wordt een lichtgewicht PU-materiaal met een hoge interne weerstand gebruikt voor de ophangingspakking, wat de membraancompatibiliteit verbetert, de lage frequentierespons versterkt en de helderheid van de stem verrijkt, wat resulteert in een warm, weelderig geluid.

Als FIIO's eerste gesloten over-ear hoofdtelefoon is de FT1 uitgerust met verschillende functies die de gesloten luisterervaring verbeteren. De reeks geluidsisolatiecomponenten vermindert effectief omgevingsgeluid met maximaal 26dB, waardoor externe stemmen en omgevingsgeluiden worden weggefilterd. Of u nu onderweg bent, audio bewerkt, op kantoor werkt of gamet, met de FT1 kunt u zich volledig onderdompelen in een eersteklas audio-ervaring, wat het een veelzijdige en hoogwaardige hoofdtelefoon maakt.

De U-vormige geluidsdempende buis, speciaal ontworpen voor de FIIO FT1, verbetert niet alleen de passieve ruisonderdrukking, maar kanaliseert ook geluidsenergie door een zorgvuldig berekende lengte en hoek, waardoor de luchtviscositeit wordt verhoogd en de resonantiefrequentie van de holte wordt geminimaliseerd. Dit ontwerp verbetert de basuitbreiding aanzienlijk, waardoor u de krachtige luchtbeweging en de impact van drums en snaren kunt voelen.

De FIIO FT1 is ontworpen om een ​​hoogwaardige HiFi-ervaring te leveren in verschillende gebruiksscenario's. Met een lage impedantie van 32Ω en een indrukwekkende akoestische gevoeligheid van 113dB/Vrms@1kHz (of 98dB/mW@1kHz) minimaliseert dit ontwerp de behoefte aan aanzienlijk aandrijfvermogen, waardoor u moeiteloos kunt genieten van uitzonderlijke geluidskwaliteit.

Voor verbeterde draagbaarheid beschikt de FT1 over een hoofdband met hoogwaardige kogellagers, wat de duurzaamheid en precisie vergroot. De hoofdband biedt een royaal verstelbereik van 12 inkepingen, geschikt voor verschillende hoofdmaten. Het contactoppervlak is gevoerd met zacht suède leer, wat zorgt voor een comfortabele pasvorm.

Bij de FT1 wordt een elegante opbergtas voor hoofdtelefoons meegeleverd, gemaakt met hetzelfde vakmanschap en dezelfde materialen als bij prestigieuze Franse merken, die stijl en functionaliteit combineert voor extra bescherming.

Het nieuwe FT1-pakket wordt geleverd met twee hoofdtelefoonkabels, één van 3.5mm single-ended en één van 4.4mm balanced, beide gemaakt van zuurstofvrij kopergeplateerd zilverdraad, met 392 draden van 24AWG-dikte en een lengte van 1.5 meter. Deze veelzijdigheid zorgt voor eenvoudige compatibiliteit met een verscheidenheid aan audioapparaten, waardoor u naadloos van kabel kunt wisselen terwijl u geniet van transparant maar robuust geluid voor een meeslepende luisterervaring.

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SKU: 85445888145

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4.9 ★★★★★
Based on 17 reviews
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P. Biealczyc
Grantham, US
★★★★★ 5
Really nice
Format: Paperback
Great read and gift
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 31, 2026
K
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Kindra Foster
Houston, US
★★★★★ 4
Classic, but a bit disappointed
I’ve always wanted to read this book. Heard a lot about it and it’s importance in the science fiction genre. But I didn’t care for Heinlein’s style of writing. There was a lot of subtle humor in it that was enjoyable, and I suspect he meant for it to be a caricature of humanity. I enjoyed the analysis of human nature throughout the story. But I was disappointed in the direction the story took toward the end. It seemed like a cheap way to develop the possibilities that had been laid out in the rest of the book. I want to believe human beings would value the opportunity and show up in a better way if such a thing really happened. I felt like the main character was so rich and unique in the beginning, but in the end, he felt flat and inscrutable. Having said all of that, maybe if I hadn’t been swayed by my own expectations, I would have enjoyed the story more. I’ll have to try some of his other books and see what I think!
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Reviewed in the United States on May 28, 2024
C
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Craig in NE CT
Grantham, US
★★★★★ 5
Great story!
Format: Mass Market Paperback
I read this book as a teenager, in the 1960s, and just, now, finished rereading it, at age 65. I see that I missed many of the author's ideas (due to my youthful lusts, antics, and ignorance of life and of the Bible). "Stranger in a Strange Land" struggles with boundaries of self, morality, and what may constitute/govern a normal healthy society. The author pokes at our spiritual needs, ideas, or rituals upon which we all depend to order our lives, whether we be atheistic, pantheistic, or monotheistic. By minimizing God and godhood to the level of individual understanding and growth, the Heinlein's story posits that all philosophical views need not be antagonistic toward one another; that, by default, truth is and should be relative, given our potentially reformed natural self-interests. Whether a `religious' or irreligious person or organization is primitive, civilized, or `who-cares', Heinlein poses that, despite our ideologies that distinguish us from others, or unite us, only a growing constructive self-awareness is really important, not whether God really exists or whether we will face a final judgment. The author's trick to redemption is how we decide to get along with ourselves and our neighbors, within a `fly right, or mess up and go back to the beginning' scenario, in contrast to the biblical one-life-one-chance view. By design or default, in this story, Heinlein relegates God below human self-actualization, and allows no room for absolute truth. Heinlein's self-fulfilling self-actualization is entirely at odds with biblical Christianity and biblical Judaism, yet quite at home with most religions and faiths that rely on salvation by personal works, and reincarnation-based religions. Maybe that was part of the author's point in telling the story. When it comes to putting a halt to abusive powers, I have to chuckle at how Heinlein has Smith frustrate the overbearing powers-that-be. A thought struck me about twenty years ago that those who have power or understanding have a God-given responsibility to exercise discipline and restraint with those who lack power or understanding. Having more power or understanding than someone or something else does not obviate one's responsibility to exercise that power or understanding to better the world in which we live, nor does it entitle one to do ought but to treat others with love, respect, and decency, which, for the betterment of society and our world, may require that one's power or understanding be exercised to identify or destroy evil. Though this philosophy is exercised by the lead character within the story, the clarity of this comes late to Valentine Michael Smith, yet, sadly, such clarity does not move him to embrace an absolute God, absolute truth, nor his own existence as a created being that is not God, leaving Heinlein's view of life and after-life harshly in contrast to the biblical viewpoint, hence at odds with God. Martian or human, in the end, Heinlein simply does a shell game with his characters, when the issue of death arises, leaving readers to guess in what level the author will eventually hide them, to avoid a final judgment, leaving each soul's story to continue ad infinitum, ad nauseam, without any ultimate accountability. This is an entertaining science fiction story, yet, Heinlein's ideas, in this sexual-religious-social romp, border on theological sophistry. His ideas will probably offend most established points of view. Despite his general bravado, and so bold a topic, Heinlein omits balanced discussion among the characters, fails to deal with any absolute truth or true final judgment of evil, and perfunctorily dismisses biblical views that might be germane to cogent biblical discussion. There are two upwelling truths that the author has twisted and cheapened them considerably, by his denial of absolute truth and avoiding our accountability to God's perfect righteousness. Those are self-sacrificing love and the inevitability that every soul is responsible for her/his own thoughts and actions. Though he allows watered down versions of those traditional moral elements to remain, Heinlein (who must have seen too many money-hungry medicine shows, tent meetings, and carnival acts) relies solely on human constructive self-awareness, self-discipline, and self-empowerment to pose a stab at a positive future for humanity and the afterlife. The story's quasi-moral might read, "Find any way to beat the present system and exploit it at almost any cost, so long as no one really gets hurt." Smith's earthly end-game of self-sacrifice is a corrupted shadow of Christ's. Smith's is a twisted image of self-sacrifice, a huckster's trick to work the crowd, avoiding entirely the biblical God and plan of Christ. Heinlein's bootstrap theology, in the end, can neither respect nor agree upon one God, nor save itself from its own moral meanderings and wishful unthinking of human sin. As an author, myself, I would add that every one of our actions, gestures, and our written or spoken utterances, has its consequences, and that we are ultimately responsible, to God, for everything that we generate and utter. I believe that Heinlein's story agrees partly with my belief, except that Heinlein leaves the one true God completely out of his story. Despite Heinlein's philosophical thrust that everyone can claim "Thou art God", for self or others, I personally subscribe to the biblical view that all things and people are created by God, and that He holds us together by His Laws and will, and that there is, yet, a separation that He reserves between us and Him, that can only be bridged or reconciled through His Christ, and, furthermore, that we are the only part of His Creation that has been offered that exclusive plan of redemption. By contrast, Heinlein's story offers the carrot of constructive self-awareness as the means of possible redemption for humanity, insecurely hoping to save us from ourselves. Craig M. Szwed (Author, photographer, combat veteran, father, composer)
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Reviewed in the United States on May 18, 2013
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M. Estopinal
Draper, US
★★★★★ 5
A True Arthurian Legend
Format: Mass Market Paperback
The Once and Future King provides an excellent perspective into the world of Arthur, the King of England. This book is divided into four sections, each dealing with the different aspects of Arthur's life, including both the good and the bad. The first book, the Sword and the Stone, has been immortalized by countless movies, such as the one by Disney. This book deals with the upbringing of Arthur, or in this case, Wart, his childhood nickname. Here we see the trials Wart must face as he learns about the many forms of leadership, courtesy of his mentor, Merlyn. The second book, the Queen of Air and Darkness, is a prelude to the collapse of Arthur's kingdom. The result of this book begins to brew throughout the entire novel, finally impacting at the end of the final book. The third book, the Ill-Made Knight, is my personal favorite. This book is about Lancelot's personal quest to become the best knight in the world. This book is filled with exciting quests that Lancelot has taken up, including such things as saving a maiden from a boiling pot of water, as well as the ill-fated quest to find the Holy Grail. The fourth and final book, the Candle in the Wind, deals with the collapse of Arthur's kingdom. Arthur's sins "come home to roost" in this book, forcing him to make decisions that could jeopardize the safety of his wife, Guenever, and his best friend, Lancelot. This novel is truly one of the classic fantasy books that one reads and never forgets. Although there are many portrayals of the Arthurian legend, this is without a doubt one of the better ones.
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Reviewed in the United States on September 6, 2004
A
Verified Purchase
Amazon Customer
Lexington, US
★★★★★ 5
A novel about all of life
I've read this novel (and listened to the excellent audio book narrated by Neville Jason) in all its different versions over several decades and every time come away with fresh admiration not only for White's fantastic prose style but also for his insight into all aspects of human character and the workings of society. I cannot over-emphasise how rich it all is. For those who have only read The Sword in the Stone (or seen the Disney version), it is important not to write this volume off as a children's story. Each of the four or five books that make up The Once and Future King reflects a different stage in life and experience. The greatness and the tragedy of the story is something we fully recognise only as we grow older. All of the books are wonderful, but The Ill-Made Knight (the third) is an education in adulthood. The background of the entire work from individually-published volumes is a little messy. The Kindle edition I have seems to match the Harper Voyager paperback complete edition which has the integrated four-book version (with the geese and ants integrated into The Sword in the Stone, and Madam Mim removed) and The Book of Merlyn added at the end without any changes to fix the resulting duplication. This is the form in which I am most familiar with all the parts. The Neville Jason audio book available through Audible is synchronised with the Kindle book but actually includes a different version of The Sword in the Stone (Madam Mim included). When I first listened to this, it frustrated me, because the sections on the geese and ants seem so essential. However, taking it all in its entirety, it works very well and avoids the duplication that otherwise occurs. Neville Jason's reading is of the highest quality, with clearly recognisable voices for all characters.
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Reviewed in the United States on April 14, 2014

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