SKU: 67143973778

CanDo Binnendeur Cover Glass DD02 - Intense Mat Black - Gelakt - Opdek - Rechts - 88x201,5cm

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Description

CanDo Binnendeur Cover Glass DD02 - Intense Mat Black - Gelakt - Opdek - Rechts - 88x201,5cmDe CanDo Cover Glass opdekdeur is de perfecte keuze voor liefhebbers van een industrile stijl in huis. Deze deur combineert een krachtige uitstraling met een moderne matte EBC lak in intense matzwarte kleur. Het gentegreerde satijnglas zorgt voor extra lichtinval en privacy, waardoor jouw interieur direct een upgrade krijgt. Belangrijkste specificaties Model: Opdekdeur Afwerking: Afgelakt (Intense Mat Black) Materiaal: MDF, grenen en glas Afmetingen

De CanDo Cover Glass opdekdeur is de perfecte keuze voor liefhebbers van een industriële stijl in huis. Deze deur combineert een krachtige uitstraling met een moderne matte EBC-lak in intense matzwarte kleur. Het geïntegreerde satijnglas zorgt voor extra lichtinval en privacy, waardoor jouw interieur direct een upgrade krijgt.

Belangrijkste specificaties
  • Model: Opdekdeur
  • Afwerking: Afgelakt (Intense Mat Black)
  • Materiaal: MDF, grenen en glas
  • Afmetingen (bxh): 88 x 201,5 cm
  • Glas: Ja (Satijnglas)
  • FSC-certificering: Ja
  • Draairichting: Rechts
Productbeschrijving

De Cover Glass opdekdeur van CanDo biedt een hoogwaardige en stoere uitstraling dankzij het industriële design en de diepe matzwarte tint. De deur is afgewerkt met een duurzame EBC-lak die niet alleen zorgt voor een egale, matte finish, maar ook eenvoudig te onderhouden is. De volspaan kern draagt bij aan extra stevigheid en geluidswering – ideaal voor woonruimtes waar comfort telt. Het voorgemonteerde satijnglas brengt sfeer, licht en privacy samen in één stijlvol geheel.

Onderhoud & duurzaamheid

De matte EBC-lakafwerking maak je makkelijk schoon met een zachte doek. Zo blijft jouw deur er jarenlang mooi uitzien. Deze deur is gemaakt van FSC®-gecertificeerd hout, wat betekent dat het hout afkomstig is uit verantwoord beheerde bossen.

Maak jouw deur compleet

Om jouw deur helemaal af te maken, bestel je het deurbeslag (zoals deurkrukken en sloten) apart. Kijk voor bijpassend beslag of accessoires binnen het CanDo assortiment. De deur wordt geleverd inclusief satijnglas, zodat je direct kunt genieten van extra licht en privacy.

Waar bestel je de deur?

Bestel deze deur via onze deurenconfigurator, anders kan deze niet in productie worden genomen. De configurator helpt je in een paar makkelijke stappen door het bestelproces heen.

Heb je extra hulp nodig met het bestellen of samenstellen van jouw deur? Bezoek dan de dichtstbijzijnde Praxis-winkel en bestel je deur samen met een van onze medewerkers.

Is de deur maatwerk?

Het is goed om te weten dat dit artikel op maat wordt besteld. Daarom kan de deur niet worden geretourneerd.

Shipping Notes
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Exchange/Return Notes
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SKU: 67143973778

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4.7 ★★★★★
Based on 6 reviews
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Product Reviews
J
Verified Purchase
Joel Bradford
Whiting, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
Bozeman, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
West Palm Beach, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
Verified Purchase
W.P.
Lake Worth, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
B
Verified Purchase
Basket Case
Belleville, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012

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