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Pepeo GmbH Plafondventilator 132 cm EikModerne plafondventilator zonder licht met 5 vleugels 132 cm diameter inbouwhoek mogelijk 132 cm. Vleugeldiameter voor ruimtes tot 25 m, vleugels van edel eikenhout (houtlook) direct mogelijk (extra platte installatie) Met kettingaandrijving, compatibel met het gebruik van een wandregelaar of een afstandsbediening Plafondventilator van gesatineerd messing, hoge kwaliteit, duurzame en stille AC motor Zomer en wintermodus voor warmteterugwinning (in de
- Moderne plafondventilator zonder licht met 5 vleugels – 132 cm diameter/inbouwhoek mogelijk
- 132 cm. Vleugeldiameter voor ruimtes tot 25 m², vleugels van edel eikenhout (houtlook) / direct mogelijk (extra platte installatie)
- Met kettingaandrijving, compatibel met het gebruik van een wandregelaar of een afstandsbediening
- Plafondventilator van gesatineerd messing, hoge kwaliteit, duurzame en stille AC-motor
- Zomer- en wintermodus voor warmteterugwinning (in de wintermodus tot 30% besparing op verwarmingskosten)
- Luchtverplaatsing: 9120 m³/u, komt overeen met 3 m³/min/watt
- Geluidsniveau 49 dB (A) op de hoogste stand
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4.0 ★★★★★
Based on 8 reviews
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Product Reviews
★★★★★ 4
Reflections of the Dark Knight
A new Batman, a new villain, an old city, and lots of familiar faces. 'The Black Mirror' is a potent formula, and for the most part very effective.
But, I have to say at the outset, it's difficult to read a Batman story without Bruce Wayne. Scott Snyder brings all his considerable skill to bear in writing this multifaceted tale of a Gotham City finding its way, Dick Grayson trying so hard to fill the cowl of Bruce Wayne with new partners, and a long-forgotten piece of Commissioner Jim Gordon's past come back to haunt him.
There's a lot to this story, and Snyder spins it with the same wit, the same grasp of history and literature, and the same subtleties of craft as he has evidenced with the excellent 'American Vampire.' For all its newness, it's clear that Snyder "gets" the Batman, gets the importance of Gotham City as a place and as a character in its own right, gets the history of those who've come before him, and pumps all of this into the overall arc of 'The Black Mirror.'
And yet part of me can't let go - where's the Batman I know?
Similarly, artists Jock and Francesco Francavilla get the look and feel of Batman. Despite pretty dramatically different styles - Jock's harsh and jagged and nearly monochromatic, Francavilla's more colorful and less edgy - they both show well here, and the material they illustrate is well-suited to their talents. Jock expresses the drama and the darkness of the Batman, Francavilla expresses the more human side of both heroes and villains alike. For a story this complex - a story of drugs and madmen and broken families and long-held grudges - both have their piece to contribute, and they do it well.
And something still feels like it's missing.
It's a little like reading 'The Hound of the Baskervilles,' in the parts where Holmes is absent from the story. Watson is a fine investigator, and pushes the story forward in his own way, and it's still a good story. But it feels less driven, less exciting, less complete, until Holmes' return, with all his fire and fervor, to wrap the case up with his signature panache.
I kept waiting, in 'The Black Mirror,' for that moment. When Bruce Wayne returned and righted that world and brought it all back into sharp perspective. Though there were many satisfying moments to be experienced...that moment never came.
'The Black Mirror' is aptly named. It reflects aspects of Gotham City and its denizens, both those who fight for it and those who would bring it crashing down, in new and original ways. It makes us see things we haven't seen before. Scott Snyder and Jock and Francavilla represent well here, and have created a finely-crafted addition to the ongoing story of Batman.
But a reflection of a thing is not the thing itself, and that difference was felt here. A slight warping of the glass, or a flaw in its surface gave it away. Though his reflection was seen in the black mirror, the Batman was not to be found here. And that was hard to get past.
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Reviewed in the United States on October 2, 2012
★★★★★ 5
The Greatest Batman Story Ever Written by Scott Snyder
Format: Paperback, Format: Paperback
Known about this volume for a long time, but I kept putting it off and just managed to finally read it a few days ago. And the first thing that came to my mind after I finished the last page and closed the comic was "Wow, that was a really good story". And I really think that sums it up perfectly, but i'll expand to give a more thorough review.
Scott Snyder is the current writer of the main Batman comic book series (Though his run is nearly at an end now), which is where the brunt of my experience with him comes from. I've read another comic by him set around the same time period that this one takes place in (Batman Gates of Gotham) and I honestly wasn't impressed with it. Definitely one of his weaker showings. This one makes up for that and then some however. The Batman featured in this, and the previous, story is Dick Grayson (Robin #1, Nightwing, and currently Agent 13 over in Grayson). Naturally, you'd expect Dick Grayson to be a different character than Bruce Wayne, and Snyder gets this. The entire story really deals with the idea that it is Dick wearing the cape and cowl and crafts an adventure that is made for him and how he would personally deal with it. He makes some mistakes here and there, but also has a lot of success specifically because of who he is. I think the stories told in this work are exciting and full of a good amount of action and character development.
Snyder has a tendency in my opinion to only focus on one overarching story, which I don't personally prefer. He avoids that here. There is one massive story being told, with one main villain at its core who is responsible for pulling our heroe's strings, but between that and the start of the story are numerous other adventures as well, with different characters and villains, who have their own motivations. I appreciate this because it's just nice to see our hero fighting against so many different people throughout the story. This also isnt' solely Dick's story. I'd say that it's as much Jim Gordon's as it is Batman's this time around, with the major villain striking really close to home. This adds a sense of emotion and tragedy to the story which you don't often see. Further more, this story is creepy. That's actually something that I don't think can be said about the majority of Batman stories out there. It's dark, depressing, and genuinely creepy at points, capable of chilling you to the bone. It's a solid change of pace and I loved it.
Despite the fact that we don't get our traditional Batman in this I would honestly rate this as one of the greatst Batman stories of all time and highly recommend it.
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Reviewed in the United States on March 14, 2016
★★★★★ 5
Great story telling, but not for everyone
WARNING: THERE WILL BE SPOILERS THROUGHOUT THIS REVIEW.
I found this book to be a really great read. I have been away from comics for a little while now and decided to pick this up after hearing Scott Snyder's interview with Kevin Smith on Fat Man on Batman. I am a fan of the dark style for Batman and this is one of my favorite books now. Granted I've been away for a while so I don't know much of the other stories (I plan on reading a lot more), but this book was an instant favorite. I will admit there are a few things I disliked at first, like Dick Grayson taking the mantle of the Bat but I soon warmed up to him.
I'll mention a bit of the storyline now:
Dick Grayson is now the Batman after the events of Infinite Crisis. He tries to fit into this new lifestyle as being the Bat and living in Bruce's penthouse. He feels uneasy and restless. So once trouble arises, he goes out as Batman to investigate (same old thing). He gets into this kind of social gathering (disguised as someone else) for the wealthy who purchase items once owned by Gotham's most notorious villains. Now the guy running the show knows he is Batman and tricks him, having some sort of toxin enter his body to make him fear everything around him. While all this is going on, Commissioner Gordon is out on patrol and learns that his son is back in town. Ever since James Jr. was a baby, he couldn't feel empathy. So whenever someone would mess with him, he would go after then ans torture them (this is where things get twisted). Long story short, the reader finds out that it was Gordon's behind all of the crimes recently commit to get back at Batman (Dick). There are also apparences by the Joker, Tim Drake, Barbara Gordon and Sonia Zucco (daughter of Tony Zucco, the man who killed Dick's parents).
Now I will say this book is pretty amazing, but like I mentioned in the title, this one isn't for everyone. This book is kinda graphic and has gore elements in it. Not to mention the use of psychotic themes and characters. I can see how some people can get disinterested in that. And the story does jump around a little so it can get a bit difficult to follow. But all in all, it is great storytelling.
If dark story-telling is your thing, I recommend checking this one out. The dialog of the characters seem so natural and so is their development. The inclusion of Gordon's son was such a wonderful experience, and not only that but to have him a little twisted in the head was incredible in my opinion. Like they have said before, having this character be twisted, he is a perfect counter-part to both Gordon and Dick; Dick is smiling and care for other people while James Jr. cannot do this, and to Gordon, his son is the one case he cannot solve. Anyways, I loved everything about it and has even inspired me to get back into the comic book genre. I hope my review helped you decide to check this book out.
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Reviewed in the United States on February 20, 2013
★★★★★ 5
A Great Batman Story. Should be in the top Five.
Scott Snyder is an amazing writer and his grasp of the Batman lore and mythos is pretty cool. I am a Batman fan. He is without question my favorite superhero. I especially like to read Batman when he is written well and the mythos of the character are seen as assets to the narrative as opposed to a liability. Given the long history of the character and his supporting cast, there are only a handful of writers who have been able to develop the core of who the character is. Snyder does no compromise that in his work. The Batman in Black Mirror is his adopted son and protege Richard 'Dick' Grayson who was the first Robin the Boy Wonder and later Nightwing.
Grayson replaced the original Batman Bruce Wayne when he "died"
and this story takes place after Bruce makes his return from the "dead".
This story should be on the top five lists of Batman tales. It is just that good. I think Scott Snyder will go down as one of the best Batman writers ever. The story is awesome and stunning. I highly recommend you pick this up especially if you are fan of Batman. You can read this as stand alone tale but if you want some background on Dick Grayson's tenure as Batman check out
Those were written by Grant Morrison. I can't say enough about Scott Snyder. If you are a current comic book fan I highly recommend his current run on Batman. (With Bruce Wayne back as Batman). That is proving to be an awesome run.
Often in the pantheon of Batman writers we tout Frank Miller as the pinnacle because of Batman Year One. I think Scott Snyder is going to be a threat to that crown when it is all said and done. This was a great book and its worth your money. It's not typical and predictable. I appreciate a writer who honors the mythos and creates something fresh and different. 5 stars for this book. Pick up this hardcover before it is sold out. Trust me it will be.I am sure it will be issued in paperback but his hardcover will be a great collectible.
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Reviewed in the United States on November 30, 2011
★★★★★ 5
Scott Snyder and Co. knock it out of the park
Going into this book, I was pretty apprehensive. I knew that it was a story that came as a direct of result of Grant Morrison's trainwreck of an arch that included Batman RIP and I knew that it had Dick Grayson as Batman instead of actual Batman Bruce Wayne. So the build up was awful, but man, if this isn't one of the finest Batman stories ever penned.
Fair warning: this thing is BLEAK. Possibly the darkest Batman story I've ever read. The oppressive atmosphere is captured beautifully in the artwork (alternately Jock and Francavilla). It contains easily the most disturbing panel ever in a Batman comic and I'm honestly hard pressed to think of another one, period. In short, the artwork is spectacular and is the worth the price of admission alone.
However, it's the writing that will have you hooked from page one. When I first received this in the mail, I casually picked it up, expecting to flip through and read it later. As soon as I started the first page, though, I couldn't put it down until it was done. The whole thing is just so spectacular. My misgivings about Dick Grayson as Batman completely evaporated when I got further in. Dick Grayson makes an excellent Batman, and what's more, it feels like Dick Grayson being Batman is actually essential to the story. This isn't an instance where it could have just as easily been Bruce Wayne in the cowl, it HAS to be Dick Grayson.
Not only does Dick Grayson get a chance to out-Batman even Bruce Wayne, it could very well be the best James Gordon story ever written. Him struggling with his son's problems (I don't want to delve too much into the plot for fear of spoilers) can at times be genuinely heartbreaking, and adds a lot of depth to a character that's more often that not portrayed as Batman's errand boy (even more so than Robin, sometimes).
So basically I was going into this expecting a good, not great, story to tide me over until the new Scott Snyder Batman New 52 trade comes out, and instead got what is easily one of the finest Batman stories ever written. I will never doubt Scott Snyder (or Dick Grayson) ever again.
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Reviewed in the United States on February 5, 2013