SKU: 50712292632

ZAPPAtite: Frank Zappa’s Tastiest Tracks (CD)

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ZAPPAtite: Frank Zappa’s Tastiest Tracks (CD)ZAPPAtite Frank Zappas Tastiest Tracks collects a healthy portion of Zappas best known and beloved compositions, from his early psychedelic rock beginnings to his avant garde experimentation, jazz rock explorations, symphonic suites and satirical send ups, compiling them into one easily digestible collection and offering key entryways into the many musical worlds of the visionary musician. The album is divided into three courses Appetizers, Entrees

ZAPPAtite-Frank Zappa’s Tastiest Tracks collects a healthy portion of Zappa’s best known and beloved compositions, from his early psychedelic rock beginnings to his avant-garde experimentation, jazz-rock explorations, symphonic suites and satirical send-ups, compiling them into one easily digestible collection and offering key entryways into the many musical worlds of the visionary musician.

The album is divided into three courses – Appetizers, Entrees and Desserts – and the food-centric theme oozes throughout the album art, which features Zappa in a diner on the cover, a track list that resembles a menu and some of Zappa’s favorite eats. The 18 compositions that make up ZAPPAtite were compiled by Zappa’s son Ahmet Zappa and encyclopedic Zappa archivist, “Vaultmeister” Joe Travers. “This isn’t a greatest hits album as Frank didn’t really have ‘hits,’ per se, nor is it a ‘best of’ since that would be an impossibility to fit so much awesome onto one disc,” says Ahmet Zappa. “It’s a veritable smorgasbord of musicality for the curious and a buffet of favorites for the fans, ZAPPAtite collects a cross section of my favorite songs composed by my dad, that lean more towards the rock side of his expansive repertoire. I hope you're hungry because this meal for your ears rocks!”

Kicking off with the one-two punch of “I’m The Slime” and “Dirty Love” from Zappa’s 1973 watershed Gold album, Over-Nite Sensation, the collection quickly introduces Zappa’s eclecticism and salacious tongue as the songs meld polyrhythmic psychedelic rock and heavy funk with his trademark innuendo-filled lyrics. From there, the album travels through Zappa’s sprawling musical universe, highlighting vital songs and important eras of his career. The Appetizers portion also includes the GRAMMY® -nominated disco satire "Dancin' Fool” and the controversial European smash “Bobby Brown Goes Down” from Zappa’s popular 1979 album, Sheik Yerbouti; and “Trouble Every Day” from Zappa’s embryonic rock band the Mothers of Invention’s groundbreaking 1966 debut, Freak Out!. Entrees includes one of Zappa’s best known works, the universally loved instrumental “Peaches En Regalia from his classic 1969 solo sophomore record, Hot Rats; ubiquitous Top 40 hit “Valley Girl,” featuring his then 14-year-old daughter Moon Unit affecting a valley girl “gag-me-with-a-spoon” patois, from 1982’s Ship Arriving Too Late to Save a Drowning Witch; to the possible autobiographical track from a parallel dimension “Joe’s Garage” of 1979’s LP of the same name; and the waggish blues rocker “Cosmik Debris” and the humorous “Don’t Eat The Yellow Snow,” two standouts from one of Zappa’s most commercial and accessible albums, 1974’s Apostrophe (').

Desserts explores Zappa’s musical virtuosity and singular live performances and includes the comedic “Titties & Beer” from the 1978 live album, Zappa In New York; the frenetic Synclavier-fueled “G-Spot Tornado” from 1986’s Jazz From Hell; the anti-drug screed, “Cocaine Decisions” from 1983’s The Man From Utopia; and “Zoot Allures,” the heady instrumental featuring some of Zappa’s electrifying guitar playing, from 1976’s Zoot Allures. The album culminates with a performance of “Strictly Genteel” with the London Symphony Orchestra. The epic, orchestral-rock piece originally served as the grand finale to Zappa’s surrealist 1971 film, “200 Motels.”

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I bought the Epson printer that this ink goes with because it (the printer) was highly rated. Once I got it, I don't agree with the rating but that is for another review. The ink is perfectly fine and expensive which all ink cartridges are. One just pays what one has to.
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I really like this paper. We print and sell art prints/photography/posters and prefer a matte appearance and this paper works perfectly. It is very white with wonderful color retention and no bleed on the inks that i can see. We use several hundred sheets of this a month in 8 X 10, 11 X 14, A3 size and even have the same Epson paper on rolls for our large format printer. The paper is thick, but not overly so and it's easy to roll to go into a tube to ship, but thick enough to feel substantial. I recommend this for any photographer or digital artist who wants a nice Matte art print, and the price is decent as well
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I have used Epson matte papers for printing my images for years (on my Epson R3000), and this configuration was perfect for making my first batch of calendars -- to be given as Christmas presents. I used some of my best images, and the finished product was really something I was proud to gift. At 9 mils thickness, the stock is substantial yet pliable, and when stacked 12 deep makes a great calendar. Image rendition, clarity, color and brightness is superb. I highly recommend this product.
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I chose this paper for my graphic design portfolio and I wasn't too disappointed. The instructions say you have to wait approx. 15 minutes for the ink to dry so it will not smudge, but in a hurry, I didn't have to worry about it anyways. Only negative I have so far is that you cannot print double sided on this paper. Still, this epson paper is inexpensive and creates wonderful prints if you know how to use the Print Settings correctly.
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