SKU: 11094898017

Blephaderm Creme Tube 40ml

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Description

Blephaderm Creme Tube 40mlProductbeschrijving BLEPHADERM 5 in 1 oogcrme: Verzacht Hydrateert Herstelt Beschermt Vermindert wallen BLEPHADERM is een verzachtende ooglid en oogcontourcrme die een onmiddellijk verzachtend effect en langdurige hydratatie biedt. Deze crme is geschikt voor alle huidtypes en vooral voor de gevoelige, droge, gerriteerde of atopische huid. Het vermindert irritaties (roodheid en prikken), een jeukend gevoel en wallen. BLEPHADERM is het eerste

Productbeschrijving

BLEPHADERM 5-in-1 oogcrème:

  1. Verzacht
  2. Hydrateert
  3. Herstelt
  4. Beschermt
  5. Vermindert wallen

BLEPHADERM is een verzachtende ooglid-en oogcontourcrème die een onmiddellijk verzachtend effect en langdurige hydratatie biedt. Deze crème is geschikt voor alle huidtypes en vooral voor de gevoelige, droge, geïrriteerde of atopische huid. Het vermindert irritaties (roodheid en prikken), een jeukend gevoel en wallen. BLEPHADERM is het eerste conserveermiddelvrije steriele Théa oogverzorgingsproduct zonder parfum bestemd voor een gevoelige, droge, geïrriteerde en atopische huid.

BLEPHADERM biedt een onmiddellijk en blijvend comfort. Het verbetert de huidbarrière en de natuurlijke afweer voor een betere bescherming tegen externe factoren. De huid ziet er beter uit: de huid rond de oogcontour wordt egaler en strakker en wallen onder de ogen worden kleiner en minder zichtbaar.

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Naam

Blephaderm Creme Tube 40ml

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Productcode

4664280

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Indicatie(s)

  • Geschikt voor alle huidtypes, en vooral voor gevoelige, droge, geïrriteerde of atopische huid van de oogleden en oogcontour
  • Anti-jeuk
  • Anti-irritatie

BLEPHADERM is geschikt voor gevoelige ogen en dragers van contactlenzen.
BLEPHADERM is dermatologisch en oftalmologisch getest en heeft een uitstekende tolerantie aangetoond.

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Gebruiksaanwijzing

Gebruik BLEPHADERM voor uw dagelijkse oogzorgroutine: 2x/dag

Alvorens BLEPHADERM te gebruiken, reinig uw huid met een ooglidreinigingsproduct.

Voor het eerste gebruik, en voor een volgend gebruik indien nodig, het pompje enkele malen indrukken tot de crème naar buiten komt.

Breng BLEPHADERM 's morgens en 's avonds aan op de oogcontouren.

  1. Breng een kleine hoeveelheid van het product aan op het topje van uw vinger.
  2. Breng met uw vinger voorzichtig een kleine hoeveelheid van het product aan op de oogcontour en het ooglid. Wrijf van de binnenste ooghoek naar de buitenste ooghoek. Doe dit op het onderste en bovenste ooglid.
  3. Dep zachtjes op het onderste en bovenste ooglid, van de binnenste ooghoek naar de buitenste.
  4. Herhaal stap 1 tot en met 3 voor het andere oog.
  5. Reinig na elk gebruik het uiteinde van de tube en plaats de dop terug.

BLEPHADERM kan dagelijks voor het hele gezicht worden gebruikt.

  • Aangename textuur op de huid, niet plakkerig, niet vettig.
  • Uitstekende make-up basis.
  • BLEPHADERM kan tot 200 keer gebruikt worden.
  • Mag niet direct op de ogen worden aangebracht.

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Contra-indicaties

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Product informatie

Blephaderm

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Wettelijke Tekst

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Bijsluiter

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Actieve ingrediënten

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Samenstelling

AQUA (WATER), OLEYL ERUCATE, TREHALOSE, NATRIUM ACRYLAAT COPOLYMEER, LECITHINE, OPHIOPOGON JAPONICUS WORTEL EXTRACT, GEHYDROLYSEERD HYALURONZUUR, MALTODEXTRINE, TOCOPHEROL, NATRIUM HYDROXIDE, FYTINEZUUR, GLYCINE SOJA (SOJABOON) OLIE.

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Extra info

  • Aangename textuur op de huid, niet plakkerig, niet vettig. Dringt gemakkelijk in.
  • Uitstekende make-up basis
  • Voor de oogcontour en geschikt voor het hele gezicht
  • Tot 2 maanden bruikbaar na opening
  • BLEPHADERM kan tot 200 keer gebruikt worden
  • Zonder parfum
  • Zonder bewaarmiddelen

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Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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SKU: 11094898017

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4.3 ★★★★★
Based on 18 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Dallas, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
West Palm Beach, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Lake Worth, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Whiting, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Birmingham, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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