SKU: 14204101318

Superpool Ø500 mm top-mount zandfilter 10 m3/u

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Description

Superpool Ø500 mm top-mount zandfilter 10 m3/uMet de Superpool 500 mm top mount zandfilter 10 m3 u kies je voor een compacte maar krachtige oplossing om je zwembadwater schoon en helder te houden. Deze filtertank is gemaakt van sterk polyester en corrosievast materiaal, waardoor je jarenlang kunt vertrouwen op betrouwbare prestaties. Ideaal voor kleinere zwembaden tot 40 m, waar efficintie en gebruiksgemak centraal staan. Belangrijkste voordelen Houdt zwembadwater helder en schoon Compact formaat

Met de Superpool Ø500 mm top-mount zandfilter 10 m3/u kies je voor een compacte maar krachtige oplossing om je zwembadwater schoon en helder te houden. Deze filtertank is gemaakt van sterk polyester en corrosievast materiaal, waardoor je jarenlang kunt vertrouwen op betrouwbare prestaties. Ideaal voor kleinere zwembaden tot 40 m³, waar efficiëntie en gebruiksgemak centraal staan.

Belangrijkste voordelen

  • Houdt zwembadwater helder en schoon
  • Compact formaat bespaart ruimte
  • UV-bestendig en corrosievrij materiaal
  • Inclusief complete zeswegklep
  • Betrouwbare drukcontrole met manometer

Sterk en duurzaam vat

De filtertank is vervaardigd uit gelamineerd polyester, een materiaal dat grote weerstand biedt en bestand is tegen intensief gebruik. Dankzij de niet-corrosieve constructie blijft de tank ook in vochtige omstandigheden sterk en betrouwbaar. Stel je voor dat je jarenlang probleemloos helder water hebt, zonder zorgen over slijtage of aantasting.

Efficiënte top-mount klep

De zeswegklep is eenvoudig te bedienen en biedt alle belangrijke functies, zoals filteren, backwashen en spoelen. Omdat de klep bovenop is geplaatst, neemt de filter minder ruimte in beslag en blijft je technische ruimte overzichtelijk. Zo profiteer je van alle gemakken zonder onnodig ruimteverlies.

Handige montagevoet

Het filter staat op een draaivoet die je helpt om de tank tijdens montage te draaien. Dit maakt het aansluiten van leidingen een stuk eenvoudiger, zelfs in krappe ruimtes. Zo verloopt de installatie soepel en ben je snel klaar om van je zwembad te genieten.

Constante drukcontrole

De manometer op de zeswegklep geeft duidelijk aan hoe hoog de druk in de tank is. Zodra de druk stijgt, weet je dat het tijd is om te backwashen zodat de filterprestaties optimaal blijven. Dit houdt de waterkwaliteit continu op hoog niveau en voorkomt verrassingen.

Voor kleine tot middelgrote baden

Met een doorstroming van 10 m³/u is dit zandfilter perfect geschikt voor zwembaden tot 40 m³ inhoud. Het vat is bestand tegen een maximale werkdruk van 2,5 bar en temperaturen tot 43°C, waardoor je verzekerd bent van betrouwbare prestaties in uiteenlopende omstandigheden.

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SKU: 14204101318

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4.7 ★★★★★
Based on 9 reviews
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DoubtfulReader
Charlottesville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
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Matt M.
Waukegan, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
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J. Christian
Los Angeles, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Massapequa, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017
D
Verified Purchase
Danley Wolfe
Whiting, US
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 16, 2023

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