SKU: 50970765274

Claudio Abbado, Wiener Philharmoniker - The Complete Deutsche Grammophon Recordings (58xCD, Comp, RM + Box)

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Claudio Abbado, Wiener Philharmoniker - The Complete Deutsche Grammophon Recordings (58xCD, Comp, RM + Box)Media Condition: Mint (M) Sleeve Condition: Near Mint (NM or M ) Comments: SEALED , brand new copy General notes about this release (please note: our version may differ a little. see the comments above): This edition 2020 Deutsche Grammophon GmbH, Stralauer Allee 1, 10245 Berlin 2020 Deutsche Grammophon GmbH Made in the EU Cover Photo Felix Broede Artist Photos Felix Broede (pp. 4 5, 28), Felicitas Time (p. 12), Siegfried Lauterwasser (p. 21) 118 page

Media Condition: Mint (M)
Sleeve Condition: Near Mint (NM or M-)

Comments:
SEALED , brand new copy

General notes about this release (please note: our version may differ a little. see the comments above):
This edition ℗ 2020 Deutsche Grammophon GmbH, Stralauer Allee 1, 10245 Berlin © 2020 Deutsche Grammophon GmbH Made in the EU Cover Photo © Felix Broede Artist Photos © Felix Broede (pp. 4-5, 28), © Felicitas Time (p. 12), © Siegfried Lauterwasser (p. 21) 118-page booklet with essays, photographs and tracklisting. Liner Notes in English, German, and Italian. CD 1 Live recordings: Vienna, Musikverein, Großer Saal, 2/1987 (No. 2), 1/1988 (No. 1) ℗ 1988 (No. 2), 1989 (No. 1) Deutsche Grammophon GmbH, Berlin Total time: 61:10 CD 2 Live recording: Vienna, Musikverein, Großer Saal, 6/1985 ℗ 1986 Deutsche Grammophon GmbH, Berlin Total time: 52:04 CD 3 Live recordings: Vienna, Musikverein, Großer Saal, 10/1987 (No. 5), 5/1988 (No. 4) ℗ 1988 (No. 5), 1989 (No. 4) Deutsche Grammophon GmbH, Berlin Total time: 69:18 CD 4 Recording: Vienna, Musikverein, Großer Saal, 9/1986 ℗ 1987 (opp. 68 & 112), 1988 (op. 80) Deutsche Grammophon GmbH, Berlin Total time: 70:25 CD 5 Live recording: Vienna, Musikverein, Großer Saal, 2/1987 ℗ 1988 Deutsche Grammophon GmbH, Berlin Total time: 67:01 CD 6 Live recording: Vienna, Musikverein, Großer Saal, 5/1986 ℗ 1987 Deutsche Grammophon GmbH, Berlin Total time: 72:17 CD 7 Recordings: Vienna, Musikverein, Großer Saal, 6/1985 (op. 62), 2/1987 (op. 84), 10/1989 (op. 124), 10/1990 (op. 115); Vienna Konzerthaus, 12/1988 (opp. 43, 117, 113) ℗ 1986 (op. 62), 1989 (op. 84), 1991 (opp. 43, 113, 115, 117, 124) Deutsche Grammophon GmbH, Berlin Total time: 49:39 CD 8 Recordings: Vienna, Musikverein, Großer Saal, 9/1986 (op. 72), 10/1989 (opp. 138, 72a. 72b) ℗ 1989 (op. 72a), 1991 (opp. 72, 72b, 138) Deutsche Grammophon GmbH, Berlin Total time: 44:37 CD 9 Recordings: Vienna, Sofiensaal, 4/1966 (op. 92), 5/1966 (op.43), 11/1968 (op. 93) ℗ 1966 (opp. 92 & 43), 1972 (op. 93) Decca Music Group Ltd. Total time: 73:08 CD 10 Recordings: Vienna, Musikverein, Großer Saal, 4/1992 (op. 6), 4/1993 (7 frühe Lieder) & 10/1933 (Der Wein) ℗ 1995 Deutsche Grammophon GmbH, Berlin Publisher: Universal Edition, Vienna (7 frühe Lieder) Total time: 49:06 CD 11 Recording: Vienna, Musikverein, Großer Saal, 11/1994 (Lulu-Suite live) ℗ 1996 Deutsche Grammophon GmbH, Berlin Total time: 59:50 CD 12 and 13 Live recording: Vienna, Staatsoper, 6/1987 ℗ 1988 Deutsche Grammophon GmbH, Berlin Total time: CD 12 33:35, CD 13 55:10 CD 14 Recording: Vienna, Musikverein, Großer Saal, 3/1972 ℗ 1972 Deutsche Grammophon GmbH, Berlin Total time: 47:37 CD 15 Recording: Vienna, Musikverein, Großer Saal, 5/1976 ℗ 1977 Deutsche Grammophon GmbH, Berlin Total time: 48:02 CD 16 Recording: Vienna, Sofiensaal, 6/1982 Publisher: Anton J. Benjamin, Hamburg (8, 9) ℗ 1983 Deutsche Grammophon GmbH, Berlin Total time: 47:15 CD 17 Live Recording: Vienna, Musikverein, Großer Saal, 1/1996 ℗ 1997 Deutsche Grammophon GmbH, Berlin Total time: 48:27 CD 18 Recording: Vienna, Musikverein, Großer Saal, 10/1990 ℗ 1991 Deutsche Grammophon GmbH, Berlin Total time: 68:19 CD 19 Live Recording: Vienna, Musikverein, Großer Saal, 10/1993 ℗ 1995 Deutsche Grammophon GmbH, Berlin Total time: 71:50 CD 20 Recording: Vienna, Musikverein, Großer Saal, 3 & 4/1992 ℗ 1994 Deutsche Grammophon GmbH, Berlin Total time: 64:22 CD 21 Live Recording: Vienna, Musikverein, Großer Saal, 11/1996 ℗ 2001 Deutsche Grammophon GmbH, Berlin Total time: 60:22 CD 22 Recording: Vienna, Musikverein, Großer Saal, 11 & 12/1969 ℗ 2001 Decca Music Group Ltd. Total time: 46:07 CD 23 and CD 24 Recording: Wien, Konzerthaus, Grosser Saal, 1/1991 Total time: CD 23 75:20, CD 24 75:08 ℗ 1992 Deutsche Grammophon GmbH, Berlin CD 25 and CD 26 Live Recording: Vienna, Musikverein, Großer Saal, 9/1986 (Symphony No. 10), 11/1992 (Symphony No. 9) Total time: CD 25 46:48, CD 26 64:46 ℗ 1988 (Symphony No. 10), 1994 (Symphony No. 2) Deutsche Grammophon GmbH, Berlin CD 27 and CD 28 Recording: Vienna, Musikverein, Großer Saal, 9/1980 Total time: CD 27 60:41, CD 28 41:50 ℗ 1982 Deutsche Grammophon GmbH, Berlin CD 29 Recording: Vienna, Musikverein, Großer Saal, 5/1977 Total time: 57:45 ℗ 1978 Deutsche Grammophon GmbH, Berlin CD 30 Live recording: Vienna, Musikverein, Großer Saal, 5/1987 Total time: 79:37 ℗ 1988 Deutsche Grammophon GmbH, Berlin CD 31 Recordings: Salzburg, Großes Festspielhaus, 4/1990 (No. 26, live recording); Vienna, Musikverein, Großer Saal, 3/1992 (No. 14) Publisher (Cadenza to K 537): Bärenreiter Verlag Total time: 51:35 ℗ 1993 Deutsche Grammophon GmbH, Berlin CD 32 Recording: Vienna, Musikverein, Großer Saal, 9/1974 Total time: 62:19 ℗ 1975 Deutsche Grammophon GmbH, Berlin CD 33 Recording: Vienna, Musikverein, Großer Saal, 5/1975 Total time: 67:01 ℗ 1976 Deutsche Grammophon GmbH, Berlin CD 34 Recording: Vienna, Musikverein, Großer Saal, 10/1975 Total time: 44:58 ℗ 1976 Deutsche Grammophon GmbH, Berlin CD 35 to CD 37 Recording: Vienna, Musikverein, Großer Saal, 1 & 2/1994 Total time: CD 35 64:46, CD 36 57:40, CD 37 46:35 ℗ 1994 Deutsche Grammophon GmbH, Berlin CD 38 to CD 40 Live recording: Vienna, Staatsoper, 9/1989 Total time: CD 38 46:03, CD 39 67:02, CD 37 57:11 ℗ 1990 Deutsche Grammophon GmbH, Berlin CD 41 and CD 42 Recording: Vienna, Musikverein, Großer Saal, 9 & 10/1987 Total time: CD 41 65:10, CD 42:60:46 ℗ 1989 Deutsche Grammophon GmbH, Berlin CD 43 and CD 44 Recording: Vienna, Musikverein, Großer Saal, 5/1992 Total time: CD 43 59:50, CD 44 46:54 ℗ 1995 Deutsche Grammophon GmbH, Berlin CD 45 Live recording: Vienna, Musikverein, Großer Saal, 31 May 1971 A recording of Österreischer Rundfunk / Radio Österreich 1 Total time: 55:17 ℗ 2018 Deutsche Grammophon GmbH, Berlin CD 46 Live recording: Vienna, Musikverein, Großer Saal, 11/1986 Total time: 56:39 ℗ 1988 Deutsche Grammophon GmbH, Berlin CD 47 Live recording: Vienna, Musikverein, Großer Saal, 1/1988 Total time: 81:45 ℗ 1988 (1-3, 6-17), 1992 (4, 5) Deutsche Grammophon GmbH, Berlin CD 48 Live recording: Vienna, Musikverein, Großer Saal, 1/1991 Total time: 72:44 Publishers: Ludwig Krenn, Vienna (Strauss/Schönherr), Edizioni Suvini Zerboni, S.p.A., Milan (Schubert/Maderna) ℗ 1991 Deutsche Grammophon GmbH, Berlin CD 49 Recording: Vienna, Musikverein, Großer Saal, 8/1975 Total time: 41:28 ℗ 1976 Deutsche Grammophon GmbH, Berlin CD 50 Recording: Vienna, Musikverein, Großer Saal, 10/1973 Total time: 45:01 ℗ 1974 Deutsche Grammophon GmbH, Berlin CD 51 Recording: Vienna, Musikverein, Großer Saal, 9/1972 Total time: 45:01 ℗ 1973 Deutsche Grammophon GmbH, Berlin CD 52 and CD 53 Recordings: Vienna, Musikverein, Großer Saal, Live 10/1991 (Pezzi), 11/1991 (Requiem) Total time: CD 52 57:35; CD 53 68:41 ℗ 1993 Deutsche Grammophon GmbH, Berlin CD 54, CD 55 and CD 56 Recordings: Vienna, Musikverein, Großer Saal, 11/1991; 5 & 6, 1992 Total time: CD 54: 73:52; CD 55 72:11; CD 56 65:06 ℗ 1994 Deutsche Grammophon GmbH, Berlin CD 57 Recording: Vienna, Musikverein, Großer Saal, 5/9189 (1), 4/1990 (2-14), 4/1992 (15) Total time: 49:47 Publishers: Universal Edition, Vienna (1) ℗ 1993 Deutsche Grammophon GmbH, Berlin CD 58 Live recording: Vienna, Musikverein, Großer Saal, 10/1998 Total time: 45:31 Publishers: Universal Edition, Vienna (1,2); Universal Edition, London (5-8); B. Schott's Söhne, Mainz (3); Ars Viva Verlag, Mainz (4) ℗ 1990 Deutsche Grammophon GmbH, Berlin

 

. Symphony No. 1 In C Major Op. 21
. Symphony No. 2 In D Major Op. 36
. Symphony No. 3 In E Flat Major "Eroica" Op. 55
. Symphony No. 4 In B Flat, Major Op. 60
. Symphony No. 5 In C Minor Op. 67
. Meerestille Und Glückliche Fahrt, Op.112
. Symphony No. 6 In F Major "Pastorale" Op. 68
. Fantasia For Piano, Chorus And Orchestra In C Minor, Op.80
. Symphony No. 7 In A Major Op. 92
. Symphony No. 8 In F Major Op. 93
. Symphony No. 9 In D Minor "Choral" Op. 125
. Overtures
. Symphony No. 7 In A Major,Op. 92
. Overture "Die Geschöpfe Des Prometheus" Op. 43
. Symphony No. 8 In F Major Op. 93
. Seven Early Songs (Orchestral Verson, 1928)
. Der Wein (Concert Aria For Soprano And Orchestra) 1:40
. Three Orchestral Pieces Op. 6
. Altenberg-Lieder Op. 4 (Orchestral Songs To Picture-postcard Texts By Peter Altenberg)
. Three Pieces From The "Lyric Suite" (Version For String Orchestra, 1928)
. Lulu-suite (Symphonic Pieces From The Opera "Lulu")
. Wozzeck Op. 7
. Symphony No. 1 In C Minor Op. 68
. Concerto For Piano And Orchestra No. 2 In B-flat Major, Op. 83
. Hungarian Dances WoO 1
. Symphony No. 1 In C Minor (1866 Linz Version)
. Symphony No. 4 In E-flat Major "Romantic" (1878/80 Version)
. Symphony No. 5 In B Flat Major
. Symphony No. 7 In E Major
. Symphony No. 9 In D Minor
. Symphony No. 1 In C Minor (1866 Linz Version)
. Pelléas Et Mélisande
. Symphony No. 10 (Unfinished): Adagio
. Symphony No. 2 "Resurrection"
. Symphony No. 3
. Symphony No. 4
. Symphony No. 9
. Concerto For Piano And Orchestra No. 14 In E Flat Major K 449
. Concerto For Piano And Orchestra No. 26 In D Major "Coronation" K 537
. Concerto For Piano And Orchestra No. 20 In D Minor K 466
. Concerto For Piano And Orchestra No. 21 In C Major K 467
. Concerto for Piano and Orchestra no. 25 in C major K 503
. Concerto For Piano And Orchestra No. 27 In B–flat Major K 595
. Missa Solemnis "Waisenhaus" K 139
. Le Nozze di Figaro, K 492
. Khovanshchina
. L'italiana In Algeri
. Gurre-Lieder
. Symmphony No. 8 In B Minor "Unfinished" D 759
. Symphony No. 5 In B Flat Major D 485
. Mass No. 6 In E Flat Major D 950
. New Year's Concert 1988 (Works By The Strauss Family And Others)
47-1. Overture To "Donna Diana" 3:50
47-2. Brennende Liebe Op. 129 (Polka Mazur) 4:28
47-3. Auf Ferienreisen Op. 133 (Polka Schnell) 2:28
47-4. Auf Der Jagd Op. 373 (Polka Schnell) 2:26
47-5. Wo Die Zitronen Blüh'n Op. 364 (Walzer) 9:03
47-6. Die Fledermaus: Overture 8:03
47-7. Neue Pizzicato-Polka Op. 449 3:40
47-8. Freut Euch Des Lebens Op. 340 (Walzer) 8:21
47-9. Un Ballo In Maschera Op. 272: No. 1 Le Pantalon – No. 3 La Poule – No. 4 La Trénis – No. 6 Finale 4:18
47-10. Tritsch-Tratsch-Polka Op. 214 2:49
47-11. Leichtes Blut Op. 319 (Polka Schnell) 2:26
47-12. Seid Umschlungen, Millionen Op. 443 (Walzer) 9:40
47-13. Perpetuum Mobile Op. 257 (Walzer) 2:57
47-14. Im Fluge Op. 230 (Polka Schnell) 2:00
47-15. Banditen-Galopp Op. 378 (Polka Schnell) 2:44
47-16. An Der Schönen Blauen Donau Op. 314 (Walzer) 9:29
47-17. Radetzky-Marsch Op. 228 3:02
. New Year's Concert 1991 (Works By The Strauss Family And Others)
48-1. »Waldmeister«: Overture 9:15
48-2. Kontretanz In C Major K 609/1 0:57
48-3. Kontretanz In D Major K 609/3 1:17
48-4. Kontretanz In C Major K 605/3 »Die Schlittenfahrt« 2:32
48-5. Die Tanzende Muse Op. 266 (Polka Mazur) 4:06
. Galopp und 8 Ecossaisen für Klavier D 735
48-8. Die Werber Op. 103 (Walzer) 7:22
48-9. Seufzer-Galopp Op. 9 1:41
48-10. Aquarellen Op. 258 (Walzer) 7:41
48-11. Freikugeln Op. 326 (Polka Schnell) 2:22
48-12. Carmen-Quadrille Op. 134 (On Motifs From George Bizet's Opera) 4:45
48-13. Kaiser-Walzer Op. 437 10:48
48-14. Furioso-Polka Op. 260 (Polka Quasi Galopp) 2:09
48-15. Stürmisch In Lieb' Und Tanz Op. 393 (Polka Schnell) 2:10
48-16. An Der Schönen Blauen Donau Op. 314 (Walzer) 9:22
48-17. Radetzky-Marsch Op. 228 3:26
. -
. Symphony No. 4 In F Minor Op. 36
. Symphony No. 6 In B Minor "Pathétique" Op. 74
. Concerto For Violin And Orchestra In D Major Op. 35
. concerto for violin and orchestra in e minor op. 64
. Messa Da Requiem
. Quattro Pezzi Sacri = Four Sacred Pieces = Vier Geistliche Stücke
. Lohengrin
57-1. A Survivor From Warsaw "I Cannot Remember Ev'rything" 6:51
57-2. Fuga (Ricercata No. 2) A 6 Voci. Sehr Mäßig (from Musikalisches Opfer, BWV 1079) (Sehr Mäßig) 8:01
57-3. Passacaglia Op. 1 (Sehr Mäßig, Tempo I – Mäßig Bewegt, Tempo II – Sehr Lebhaft, Tempo III) 9:58
. Six Pieces For Orchestra Op. 6
. Fives Pieces For Orchestra Op. 10
57-15. Variations For Orchestra Op. 30 7:01
58-1. Départ (1988) 8:50
58-2. Atmosphères (1961) 9:01
58-3. Lontano (1967) 12:45
58-4. Liebeslied (1954) 5:04
. Notations (1945/1978)

 

Barcode and Other Identifiers:

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Barcode 028948377848
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Record Company Universal Music
Phonographic Copyright (p) Deutsche Grammophon GmbH
Phonographic Copyright (p) Decca Music Group Limited
Copyright (c) Felix Broede
Copyright (c) Felicitas Timpe
Copyright (c) Siegfried Lauterwasser
Published By Anton J. Benjamin
Published By Universal Edition Wien
Published By Bärenreiter-Verlag
Published By Russian State Music Publishing Corporation
Published By Ludwig Krenn
Published By Edizioni Suvini Zerboni
Published By Universal Edition (London) Ltd.
Published By B. Schott's Söhne
Published By Ars Viva Verlag
Recorded At Großer Saal, Wiener Musikverein
Recorded At Wiener Konzerthaus
Recorded At Sofiensaal
Recorded At Wiener Staatsoper
Recorded At Großes Festspielhaus, Salzburg
Glass Mastered At Sony DADC
Glass Mastered At Sony DADC
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Glass Mastered At Sony DADC

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An action-packed dark romantasy
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I loved this book! Queen of Roses is an Arthurian-inspired dark romantasy that is the first book in the Blood of Fae series. The story follows Morgan, the princess of Camelot who is rumored to be part fae. Fueled by prejudiced hatred and a mistrust of fae blood, Morgan’s abusive father strips her of her birthright and hands it to her half-brother, Arthur. Instead of becoming queen, Morgan is commanded to join the temple of the goddesses when she comes of age. However, Arthur turns into a psychopathic, power-hungry, fae-hating king as he ages. He develops malevolent plans and commands Morgan to find an ancient weapon with legendary power. Although Morgan is wary of Arthur’s intentions, she embraces the opportunity to go on a journey and potentially change her fate. The story picks up from there and we follow Morgan on her quest to find the ancient relic. It’s full of high stakes adventure, mystery, tension, banter, forced proximity, hidden magic, self discovery, and betrayal. This first installment of the series intricately develops the world building and character development. There’s little romance in this book, but it is evident that it is a slow burn that will continue to develop throughout the remainder of the series. Overall, I loved the world building, the epic fantasy, Morgan’s journey of self discovery, and all of the twists and turns that set the stage for the future installments. I can’t wait to see what happens next!
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Reviewed in the United States on April 7, 2024
A
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AlynReads
Draper, US
★★★★★ 4
Arthurian Fae Quest…say less.
Format: Kindle
A fae centered Arthurian tale unlike any I’ve read so far. The author did a great job at descriptive world building, with scenes easily playing out in my minds eye. There was plenty of action, suspense, and even a touch of horror. An enemies to lovers, slow burn romance, a quest, with plot twist and turns aplenty. There was a love triangle, which I’m not usually a fan of but, it played out well in this story line. The FMC, Morgan Pendragon, was so blatantly naïve, yet I typically expect as much in a ‘book one’ of a series, especially one that features a fairly sheltered princess. I was happy to read that in spite of this, she still showed a strong sense of morals, fire, and spine. Now our MMC? Kairos Draven, aka Void’s Edge. Oh, how I’m a sucker for a smoking’ hot grumpy warrior alpha with a witty mouth, and a strong sense of “touch her and die” attitude, so you know who held all my cards. That ending? Just made me swoon all the harder. Now add a battlecat that rivals the size of a horse…and well Ms. Briar Boleyn you have well and truly stolen my heart. I’m excited to see where the story goes from here, and follow along to see more of the characters growth. I went into this story fairly blind, and I think I enjoyed it all the more because of it. Once the story got going, it had me in an absolute chokehold and it was difficult to put down.
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Reviewed in the United States on May 12, 2024
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Ariel
Battle Creek, US
★★★★★ 3
Not a bad start
Format: Kindle
3 stars Thank you Netgalley and Briar Boleyn for the ARC! A camelot/king Arthur retelling with fae. I was hooked by the idea of this book immediately and was eager to jump into this world. • slow burn • enemies to lovers • who did this to you Morgan Pendragon watched her mother die by her father's hand when she was just eight years old, hiding under the bed. Morgan is believed to have the tainted blood of the fae in her veins and is cast aside so that her fathers illegitimate son, Arthur, can become the king. She's seen his cruel treatment of the fae firsthand, so when he sends her on a journey to find a fae weapon she seizes the opportunity to do more with her life. Along the way, she finds more than she could have imagined. I don't know a whole lot about King Arthur and Camelot but I had a lot of fun with this story! The plot has some similar tropes to popular romantasy books (From blood and ash) but there's enough originality here that it doesn't feel like I'm reading a copy. I liked how the fae were different in appearance than what is typical in most fantasy books I've read. In this book they have blue hair, violet skin and a wide range of other characteristics. I thought that the world building was easy to follow and I could easily immerse myself into this world. After reading the blurb I kept wondering when she was going to go on the journey to find Excalibur and it doesn't happen until around the 45% mark. The story is a bit slow at times but starts to pick up once they begin their journey to find Excalibur. The John Wick style Inn was a fun concept that I enjoyed reading about. There are a lot of similarities to this and FBAA and I would have liked to have it be a little more different, but I'm hoping book two will have the story turn into something of its own. Overall I enjoyed reading this story and I'm looking forward to reading book two especially after that ending.
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Reviewed in the United States on May 27, 2023
E
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❈ Elizabeth ❈ | Breakawayreads
Birmingham, US
★★★★★ 5
Fallen Angels, fae, vampires, oh my!
Format: Kindle
Rating: 4.5 | Spice: 2 (but a good slow-burn) • Main Characters: Huntyr and Wolf • I couldn’t wait to read this book; there was so much hype about it! And there was no doubt why. I fell in love with the characters and the plot itself. This book is mainly plot driven more than friction driven but it’s easy to follow along with. The characters are fun, easily understood. The main setting is at an academy where both the main characters are going through trials and building strength for the final test, The Transcendent. There are fantastic side characters as well. I loved the camaraderie between Huntyr and her friends. But we don’t like Lanson. 😆 We do have some plot twists that come into play throughout the book. Secrets and betrayal to be seen. I did adore Wolf and Huntyr’s relationship. It was a classic slow burn trope. They didn’t hit it off fast, but in time their feelings grew. I loved their banter, so sexy. Wolf is your next book boyfriend; Huntyr is your next vampire assassin independent bad-a*s female. Themes include loyalty, trust, self-discovery, a true slow burn romance. Side note: book ends on a angsty cliffhanger! • Emily, thank you for writing this awesome novel and I cannot wait to devour Book 2, Blood So Brutal! 😍 • Happy reading, my lovelies! xo
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Reviewed in the United States on January 21, 2024
M
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MelsABookworm
Phoenix, US
★★★★★ 4
“My heart bows to you and you only, Huntress.”
Format: Kindle
3.5 🌟 This book popped up in my KU recommended reading suggestions and the synopsis sounded like what I was in the mood for. I'm so glad I took a chance on it. I went into this knowing absolutely nothing about it and ended up really liking it. I love when this happens. The main characters are likeable and I easily found myself rooting for them. There is a mystery element to each of their backstories that I enjoyed watching unfold and can't wait to get more of. Wolf, in particular, has me fixated. Love him. I found this to be an entertaining, addictive read with a plot that moves along at a good pace. It reads so easily I found myself very reluctant to put it down. Lots of twists and turns and the angst is there. A good set up for the next book to come, for sure. My issues with this book....the dialogue feels a bit juvenile at times and there is a repetitive over use of a particular word phrasing that I found myself giving the ole eye-roll to. There are, without a doubt, some pretty cliche moments that gave me a bit of the cringe. I think this could've certainly 100% benefited from more depth regarding the world building. Perhaps the world building was sacrificed to keep the pacing quick? Just a guess. Also, the lack of consistency of character for the FMC was really evident and so she feels quite illogical at times. Overall, this was a fun and enjoyable read that hit the spot well enough for me. That ending certainly has me impatiently pining for book 2!
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Reviewed in the United States on June 18, 2024

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