SKU: 48435286943

War - The Vinyl: 1971-1975 (LP, Album, RE, Tur + LP, Album, RE, Sil + LP, Albu)

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War - The Vinyl: 1971-1975 (LP, Album, RE, Tur + LP, Album, RE, Sil + LP, Albu)Media Condition: Near Mint (NM or M ) Sleeve Condition: Near Mint (NM or M ) Comments: still in shrink! like new! with hype sticker! General notes about this release (please note: our version may differ a little. see the comments above): Limited to 5000 copies worldwide exclusively for Record Store Day 2021 (Drop 2) The box is a slipcase with a single opening. Includes a single fold 30cm x 30cm insert. Poster included on both "All Day Music" and "Why

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)

Comments:
still in shrink! like new! with hype sticker!

General notes about this release (please note: our version may differ a little. see the comments above):
Limited to 5000 copies worldwide exclusively for Record Store Day 2021 (Drop 2) The box is a slipcase with a single opening. Includes a single-fold 30cm x 30cm insert. Poster included on both "All Day Music" and "Why Can't We Be Friends" Gatefold cover on "War" Die-cut cover on "Deliver The Word" Each album comes with a poly-lined inner sleeve, except "Deliver The Word" which has a printed inner sleeve. [From bottom of box This Collection ℗ & © 2021 Far Out Productions, Inc./Primary Wave IP Fund 1, LP, under exclusive license to Rhino Entertainment Company, a Warner Music Group Company. All Rights Reserved. Manufactured & Marketed by Rhino Entertainment Company, 777 S, Santa Fe Ave., Los Angeles, CA 90021. [... Made in Germany. [From hype sticker War’s 50th Anniversary 5 Historic Albums From 1971-1975 On Vinyl for the Very First Time Since Their Original Release Original Packaging, With Uniquely Colored Vinyl for Each LP Limited Edition of 5,000 "War" [From back cover Producer Jerry Goldstein for Avenue Records / Far Out Productions, Inc. Studio Wally Heider Recording Studio, Los Angeles, Calif. And San Francisco, Calif. Mastered for this release by Gil Tamazyan at Capsule Labs, Los Angeles [From back cover and labels ℗ & © 1971 Far Out Productions, Inc./Primary Wave IP Fund 1, LP, under exclusive license to Rhino Entertainment Company, a Warner Music Group Company. All Rights Reserved. Manufactured for & Marketed by Rhino Entertainment Company, 777 S, Santa Fe Ave., Los Angeles, CA 90021. [… Made in Germany. [From labels All selections written by War "All Day Music" [From back cover ({Track D3} Recorded Live June 30, 1971 at the United Artists 99¢ Spectacular, Hollywood Bowl) Produced [… for War Productions Inc. Studios: Wally Heider Recording, S.F. & L.A. / Crystal Studio, L.A. and on location with the Far Out remote unit Mastered for this release by Gil Tamazyan at Capsule Labs, Los Angeles Originally released in 1971 All Compositions Composed by War *{C1, C2} composed by Jerry Goldstein and War **{C3} composed by Milton James and War [From back cover and labels ℗ & © 1971 Far Out Productions, Inc./Primary Wave IP Fund 1, LP, under exclusive license to Rhino Entertainment Company, a Warner Music Group Company. All Rights Reserved. Manufactured for & Marketed by Rhino Entertainment Company, 777 S, Santa Fe Ave., Los Angeles, CA 90021. [… Made in Germany. [From labels Produced [… for Avenue Records/Far Out Productions, Inc. [From poster © 1971 Far Out Productions, Inc./Primary Wave IP Fund 1, LP, under exclusive license to Rhino Entertainment Company, a Warner Music Group Company. All Rights Reserved. Cover states "All Compositions Composed by War"; labels state "All selections written by" with the initial and surname of the individual members given. Cover information used. "The World Is A Ghetto" [From back cover All Compositions Written By War Recorded At: Crystal Industries-Los Angeles, California Mastered for this release by Gil Tamazyan at Capsule Labs. [From back cover and labels Produced By: Jerry Goldstein In Association With Lonnie Jordan & Howard Scott for Far Out Productions, Inc. ℗ & © 1972 Far Out Productions, Inc./Primary Wave IP Fund 1, LP, under exclusive license to Rhino Entertainment Company, a Warner Music Group Company. All Rights Reserved. Manufactured for & Marketed by Rhino Entertainment Company, 777 S, Santa Fe Ave., Los Angeles, CA 90021. [… Made in Germany. Cover states "All Compositions Written By War"; labels state "All Compositions written by" with the initial and surname of the individual members given. Cover information used. "Deliver The Word" [From back cover Recorded At: Crystal Industries / Caribou Studios / Wally Heider, L.A. All compositions written by War • Southern Part of Texas written by War & Jerry Goldstein Mastered for this release by Gil Tamazyan at Capsule Labs, Los Angeles [From back cover and labels Produced By: Jerry Goldstein in association with Lonnie Jordan & Howard Scott for Avenue Records/Far Out Productions, Inc. ℗ & © 1973 Far Out Productions, Inc./Primary Wave IP Fund 1, LP, under exclusive license to Rhino Entertainment Company, a Warner Music Group Company. All Rights Reserved. Manufactured for & Marketed by Rhino Entertainment Company, 777 S, Santa Fe Ave., Los Angeles, CA 90021. [… Made in Germany. Cover states "All compositions written by War • Southern Part of Texas written by War & Jerry Goldstein"; labels state "Written by" with the initial and surname of the individual members given. Cover information used. "Why Can’t We Be Friends?" [From back cover All compositions published by Far Out Music, Inc. ASCAP Produced by Jerry Goldstein in association with Lonnie Jordan & Howard Scott for Far Out Productions, Inc. Mastered for this release by Gil Tamazyan at Capsule Labs [From back cover and labels ℗ & © 1975 Far Out Productions, Inc./Primary Wave IP Fund 1, LP, under exclusive license to Rhino Entertainment Company, a Warner Music Group Company. All Rights Reserved. Manufactured for & Marketed by Rhino Entertainment Company, 777 S, Santa Fe Ave., Los Angeles, CA 90021. [… Made in Germany. [From labels Produced by Jerry Goldstein in association with Lonnie Jordan & Howard Scott for Avenue Records/Far Out Productions, Inc. [From poster Photograph: Garry Sato © 1975 Farout Productions, Mural "Venice In The 70s" by Judy Baca and Christina Schlesinger © 1973 © 1975 Far Out Productions, Inc./Primary Wave IP Fund 1, LP, under exclusive license to Rhino Entertainment Company, a Warner Music Group Company. All Rights Reserved. Runouts are etched. On Side A 'K' is scratched out.

 

. War (1971)
A1. Sun Oh Son 5:57
A2. Lonely Feelin' 4:32
A3. Back Home 6:43
B1. War Drums 3:52
B2. Vibeka 8:03
B3. Fidel's Fantasy 11:03
. All Day Music (1971)
C1. All Day Music 4:04
C2. Get Down 4:29
C3. That's What Love Will Do 7:17
C4. There Must Be A Reason 3:50
D1. Nappy Head (Theme From "Ghetto Man") 6:05
D2. Slippin' Into Darkness 7:00
D3. Baby Brother 7:38
. The World Is A Ghetto (1972)
E1. The Cisco Kid 4:35
E2. Where Was You At 3:25
E3. City, Country, City 13:18
F1. Four Cornered Room 8:30
F2. The World Is A Ghetto 10:10
F3. Beetles In The Bog 3:51
. Deliver The Word (1973)
G1. H₂ Overture 4:38
G2. In Your Eyes 4:22
G3. Gypsy Man 11:35
H1. Me And Baby Brother 3:30
H2. Deliver The Word 7:48
H3. Southern Part Of Texas 6:22
H4. Blisters 2:21
. Why Can’t We Be Friends (1975)
I1. Don't Let No One Get You Down 3:59
I2. Lotus Blossom 3:59
I3. Heartbeat 7:25
. Leroy's Latin Lament (Medley)
J1. Smile Happy 7:22
J2. So 4:58
J3. Low Rider 3:11
J4. In Mazatlan 2:45
J5. Why Can't We Be Friends? 3:49

 

Barcode and Other Identifiers:

Barcode 6 03497 84499 9
Barcode 603497844999
Barcode 6 03497 84490 6
Barcode 603497844906
Barcode 6 03497 84491 3
Barcode 603497844913
Barcode 6 03497 84492 0
Barcode 603497844920
Barcode 6 03497 84493 7
Barcode 603497844937
Barcode 6 03497 84494 4
Barcode 603497844944
Matrix / Runout R1-645905 / 603497844906
Matrix / Runout R1-645906 / 603497844913
Matrix / Runout R1-645907 / 603497844920
Matrix / Runout R1-645908 / 603497844937
Matrix / Runout R1-645909 / 603497844944
Rights Society GEMA/BIEM
Rights Society ASCAP
Matrix / Runout 0603497844906 R1-645905-A BKL33977-01 A1 =?
Matrix / Runout 0603497844906 R1-645905-B BL33977-01 B1 =?
Matrix / Runout 0603497844913 R1-645906-A BL33977-02 C1 ?|
Matrix / Runout 0603497844913 R1-645906-B BL33977-02 D1 |?
Matrix / Runout 0603497844920 R1-645907-A BL33977-03 E1 +? Aγb
Matrix / Runout 0603497844920 R1-645907-B BL33977-03 F1 +? Aγb
Matrix / Runout 0603497844937 R1-645908-A BL33977-04 G1 |? guy
Matrix / Runout 0603497844937 R1-645908-B BL33977-04 H1 |? guy
Matrix / Runout 0603497844944 R1-645909-A BL33977-05 I1 |?
Matrix / Runout 0603497844944 R1-645909-B BL33977-05 J1 =1

 

Record Company Warner Music Group
Licensed To Rhino Entertainment Company
Marketed By Rhino Entertainment Company
Manufactured By Rhino Entertainment Company
Produced For Avenue Records
Produced For Far Out Productions, Inc.
Produced For War Productions, Inc.
Manufactured For Rhino Entertainment Company
Recorded By Far Out Remote Unit
Phonographic Copyright (p) Far Out Productions, Inc.
Copyright (c) Far Out Productions, Inc.
Published By Far Out Music, Inc.
Pressed By Optimal Media GmbH
Recorded At Wally Heider Recording Studio, Los Angeles
Recorded At Wally Heider Studios
Recorded At Hollywood Bowl
Recorded At Crystal Sound
Recorded At Caribou Studios, Burbank, California
Mastered At Capsule Labs

Data provided by Discogs
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Reviewed in the United States on February 22, 2023
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Reviewed in the United States on July 7, 2021
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Hubert Herring
Dallas, US
★★★★★ 5
great resource for high school parents
Format: Paperback
A terrific book -- on many levels. It is, first, a series of excellent suspense stories, with vivid characterizations of the students seeking admission to Wesleyan. The author found some fascinating students to follow, with the result that the reader really cares what happens to them. Even more important -- especially to someone about to embark on the college hunt -- he provides an invaluable insight into how the admissions process works. The admissions game, I now realize thanks to this splendid tale, is a crazy-quilt mixture: at Wesleyan, at least, the process focuses on the individual, quirks and all, far more than I imagined. At the same time, the process comes off as frighteningly random -- with so much depending on which admissions officer reads the application, and what that person focuses on in the few minutes available. The book is also a vivid reminder that admissions officers are people, too -- people of infinite variety. So it was a pleasure to read -- and it will also prove immensely useful to parents. One common theme kept repeating: take the hard courses, even if it means lower grades. Another: having a passion is a real plus, but the rest of the record can't be a disaster. But those are just the beginning.
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Reviewed in the United States on September 11, 2003
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Brian Tarbox
Houston, US
★★★★★ 4
Very accurate view of admission (I worked there); compelling read, enlightening even for people who think they already know
Format: Kindle
I was a Senior Interviewer during my senior year at Wesleyan 1981 and so I worked with many of the main characters in the book. Although the book describes a later time period it rang entirely true to me. The volume of applications...the controlled chaos...the searching for a hook or a champion for an application was very familiar. At least at Wes it seemed (and seems) that unless one's application has some unusual feature that the school is looking for that year (a particular athlete or a particular musician or a particular tough background that was overcome) the road to admission will be challenging. An area that did surprise me was the emphasis on the family of the applicant...and the degree to which an applicant was held to a higher standard if their parents were deemed to be college fluent. I guess this makes sense and actually provides a leveling of the playing field but it was surprising none the less. It may also be surprising to some that these days you don't just need to convince the gatekeepers that you could be successful at the school..you must also show how your presence would enhance the school. This is of course an enormous burden for most teenagers. Like it or not this is the reality at many "top" schools. If you or your child is applying to college you owe it to yourself to read this book....either to understand the game or to make an informed decision not to play.
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Reviewed in the United States on May 20, 2013

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