SKU: 59348306312

Kappersstoel Gabbiano Acri Goud-Beige

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Description

Kappersstoel Gabbiano Acri Goud-BeigeBen je op zoek naar een beige kappersstoel met een verfijnde, luxueuze uitstraling die direct de toon zet in je salon? De Gabbiano Acri in goud beige is een stijlvol meubelstuk van het Italiaanse merk Gabbiano, dat bekendstaat om betrouwbaarheid, kwaliteit en esthetische afwerking. De hydraulische pomp maakt het mogelijk de zithoogte snel en stil te verstellen van 47 tot 57 cm, ook wanneer de klant al zit. Dit verhoogt de efficintie aanzienlijk op

Ben je op zoek naar een beige kappersstoel met een verfijnde, luxueuze uitstraling die direct de toon zet in je salon? De Gabbiano Acri in goud-beige is een stijlvol meubelstuk van het Italiaanse merk Gabbiano, dat bekendstaat om betrouwbaarheid, kwaliteit en esthetische afwerking. De hydraulische pomp maakt het mogelijk de zithoogte snel en stil te verstellen van 47 tot 57 cm, ook wanneer de klant al zit. Dit verhoogt de efficiëntie aanzienlijk op drukke saloondagen. De stoel is 360° draaibaar en beschikt over een voetsteun, wat bijdraagt aan het comfort van de klant tijdens langere behandelingen. Met een gewicht van 35 kg is de Acri stevig en stabiel.

  • Zithoogte: 47 – 57 cm verstelbaar
  • Bekleding: eco-leder in beige
  • Goudkleurige metaalaccenten
  • 360° draaibaar
  • Voetsteun inbegrepen
  • Zitvlak: 47 × 47 cm
  • Ruglengtehoogte: 47 cm

De hydraulische pomp van de Gabbiano Acri is ontworpen voor intensief professioneel gebruik. De soepele bediening zorgt ervoor dat de kapper de werkhoogte nauwkeurig kan instellen zonder de behandeling te onderbreken. De beige eco-lederen bekleding met goudkleurige accenten geeft de stoel een warme, elegante uitstraling die uitstekend past bij salons met een neutraal of warm kleurenpalet. Het materiaal is eenvoudig te reinigen en behoudt zijn vorm ook na dagelijks gebruik, wat de hygiëne in de salon ondersteunt.

In de praktijk waarderen kappers de combinatie van het comfortabele, brede zitvlak en de stabiele voetsteun, die klanten een ontspannen zithouding bieden tijdens verven, knippen of stylingsessies. Onderhoud is eenvoudig: veeg de bekleding regelmatig af met een vochtige doek en een milde reiniger. Vermijd blootstelling aan directe zon om verkleuring van de beige bekleding te voorkomen. De goudkleurige metaalonderdelen houd je schoon met een droge, zachte doek om krassen te vermijden.

De Gabbiano Acri wordt geleverd voor zelfmontage met duidelijke handleiding en is inclusief 1 jaar garantie. Verzending vindt plaats als palletproduct (65 × 65 × 65 cm). Bestel deze luxe kappersstoel vandaag nog bij Salonplus.nl en voeg een elegante, functionele stoel toe aan jouw saloninrichting.

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SKU: 59348306312

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4.3 ★★★★★
Based on 30 reviews
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David R. Papke
Lowell, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Boise, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Grantham, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
San Leandro, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Charlottesville, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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