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Description
Linnen tafelkleed Antea met felgekleurde grote bloemen, kies je formaat (ook rond en als tafelloper)Linnen tafelkleed Antea, Tessitura Toscana Telerie Een witte ondergrond met daarop prachtige bloemen in knalroze, fel blauw, echt geel en andere sprekende, spattende kleuren. Deze Antea print is een all over print, dus geen 'geengineerde' randen en het maakt niet uit vanaf welke kant je tegen de stof aankijkt. Tafelkleden om van te watertanden De tafelkleden van het Italiaanse merk Tessitura Toscana Telerie zijn echt een lust voor het oog. Los van de
Linnen tafelkleed Antea, Tessitura Toscana Telerie
Een witte ondergrond met daarop prachtige bloemen in knalroze, fel blauw, echt geel en andere sprekende, spattende kleuren. Deze Antea print is een all-over print, dus geen 'geengineerde' randen en het maakt niet uit vanaf welke kant je tegen de stof aankijkt.
Tafelkleden om van te watertanden
De tafelkleden van het Italiaanse merk Tessitura Toscana Telerie zijn echt een lust voor het oog. Los van de prints die niet te versmaden zijn, is de linnen stof heel mooi van kwaliteit en zijn de tafelkleden met zorg en vakmanschap afgewerkt. Zo hebben de tafellopers en tafelkleden hele mooi gemaakte zomen. Tsja, als je dan een smak geld uitgeeft aan een tafelkleed, zijn dat de mooie extra's die je erbij krijgt!
Kies het juiste formaat tafelkleed
Voor heel veel tafels biedt Tessitura Toscana Telerie een geschikt formaat tafelkleed. Meet je tafel op en kijk welke het beste bij jouw tafel past. Ga er hierbij van uit dat er toch wel minstens 15 cm aan alle zijden moet overhangen. (Tenzij je het zelf anders wilt hè, dat kan natuurlijk ook!). En kom je er nou niet uit welk formaat je kunt kiezen of ontbreekt er in deze lijst van formaten iets voor jouw tafel, stuur me dan een mailtje ([email protected]), dan zoek ik even met je mee naar een oplossing.
In negen formaten te bestellen
Ik heb heel veel tafelkleden van Tessitura Toscana Telerie op voorraad, maar als je je bedenkt dat ze meer dan 40 dessins hebben, allemaal in minstens 5 formaten en je hebt bovendien mijn mini-winkeltje wel eens gezien, dan snap je dat ik niet alles op voorraad kan hebben. Gelukkig bestel ik vrijwel wekelijks tafelkleden bij in Italië. Ze zijn dan binnen een paar dagen al in Rotterdam. Goede oplossing toch!?
- Tafelloper: 47 x 170: €55,00
- 85 x 85 cm: €55,00
- 140 x 170 cm: €117,50
- 160 x 230 cm: €167,50
- 170 x 170 cm: €142,50
- Ø 170 cm rond: €142,50
- 170 x 270 cm: €192,50
- 170 x 310 cm: €217,50
- 170 x 360 cm: €250
Alle informatie van tafelkleed Antea op een rij
- Tafelkleed Antea
- Gemaakt van linne
- Mooi afgewerkt
- Zie label voor wasvoorschrift
- Geleverd in doorzichtig plastic etui
- Witte basis met daarop felgekleurde bloemen.
Waarom dit tafelkleed kopen bij Kleuroptafel?
- Het is mijn droom om met mijn eigenwijze en kleurrijke assortiment een florerende one-woman-business op te bouwen.
- Met iedere aankoop draag je daaraan bij en maak je mij daarmee reuze blij.
- Ik pak alles leuk voor je in.
- Voor het versturen gebruik ik het liefst gerecycled materiaal. En ja, ik pak alles zelf in en breng het zelf lopend of op de fiets naar PostNL of DHL hier in de straat.
- Kleuroptafel kiest voor kleur én kwaliteit. Mooi ontworpen, mooi gemaakt, liefst duurzaam - als het even kan in Europa - geproduceerd én kleurrijk.
- Maar de allerbeste reden om iets te kopen bij Kleuroptafel? Aan een met zorg gedekte tafel is het gewoon nóg gezelliger!
- Twijfel je nog over dit artikel? Ik maak graag een extra foto voor je.
- Of kom naar de Kleuroptafel winkel in Rotterdam!
- Je kunt me ook even mailen of appen (0641407437) met je vraag.
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4.6 ★★★★★
Based on 5 reviews
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Product Reviews
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides.
I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people!
To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome.
Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 5, 2013
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try.
This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem?
My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another.
Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft.
He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author.
Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
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Reviewed in the United States on July 11, 2010
★★★★★ 5
Good Guide to Writing in General
Format: Paperback
What Gardener says about fiction can equally apply to writing any good prose. He was a master teacher and this book definitely shows his skills in conveying the underlying knowledge to others.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 30, 2024
★★★★★ 5
First Aid for Writers Seeking to Tell Stories
Format: Paperback
This is such a wonderful tool for anyone who has a yearning to write fiction. Gardner's voice is challenging, nurturing and extremely informative for those who have a passion to jump on the path for mastering the art of story telling. He can be curt and dismissive for those who get 'lazy,' even taking to task some very skilled and famous writer's more feeble attempts (Hello, Mr. Faulkner). Gardener is a strong advocate of W.W. Watt's masterpiece for beginning writer's "An American Rhetoric," a book that is out of print , but can be found in many larger public libraries.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 31, 2016
★★★★★ 5
” shows what it is like to be young and irresponsible
Format: Paperback
This book offers relatable poems about youth all the way up to adulthood. No matter the readers’ age, they can find something relatable in this book.
One of the first poems, “River Gods,” shows what it is like to be young and irresponsible. This poem describes an instance where two young guys are walking on top of a railroad trestle, which is above the Tennessee River. “Since no one wants to cheat a foolish death alone, / I convinced my friend to leave his satchel on the bank / and we stepped out a hundred feet over the night” (“River Gods,” 13-15). This stanza shows that the two guys knew that what they were doing was dangerous and potentially deadly. This poem in comparison with other poems in this book really demonstrates recklessness in youth.
While in that poem readers see the recklessness associated with youth, “Piano Key,” a later poem in the book, provides an insight into a more serious adulthood. In this poem, the narrator is dealing with the memories associated with his grandmother’s piano.
I plunk my way left to right, up from the deep-forest
Bass notes toward the bright high registers,
Just past middle C, a dead spot I remember as a child,
A crucial note that will not sing. (“Piano Key,” 13-16)
The narrator does not provide much insight into his emotions, besides the fact the narrator is remembering something from when he was a child, but there is a sense of longing created because his grandmother is likely dead, which is why he is reminiscing about the piano. Going from “River Gods” to “Piano Key” provides different narrators. The first narrator does not care about his future; he only cares about what he is doing right at that moment. The narrator in “Piano Key” is thinking about the future and the past. If these narrators are the same, readers can definitely see how the narrator has changed and grown up.
In “Digging the Pond,” there is a notable shift where the narrator, a young teenager, notices that him and his dad are different.
He can name every species of tree, wild root,
the compounds of the soil in every field,
and knows that I stood off to the side too often
to learn what he was born knowing. (“Digging the Pond,” 21-24)
In this part of the poem, the narrator is realizing that he does not know something that his dad knows really well. When a child notices that they are different than their parent, it is usually a significant moment in that child’s life. The narrator in this poem seems to be realizing that he is growing up and changing; he knows he is no longer doing everything his parents are doing or enjoying it.
Tennessee Landscape with Blighted Pine is a great book for poems about growing up and changing. This book grows with readers as the readers grow. I highly recommend this book.
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Reviewed in the United States on November 30, 2017
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