SKU: 35168077748

Curl Jelly Refresh Reviving Spray - 250ml

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Description

Curl Jelly Refresh Reviving Spray - 250mlKen je dat gevoel dat je krullen er op dag twee of drie gewoon niet meer uitzien? De Umberto Giannini Curl Jelly Refresh Reviving Spray is precies wat je dan nodig hebt. Zonder te wassen geef je je krullen of golven hun vorm, glans en veerkracht terug. Geschikt voor golvend, krullend en coily haar en je zult merken dat je veel minder vaak hoeft te wassen. Wat zijn de belangrijkste kenmerken van de Umberto Giannini Curl Jelly Refresh Reviving Spray? De

Ken je dat gevoel dat je krullen er op dag twee of drie gewoon niet meer uitzien? De Umberto Giannini Curl Jelly Refresh Reviving Spray is precies wat je dan nodig hebt. Zonder te wassen geef je je krullen of golven hun vorm, glans en veerkracht terug. Geschikt voor golvend, krullend en coily haar — en je zult merken dat je veel minder vaak hoeft te wassen.

Wat zijn de belangrijkste kenmerken van de Umberto Giannini Curl Jelly Refresh Reviving Spray?

De Umberto Giannini Curl Jelly Refresh is speciaal gemaakt om je krullen tussen wasbeurten er weer fris uit te laten zien. Dit zijn de kenmerken die je dagelijks merkt:

  • Krullen krijgen hun definitie en veerkracht terug
  • Frizz verdwijnt zichtbaar na het aanbrengen
  • Je haar voelt gehydrateerd aan, niet plakkerig
  • Geeft een zichtbare glans zonder vettig effect
  • Veilig op gekleurd en chemisch behandeld haar
  • Vrij van sulfaten, siliconen en parabenen
  • Vegan en niet getest op dieren
  • Warme, kruidige geur met vanille en lavendel

Zo gebruik je de Curl Jelly Refresh

Hoe gebruik je Umberto Giannini Curl Jelly Refresh voor het beste resultaat? Volg deze stappen:

  1. Maak je haar licht vochtig met water of spray het direct door droog haar.
  2. Spuit de refresher spray gelijkmatig door je haar, van midden tot punten.
  3. Knijp je krullen voorzichtig op met je handen, van onder naar boven.
  4. Draai losse krullen even opnieuw op met je vingers waar nodig.
  5. Laat je haar aan de lucht drogen of gebruik een diffuser op lage warmte.

Wil je je krullen nog meer definitie geven? Combineer de spray met de Umberto Giannini Curl Jelly Scrunching Jelly. Werk een kleine hoeveelheid gel door de nog iets vochtige krullen na het spritzen, dan houd je de vorm de hele dag vast.

Waarom werkt deze refresher spray zo goed op krullen?

Je krullen voelen meteen soepeler aan en de vorm komt terug. Dat komt doordat glycerine vocht aantrekt en vasthoudt in je haar. Polyquaternium-11 legt een dunne laag om elke haarvezel heen, waardoor pluizen worden getemd en je haar gaat glansen. Samen zorgen deze twee ingrediënten voor een lichte styling zonder dat je haar zwaar aanvoelt. De formule is gebaseerd op de originele Curl Jelly gel, maar dan als spray die je snel tussendoor kunt gebruiken. De Umberto Giannini Curl Jelly Refresh Reviving Spray is een slimme keuze als je minder wilt wassen maar er elke dag goed uit wilt zien.

Is de Curl Jelly Refresh geschikt voor gekleurd haar?

Ja. Is Umberto Giannini Curl Jelly Refresh geschikt voor gekleurd haar? Absoluut. De formule bevat een UV-filter dat je kleur beschermt tegen vervaging door zonlicht. Je kunt de spray ook gewoon gebruiken op chemisch behandeld haar of haar met extensions.

Let wel op: de spray heeft een uitgesproken geur met kruiden- en vanillenoten. Ben je gevoelig voor parfum of heb je een gevoelige hoofdhuid? Dan is dit misschien niet de beste keuze voor jou.

Maakt de Umberto Giannini Curl Jelly Refresh Reviving Spray je haar vettig?

Dat hangt af van je haartype en hoeveel je gebruikt. Heb je fijn of licht golvend haar? Gebruik dan een kleine hoeveelheid en spuit niet te dicht op je hoofdhuid. Bij normaal tot dik krullend haar merk je hier weinig van. Gebruik je te veel, dan kan het haar wat zwaar aanvoelen. Begin met een paar sprays en bouw op als je meer nodig hebt.

Bevat de spray sulfaten, siliconen of parabenen?

Nee, de Umberto Giannini Curl Jelly Refresh Reviving Spray is vrij van sulfaten, siliconen en parabenen. Daarmee past het goed bij een CG-geïnspireerde haarverzorgingsroutine, waarbij je probeert zware stoffen te vermijden die krullen kunnen verzwaren of uitdrogen. Het product is ook vegan en niet getest op dieren.

Voor wie is dit product de beste keuze?

De Umberto Giannini Curl Jelly Refresh Reviving Spray is echt een aanrader als je golvend, krullend of coily haar hebt en je krullen wilt opfrissen zonder te wassen. Lees je umberto giannini reviews door, dan zie je dat gebruikers met 2A tot 3C haar er het meest baat bij hebben. In umberto giannini review na review komt terug dat de spray frizz goed aanpakt en krullen snel weer omhoog haalt.

Heb je heel fijn haar dat snel vet wordt? Dan is een lichtere, waterige refresher spray misschien beter voor jou. Heb je sterk beschadigd of heel droog haar? Dan geeft een rijkere leave-in zoals de Umberto Giannini Curl Jelly Shine Leave In Conditioner meer voeding. Voor iedereen daartussenin is de Curl Jelly Refresh een betaalbare en makkelijk te gebruiken keuze die je dagelijkse routine een stuk eenvoudiger maakt.

Ingrediënten & overige informatie

Aqua (Water), Glycerin, Propylene Glycol, Phenoxyethanol, Acrylates/Palmeth-25 Acrylate Copolymer, Peg-40 Hydrogenated Castor Oil, Polyquaternium-11, Parfum (Fragrance), Sodium Benzoate, Ethylhexylglycerin, Benzophenone-4, Sodium Hydroxide, Coriandrum Sativum (Coriander) Fruit Oil, Lavandula Angustifolia (Lavender) Oil, Salvia Sclarea (Clary Sage) Oil, Cinnamomum Zeylanicum (Cinnamom) Bark Oil, Cuminum Cyminum (Cumin) Seed Oil, Dipteryx Odorata (Tonka Beans) Beans Extract, Elettaria Cardamomum (Cardamon) Seed Oil, Mentha Piperita (Peppermint) Oil, Styrax Benzoin Gum, Vanilla Planifolia Seed, Coumarin, Alpha‑Isomethyl Ionone, Linalool, Ci 17200 (Red No 33)

We raden je aan om voor gebruik altijd de ingrediëntenlijst op de verpakking te raadplegen voor de meest accurate informatie. Vanwege productvernieuwing en optimalisatie kan het voorkomen dat de hier vermelde ingrediënten afwijken van die op de verpakking.

Fabrikant Contact:

Personal Care Regulatory Ltd
Digital Office Centre, Road Swords
K67 E5AO Dublin
Ireland
[email protected]

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SKU: 35168077748

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4.9 ★★★★★
Based on 20 reviews
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M
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Makayla
Los Angeles, US
★★★★★ 4
4.5⭐️
Format: Kindle, Format: Kindle
Wild Love deserves all the hype it’s gotten. For my first Elsie Silver book, this one was a 4.5⭐️ A sweet, simple small town romance that will keep you on your toes. Rosie was a pretty relatable character if you’ve grown up in a small town. That feeling of wanting to get out, and wanting something more is something most probably feel. But it turned out that wasn’t what she actually wanted, and moving back to Rose Hill ended up being the peace she really needed. While we all love a good enemies to lovers trope, Ford discovering he had a daughter was a nice touch and kept the story much more interesting. Wild love didn’t just tell of two friends falling for each other, but also Ford navigating his newfound fatherhood and Rosie stepping in to help not only him but his daughter.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 17, 2026
L
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Laney
Pawtucket, US
★★★★★ 5
I’m absolutely OBSESSED!!!!!!
Format: Paperback
My love for this book is everything. Just thinking back to the little family—Ford, Cora, and Rosie—was absolutely amazing to read about. The way I completely fell in love with the lovesick billionaire, the grieving daughter, and a woman trying to find herself again was the best part of the book. I felt like each word drew me closer to the main characters. Ford is a billionaire who buys a run-down house in his old vacation town when, surprise, a quiet, guarded, incredibly smart twelve-year-old girl shows up on his doorstep claiming to be his daughter through a past sperm donation. Cora has lost her father, and her mother is struggling deeply, so Ford unexpectedly takes Cora under his wing. She’s sharp, sarcastic, emotionally reserved, and clearly carrying more weight than a kid her age should have to bear. Not long after, Rosie—Ford’s best friend’s little sister and his long-lost love—returns to town after being mistreated by her boss. Her arrival catches Ford completely off guard, and all the feelings he thought he’d buried come crashing back. Throughout the book, Rosie forms a deep, natural bond with Cora, and together they slowly build something that feels like home. Ford doesn’t just fall in love with Rosie—he falls in love with the family they create. Favorite Parts ★ Rosie’s bond with Cora was literally my breaking point. They are so incredibly sweet and felt completely real.
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Reviewed in the United States on February 3, 2026
G
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ghostrider369
Belleville, US
★★★★★ 5
If you want to write that best seller correctly, this is the book for you!
Format: Paperback
Plot & Structure is a thorough handbook for writers looking to improve their storytelling. Bell, as many already know is a successful novelist and writing coach. He simplifies complex ideas like plot development and narrative structure into useful advice, practical tactics, and interesting activities that we can all understand. Bell's strategy revolves around the LOCK methodology, which stands for Lead, Objective, Confrontation, and Knockout. Not a new technique at all, this framework is intended to assist authors in crafting captivating story lines that hold readers' attention from start to finish. Bell clearly emphasizes the significance of developing a strong lead character who propels the story forward, a definite aim that guides the plot, a confrontation that adds tension and drama, and a knockout finish that leaves readers happy but wanting more. Clarity and order are two of the book's strongest points. Bell delivers his thoughts in a logical order, beginning with the basics of plot structure and progressing to more sophisticated themes such as subplots, pacing, and thematic depth. Each chapter is illustrated with examples from popular literature and cinema, making theoretical topics more concrete and understandable. This method not only enhances comprehension but also encourages readers to study and appreciate the workmanship behind their favorite stories. But Bell does this in a fun, and still factually correct manner. Bell's writing style is both informative and motivating. He communicates directly to the reader, anticipating their worries and queries and providing encouragement with his advice. His encouraging tone is especially helpful for aspiring authors who may be intimidated by the hurdles of narrative development, I know I was one of those. Bell tells them that, while creating a compelling plot is difficult, it is possible with perseverance, effort, and a willingness to learn from failures. The exercises at the end of each chapter are another standout feature of the book. These are intentionally created to put the concepts covered into practice, encouraging authors to explore various story scenarios, character motives, and narrative structures. By constantly promoting active participation, Bell guarantees that readers not only absorb the material but also apply it. This hands-on approach encourages creativity and experimentation, which are crucial skills for any writer trying to improve their art. He makes the whole process fun to do, which helps one feel involved more than some dreary instructional how-to book that we have all read and forgotten. Furthermore, Bell discusses frequent plotting difficulties and provides solutions to solve them. He addresses difficulties like predictable storylines, uninteresting characters, and drooping middles, offering practical advice on how to increase suspense, deepen character development, and sustain momentum throughout the novel. This problem-solving part of the book is crucial since it provides writers with skills for critically evaluating and improving their work. It dives into the psychological and emotional sides of narrative, recognizing that a successful plot is more than just what occurs, but how it affects the characters and, as a result, the readers. Bell urges writers to explore their characters' emotional journeys, claiming that emotional resonance is critical to producing a memorable and meaningful story. Despite its numerous qualities, the book might have used more diverse examples, such as those from genres outside of Bell's area of expertise, contemporary literature, and indie presses. While the emphasis is mostly on traditional narrative frameworks, some consideration of experimental and non-linear storytelling could have provided a more comprehensive perspective on the art of plotting. Its thorough examination of plot creation, along with practical exercises and insightful suggestions, makes it an invaluable resource for anybody wishing to master the craft of storytelling. Whether you're a new writer struggling with your first plot or an experienced author looking to improve your skills, this book provides the assistance and inspiration you need to create captivating narratives that keep readers engaged from beginning to end. Plus, you will have fun along the way too!
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Reviewed in the United States on February 6, 2024
B
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Birdfeeder
Port Orchard, US
★★★★★ 5
One of the best books about writing!
Format: Paperback
Each chapter offered valuable information. I can't praise it enough. It's simply one of the best books that I have read about writing. I have learned plenty, and I will apply it to my new novel that I'm working on right now! Buy it! Read it! It works wonders! It's invaluable to my collection. If you're building your collection, make sure this book finds a place in your home. I have outlined so much. I have taken so many notes. I memorized elements of the structure. The author didn't take any break. He didn't stop surprising me toward the end. Great work! OVERVIEW The author talks about the LOCK system for your novel. L --You need to have a gripping Lead with whom readers can identify with. You need sympathy, likability, and inner conflict. You need to build an arc of your character breaking into his layers, so the lead changes by the end of the novel. You need to show it through action and show the moment of change. O-- Objective, a goal your lead wants to achieve. You need to create a strong opposition, and put that opposition close to the lead. It might be a physical location, moral duty, professional obligation, life or death situation, obsession, etc. C--Confrontation or simply said conflict that grows; stakes are raised higher leading to the climax of the story. K--Knockout--final fight against opposition You need three ACT structure: Beginning (Act 1) , Middle(Act 2), Ending (Act 3) Beginnings- You need to reveal the lead; hook the reader; create sympathy through those things that I have mentioned earlier. You need to create disturbance in his life that will move the Lead to Act 2 which is the middle, no return. Middles- Raise the stakes; scenes are more tense; create more conflict and have a death hanging over your Lead (emotional death, physical, or professional, etc.) The customer is nearing the black moment. The Lead enters another door of no return. Endings-Battle--tie those lose endings (some might contain sacrifice) 1. A final choice or 2. A final battle Add a twist if possible. If you follow the above and create a back cover blurb, you can go ahead and write your novel knowing it will not fail. Create an arc of the character that concentrates on the internal part of the character. I like to create also two charts. One is for the Lead showing how the character is changing internally. Another one, characters who play the parts in your novel divided into following categories: Character, Description, Objective, Role, Secret, and Emotion Evoked. You can add as much as you want in your never ending list. Scenes- HIP- Hook, Keep it Intense, Prompt to another scene Stretch tension! You need show instead of tell. ARM- Action, Reaction, and More Action Soap Opera-- don't resolve anything until the end, and you might want to end the scene with a secret revealed or a cliff hanging moment. Complex Plots--Play with symbols or motifs; create subplots and integrate them into the main plot, or use parallel plots used so much in romance novels. Or divide into sections; each section to contain the LOCK system and three act structure. Some other things that I found valuable: Flashbacks -- keep them short; create scenes out of them; use one HAD. If your middle doesn't play well, do something unexpected like throwing a guy with a gun. Unanticipate-- avoid cliches, create unpredictiable scenes, endings If you present something in the story, make sure you use it later in your novel. If you mention the riffle on the wall, make sure it will play out in the future scene. You need to work backwards. You need to plant things, so the future scenes will make sense. The author talked about SHUTDOWN. I have experienced it myself just after the conference. It happens when the writer is overwhelmed and can't produce. It's a phase that passes. I did have it for two weeks. I was just simply exhausted and overwhelmed. I took a break, and the passion came back.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 1, 2011
C
Verified Purchase
C.J.
Pawtucket, US
★★★★★ 4
Pretty Good... Not amazing.... But pretty good.
Format: Paperback
Before taking a stab at my first real story I have decided to read two books on the art of writing fiction; "Techniques of the Selling Writer" by Dwight Swain, and the book I am reviewing now, "Plot and Structure" by James Bell. While Swain's book was more of an all inclusive manual on writing interesting fiction, Bell's book is focused strictly on, as the name suggests, plot and structure. What this book is not... This is not a 'how to write a novel' book; if you are going to just read one book on writing a fiction novel then "Techniques of the Selling Writer" may be the more appropriate choice. If you are looking for a book that deals with anything outside of plot and structure, this book will be of no help there either. This book is designed to be supplemental to an already moderately educated reader. If you read Swain's book first, then you will instantly recognize the principles of this book. What this book is... This is a great book on, you guessed it, Plot and Structure. It's actually a fairly concentrated look into the subject. The chapters... Ch 1: What's a plot, anyway? Ch 2: Structure: What holds your plot together. Ch 3: How to explode with plot ideas. Ch 4: Beginning strong. Ch 5: Middles. Ch 6: Endings. Ch 7: Scenes. Ch 8: Complex Plots. Ch 9: The character arc in plot. Ch 10: Plotting Systems. Ch 11: Revising your plot. Ch 12: Plot Patterns. Ch 13: Common plot problems and cures. Ch 14: Tips and Tools for plot and structure. I found the specificity of this book very helpful with each principle being illustrated by a paragraph or so of a known author's work. Bell handpicks excerpts from authors varying from Dean Koontz to Herman Melville, brilliantly pulling text from these masters and showing us how they went about the relevant technique. This easy to read nature and well outlined subject matter means I will be using several of its chapters as a personal reference guide in the future. I'm certain it will keep me from making many of the mistakes beginning writers make and possibly save me weeks in rewrites. I will say this though... "Techniques of the Selling Writer" is a better book and covers plot quite well too; so if you are only going to read one book on writing, that is a damn good place to start. If you want to supplement that reading further, "Plot and Structure" comes highly recommended. [...]
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 26, 2010

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