SKU: 34933622845

Passe-Partout 40x60 cm - Fotomaat 30x45 cm - Groen Bos - Voor fotolijsten

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Description

Passe-Partout 40x60 cm - Fotomaat 30x45 cm - Groen Bos - Voor fotolijstenDe Passe Partout 40x60cm Groen Bos is geschikt voor een fotolijst met een lijstmaat van 40x60cm. De opening (fotomaat) van deze passe partout is geschikt voor een foto met een afmeting van 30x45cm. Het gat, op de foto binnen uitsnede genoemd, maken we echter iets kleiner (ongeveer 0,2 mm aan alle zijden), zodat je inlijsting niet door de opening van het passe partout heen valt. Je verliest dus aan de randen van je afbeelding een paar millimeter, omdat

De Passe Partout 40x60cm Groen Bos is geschikt voor een fotolijst met een lijstmaat van 40x60cm.

De opening (fotomaat) van deze passe-partout is geschikt voor een foto met een afmeting van 30x45cm. Het gat, op de foto binnen uitsnede genoemd, maken we echter iets kleiner (ongeveer 0,2 mm aan alle zijden), zodat je inlijsting niet door de opening van het passe partout heen valt. Je verliest dus aan de randen van je afbeelding een paar millimeter, omdat het passe-partout hier overheen valt.

Lijstmaat en fotomaat
Elke passe-partout heeft een lijstmaat en een fotomaat. De lijstmaat van het passe-partout geeft aan voor welke fotolijst het passe-partout geschikt is. De fotomaat is de exacte maat van de poster, kunstreproductie of foto waar het passe-partout omheen komt.

Nederlandse kwaliteit
Het passe-partout karton kopen wij rechtstreeks in bij de fabrikant. De passe-partouts worden in onze eigen fabriek gemaakt. Dezelfde fabriek waar ook al onze wissellijsten en fotolijsten worden gemaakt. Hierdoor ben je verzekerd van kwaliteit. Met een computer en een volautomatische snijtafel wordt de passe-partout met een mooie schuine rand (45°) op maat uitgesneden waardoor je een optisch diepte-effect krijgt. De schuin afgesneden rand aan de binnenkant (kern) is wit van kleur.

Dit passe-partout is ook liggend te gebruiken, dus ook geschikt als passe-partout voor een lijstmaat van 60x40cm en een fotomaat van 45x30cm.

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SKU: 34933622845

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4.5 ★★★★★
Based on 29 reviews
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Product Reviews
J
Verified Purchase
Justin
Port Orchard, US
★★★★★ 4
Demon does an Anthony Bordain
Format: Paperback
Simple, fun read.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 13, 2024
G
Verified Purchase
G. Hodnett
Alexandria, US
★★★★★ 3
Your milage will vary
Format: Paperback
Some great ideas in this story but it didn't really work for me. But I know others have loved it..
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 14, 2025
J
Verified Purchase
Joanne Hale
Chelsea, US
★★★★★ 2
The hype it did not live up to
Format: Paperback
I guess I expected more. I found it kind of boring and un inspiring. I enjoyed the food twist and even the characters, but it was very underwhelming. and I'm sorry about this review, because I really really wanted to love it.
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Reviewed in the United States on March 30, 2025
J
Verified Purchase
John J. Shea
Port Orchard, US
★★★★★ 5
A thoroughly-researched, thoughtful, and nuanced work about the 1692 Salem withcraft panic.
Format: Paperback
This graphic novel recounts the 1692 Salem (Massachusetts) witchcraft panic that engulfed Salem, Salem Village (now Danvers), and adjacent communities. About two dozen men and women were convicted and hanged, one was pressed to death (tortured) to try to force him to acknowledge the Court’s authority. That man was Giles Corey, aged 80. The book focuses on him, but it covers others among the accused and executed as well as on the judges, politicians, and other involved. (No so much on the accusers and their motives.). The narrative plays out chronologically with interstitial vignettes in which 19th Century literary figures Nathaniel Hawthorne and Henry Wadsworth Longfellow wander around Salem during the 1800s discussing the trials and their legacy. (Hawthorne lived in Salem for a time and was a descendant or the Court of Oyer and Terminer Judge Hathorne.). The work concludes with a chapter, More Wonders of the Invisible World, that follows how Salem developed economically up to the present day in which witchcraft-related Halloween tourism turns Salem town into arguably the least attractive “tourist attraction” on Cape Ann. (Do not skip this chapter, it is engrossing.) An extensive series of endnotes provide scholarly references and background information. The artwork veers back and forth between caricatures (the 17th century events) and realism (19th century and onwards). In both cases the line art is exquisite. The text includes quotes from transcripts of the trials and other contemporary documents as well as fictional dialog. Wickey worked on this book for more than a decade, and it shows in his thorough scholarship. This is, in all seriousness, Pulitzer/Eisner-level work. Wickey was born in Beverly and resides on Cape Ann. Most of us born and raised on the “North Shore” learn about the Salem witchcraft panic in high school -often as a cautionary tale about politics, spectral evidence, and what we would today call “lawfare.” I thought I knew a fair amount about the 1692 panic, but I learned something new with nearly every other page. I was especially glad to see Wickey cover now-debunked ergot-poisoning theory and that he dismissed the vile slander that some among the convicted and executed were actually witches. There’s nothing really “missing” from the book, though one wishes one could learn more about the fates of the accusers other than Ann Putnam. That their motives appear to have been “sport” is bone-chilling fully three centuries later. Read her "apology" years later and try not to think, "psychopath." At 500 plus pages, it's too long to read at one setting, but it is a pleasure to read at shorter intervals.
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Reviewed in the United States on December 26, 2025
S
Verified Purchase
Salvatore P. Vasta
Battle Creek, US
★★★★★ 5
Masterpiece
Format: Kindle
It has been said that any work of literature should be gauged upon how much the work makes the reader think. Ben Wickey has certainly achieved this - in spades - as one of the “civilised” world’s most frightening episodes is revisited with respect and thoughtfulness on the human condition.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 12, 2026

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