SKU: 82681041302

Zwiesel Glas Wijnglazen Vivid Senses Fruity & Delicate - 530 ml - 2 stuks

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Description

Zwiesel Glas Wijnglazen Vivid Senses Fruity & Delicate - 530 ml - 2 stuksVergeet wankele glazen en vlakke aromas: met de Zwiesel Glas Vivid Senses Fruity & Delicate wijnglazen geniet je cht van fruitige, elegante wijnen zoals Pinot Noir, Tempranillo of Zweigelt. Dankzij de ruime kelk van 530 ml komen aromas vrij, proef je dieper en serveer je wijn die leeft. Dit zijn glazen die je tafel direct verfijnen en tegelijk robuust genoeg zijn voor dagelijkse momenten. Waarom dit glas jouw wijnmoment verbetert Gerichte

Vergeet wankele glazen en vlakke aroma’s: met de Zwiesel Glas Vivid Senses Fruity & Delicate wijnglazen geniet je écht van fruitige, elegante wijnen zoals Pinot Noir, Tempranillo of Zweigelt. Dankzij de ruime kelk van 530 ml komen aroma’s vrij, proef je dieper en serveer je wijn die leeft. Dit zijn glazen die je tafel direct verfijnen en tegelijk robuust genoeg zijn voor dagelijkse momenten.

Waarom dit glas jouw wijnmoment verbetert

  • Gerichte aromapresentatie – de speciale kelk leidt fruitige geurstoffen naar je neus, zodat smaken helderder en frisser overkomen.
  • Tritan® Kristalglas – extreem helder en krasbestendig, waardoor het glas lang z’n briljante look behoudt, ook na veelvuldig wassen.
  • Elegant én praktisch – stijlvol ontwerp dat past bij feestelijk serveren, maar sterk genoeg voor dagelijks gebruik.
  • Vaatwasserbestendig – je bespaart tijd en blijft genieten van glanzende glazen zonder gedoe.
  • Set van 2 – perfect voor een fijnproeversavond met z’n tweeën of als cadeau voor wie van goede wijn houdt.

Vorm ontmoet aroma — Kelkvorm die het proeven stuurt

Het geheim van een goed wijnmoment zit vaak in de kelk. De Vivid Senses Fruity & Delicate heeft een ruime, licht toelopende kelk (530 ml) die fruitige wijnen ruimte geeft om te ademen zonder dat ze te snel vervluchtigen. Jij houdt het glas licht vast bij de steel en laat de wijn z’n boeket ontvouwen: frisse kersen, aardse tonen of subtiele florale hints komen duidelijk naar voren. Resultaat: elke slok voelt rijker, frisser en veel specifieker.

Je merkt het meteen bij Pinot Noir, Gamay of Beaujolais, maar ook bij jonge Tempranillo of Zweigelt: de juiste balans tussen fruitigheid en finesse wordt behouden. Dat maakt dit glas niet alleen mooi om te zien, maar vooral functioneel wanneer je smaken wilt onderscheiden en echt wilt proeven.

Tritan® Kristalglas — Slimme kwaliteit die je ziet en voelt

Deze glazen zijn gemaakt van het gepatenteerde Tritan® Kristalglas van Zwiesel: een materiaal dat helderheid, breukvastheid en krasbestendigheid combineert. Concreet betekent dat voor jou dat glaswerk langer mooi blijft, ook na veelvuldig gebruik in de vaatwasser. Geen doffe glans, geen fijne krassen die aroma’s kunnen verstoren — alleen zuivere, consistente presentaties.

Daarnaast is Tritan® duurzaam gecertificeerd en machinaal vervaardigd in Duitsland. Die combinatie van precisieproductie en geavanceerd materiaal zorgt voor een betrouwbare kwaliteit, zonder gedoe. Je investeert slim: kwaliteit die jarenlang mee kan en zichzelf terugbetaalt in momenten en herinneringen.

Elegant design voor dagelijks en bijzonder

Het ontwerp van de Vivid Senses-lijn neemt complexiteit weg en legt focus op wat telt: smaak en beleving. Het slanke, moderne silhouet past aan tafel bij een eenvoudig diner of een uitgebreid degustatiemenu. Dankzij de balans tussen kelk en steel ligt het glas prettig in de hand tijdens serveren en proeven, en staat het stabiel op je tafel.

Of je nu een snelle maaltijd deelt of een avond lang wijnen vergelijkt: deze glazen voelen goed, zien er klassevol uit en presteren keer op keer. Ze zijn vaatwasserbestendig, dus je hoeft niet bang te zijn het beste servies alleen voor bijzondere gelegenheden te bewaren.

💡 Tip: Spoel de glazen voor gebruik kort met koud water en serveer rode wijnen op lichte kamertemperatuur. Gebruik een zachte glasdoek voor een streeploze glans als je extra wilt schitteren tijdens serveren.

Praktische gebruiksadviezen

  • Gebruik voor: Pinot Noir, Gamay, Beaujolais, Tempranillo, Zweigelt, Dolcetto en vergelijkbare fruitige, delicate stijlen.
  • Schoonmaken: vaatwasserbestendig, maar voor extra glans afspoelen met koud water en afdrogen met een glasdoek werkt het beste.
  • Let op: niet geschikt voor warme dranken.

Specificaties

  • Collectie: Vivid Senses
  • Materiaal: Tritan® Kristalglas
  • Diameter (mm): 88
  • Kleur: Transparant
  • Hoogte (mm): 236
  • Inhoud (ml): 530
  • Vaatwasserbestendig: Ja
  • Land van herkomst: Germany
  • Productie: Machinaal gemaakt glas
  • Aantal stuks: 2
  • Garantie: 2 Jaar

In de verpakking

  • 2 Zwiesel Glas Vivid Senses Fruity & Delicate wijnglazen (530 ml)

Waarom kiezen? Omdat je van wijn proeven wilt maken — niet van raden. Met deze set investeer je in helderheid, duurzaamheid en een vorm die smaak naar voren haalt. Je tafel krijgt direct een professionele touch, en jouw avonden worden smakelijker en memorabeler.

Bestel jouw set van 2 Zwiesel Glas Vivid Senses Fruity & Delicate nu bij Cookinglife — Alles voor jouw smaak. Proef het verschil en serveer met vertrouwen.

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SKU: 82681041302

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4.8 ★★★★★
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D
Darcy W.
Pawtucket, US
★★★★★ 5
A beautifully crafted invitation to journal
Format: Paperback
Lilias Trotter Legacy’s latest book Beholdings is not so much a text as it is a beautifully crafted invitation. Inspired by the journals and sketches of Lilias Trotter (1853-1928—English missionary to Algeria, artist, writer, and journaler par excellence), biographer Miriam Rockness invites the reader to try their own hand at journaling, using Trotter as a model and guide. Rockness herself is no stranger to journaling, and her Preface to Beholdings enumerates the many benefits that await any reader who is willing to commit to the discipline for a period of time. In the short term, Rockness describes how journaling encourages one to focus, to pay attention, to take the time to behold the beauty in the world before one’s very eyes. Each page following the Preface includes a quote designed to stir the imagination, and an image from Trotter’s journals to illustrate what it means to behold an acorn, a flower petal, a sunrise in the Algerian desert. It is not just to see what is before one’s eyes, but to hold it in the mind’s eye and cherish it. As Simone Weil said, “Attention, taken to its highest degree, is the same thing as prayer. It presupposes faith and love.” It is this kind of attention that Rockness encourages the journaler to cultivate, and it is the kind of attention that Lilias Trotter so artfully illustrates. There is ample space on each page for the journaler, thus inspired, to record his or her observations, musings, sketches, or doodles. In the longer term, Rockness suggests that journaling helps cultivate a sense of proportion and perspective. She describes looking back with her husband over her journals from years before, reliving the moments that might otherwise have been forgotten, and allowing those glimpses in the rear view mirror to inform present day experience. Sometimes one finds that images seen in the rear view mirror really are smaller than they appeared at the time! In addition to being an incitement to journaling, Beholdings is a beautifully produced creation in its own right. Great thought has gone into the selection of the typeface, the texture and feel of the paper, the quality of the images reproduced. This makes Beholdings not only a delight to own, but also an exquisite gift to offer. My advice: buy one for yourself, and another for someone you love.
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Reviewed in the United States on January 16, 2022
W
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WellBCare
Massapequa, US
★★★★★ 2
Be clear that it's a blank journal you create, with brief quotes and thumbnail art
Format: Paperback
If one is looking for a personal journal of empty lined pages ~ and a brief Lilias Trotter quote with a thumbnail-size photo of her art on each page then this is for you. I understood it was a book of her journalling with more viewable-size sketches.
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Reviewed in the United States on May 13, 2022
E
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Eric Balkan
Lake Worth, US
★★★★★ 5
When and where economics went wrong
Format: Paperback
This is one of those books that can provide an epiphany to the reader -- but not very many American readers have even heard of it, unfortunately. That could be due to it's being a book primarily about English economic history, with assumptions that the reader is familiar to some extent with things like the Poor Laws and Tory socialism. But I wasn't, and was still able to glean some great insights from the work. That could be because Polanyi is not afraid of repetition. :-) A key insight, and the one that could be summed up as the theme of the book, is Polanyi's realization that prior to about 1830, the market and the economy were considered part of society. That is, economic activity was something that people did along with everything else they did, like engage in social/familial relationships, religious rituals, etc. But with the 1830s came a paradigm shift: the advent of rational capitalism. Now, the market was considered an entity by itself, outside of society. This market entity was viewed as governed by universal laws. Like laws of physics, these market laws were independent of culture, independent of social group, independent of time period, and, in fact, independent of human behavior. While any observer of human nature would say that people often make decisions for emotional reasons -- and modern neurological research shows that virtually every decision we make is a combination of the rational and the emotional -- these market laws assumed only rational behavior on the part of economic actors. Though Polanyi doesn't mention it, it's now easy to see how Alfred Marshall could get carried away with creating a mathematical foundation for microeconomics and how Leon Walras could, reportedly, say that if something couldn't be studied mathematically, it wasn't worth studying. There's no current way to model emotions with math, and so the Ricardian prototype of an emotion-less economics continues into the modern economics of today. These universal market laws frees the market from any social constraints. A number of modern neo-classical economists assert that this makes economics purely amoral, i.e., without regard for any ethics. Therefore any attempts by the public, by politicians, or by workers to add ethics to the market is an interference with pure market workings, which, according to their interpretation of Adam Smith's "invisible hand", will produce optimal results if just left alone. But Smith never said that, and in fact rational capitalism, in elevating greed and selfishness to the status of goals -- see the Ayn Rand work "The Virtue Of Selfishness" -- is, IMO, not amoral at all, but rather is a morality of its own. Anyway, back to Polanyi's insights. Another key one is the concept of a "double movement" in 19th century England. Each move to create a purer market created an ad-hoc counter move. E.g., Ricardian free trade was faced with opposition from workers losing their jobs and local firms losing business Americans can easily think of another example: where the employment of children (eventually) led to laws restricting that employment, simply because human beings have too much of a sympathetic nature to sit still for children losing limbs in the dangerous factories and mines of the time. Polanyi notes that capitalists often blame these anti-capitalist laws on planned activity by socialist anti-market groups, but he says they're actually the result of the recognition by the general public that they don't want to live under a pure market system. Yet another good insight is Polanyi's recognition that market laws treat labor, land, and money as commodities. We can see that today, where neo-classical economists assert that the law of supply and demand should apply to workers as it applies to anything else in the economy. That is, if there's a surplus of workers in one area and a shortage in another, supply and demand dictates the flow of workers from the one area to the other. But a laid-off textile worker in South Carolina is not going to move to China for a job. That's my own example, but Polanyi offers his own from modern English history. The book isn't perfect. Polanyi does have a tendency to generalize, a common failing among authors, IMO. E.g., in discussing the rise of fascism in the 1930s, he's on very shaky ground when he starts talking about the US or about Russian policy intentions during that period. I gave The Great Transformation 5 stars because, even with its faults, the reader will be thinking about Polanyi's insights for some time to come. I am.
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Reviewed in the United States on May 18, 2009
K
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Kindle Customer
Natrona Heights, US
★★★★★ 5
Not light reading but worth it
Format: Kindle
Much of this book was heavy reading for me, mainly due my not being familiar with the background development and history of various economic theory and associated laws over 500 or so years of British history. I did stick it out and am glad I did. There are many insights as to how we have arrived at today and the book is still relevant even though it was written in 1942. I found the last few chapters and the comments in Sources to offer the most explanations to fit modern times especially with regard to the rise of fascism. Thick but worth it.
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Reviewed in the United States on May 6, 2025
B
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Blake West
Los Angeles, US
★★★★★ 4
Interesting anthropology and critique, but dense and obtuse writing
Format: Kindle
The good part is that at the end of the day, I learned a lot here, and Polanyi raised a lot of very interesting and under-discussed historical points to create his argument. It felt very similar to David Graeber (or I guess Graeber is similar to Polanyi) in that way. The bad part is that, whereas Graeber writes with exceptional clarity and vividness, Polanyi is obtuse and dense. And I've read other books from this era, I don't think it's the time. I think it's Polanyi's writing. Beyond that, his work serves more as analysis than prescription. It's a bit unclear exactly what he's advocating for. Which maybe is OK, though I prefer when non fiction writers offer solutions rather than just pointing out problems. All in all, if you can settle in with his writing, there are definite gems in there.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 5, 2026

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