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Description
365 Transparent Film Dressings (10 x 25 cm) - Pack of 10365 Transparent Film Dressings (10 x 25 cm) Pack of 10 Details 365 Film Dressing is a sterile, latex free, self adhesive, showerproof transparent film wound dressing made from a semi permeable polyurethane film membrane coated with a hypoallergenic acrylic adhesive. It is breathable, allowing effective oxygen and moisture vapour exchange (MVTR 1176g m2 24 hours*) to optimise the wound healing environment. It is impermeable to liquids, bacteria, and
365 Transparent Film Dressings (10 x 25 cm) - Pack of 10
Details
365 Film Dressing is a sterile, latex free, self-adhesive, showerproof transparent film wound dressing made from a semi-permeable polyurethane film membrane coated with a hypoallergenic acrylic adhesive. It is breathable, allowing effective oxygen and moisture vapour exchange (MVTR 1176g/m2/24 hours*) to optimise the wound healing environment. It is impermeable to liquids, bacteria, and viruses to reduce the risk of wound infection. Dessings are showerproof enabling patients to shower without disturbing their dressings.
Indications for Use
Suitable for use as a primary or secondary dressing for low or no exudate wounds.For example;
- Cuts and Abrasions
- Clean closed post-operative wounds
- Superficial pressure damage
- Leg ulcers
- Protection of donor sites
- Minor burns
- Protection against skin breakdown
- A fixation device for catheters.
Dressing Application
1. Cleanse the wound and ensure that the skin surrounding the wound is clean, dry, and free from creams and/or wound cleansing solutions.
2. Select a dressing that is of a suitable size and shape. Ensure the dressing has a 2 cm overlap around the wound edge.
3. To apply the dressing, open pouch and peel the liner from the dressing to expose the adhesive surface.
4. Position the dressing centrally over the wound bed and apply. Press the exposed adhesive side of the dressing onto the skin surrounding the wound, do not press onto the wound. The remaining white card frame around the dressing gives it rigidity and makes it easier to apply.
5. Once the dressings is secure, slowly lift and remove the white card frame and smooth down the dressing edges. Then smooth the entire dressing from the centre toward the edges.
6. When applying to a contoured area, 365 Film may be cut in order to aid adhesion (please note the bacterial barrier property is compromised if the dressing is cut).
Dressing Removal
1. To remove 365 Film from the wound, gently peel and lift one corner of the dressing from the skin.
2. Support the skin whilst peeling the dressing off by stretching horizontally (not vertically) and in the direction of hair growth. As the film is stretched, the adhesive releases and the film turns an opaque white colour.
3. Care should be taken to avoid skin damage with repeated applications, or on patients with fragile skin.
4. Clean the wound in order to remove any remaining exudate residue before wound assessment or the application of new dressings.
Dressing Wear Time
• The frequency of dressing changes will depend on the on condition of the wound and clinical circumstances. Dressings can be left in place for up to 7 days, if signs of infection are observed, remove the dressing.
Precautions;
• Stop any bleeding at the site before applying the dressing.
• Do not stretch the dressing or skin during application as tension can cause skin trauma.
• Care should be taken to avoid skin damage with repeated applications, or on patients with fragile skin.
• If the condition of the wound deteriorates, consult your healthcare professional.
• Do not use if the packaging has been damaged.
• Sterile.
• Single Use.
• Latex Free.
• Store in a cool dry place out of direct sunlight.
*Data Source: Independent testing completed to BS EN 13726-2 by SMTL. Report No: 15/4925/10
Indications for Use
Suitable for use as a primary or secondary dressing for low or no exudate wounds.For example;
- Cuts and Abrasions
- Clean closed post-operative wounds
- Superficial pressure damage
- Leg ulcers
- Protection of donor sites
- Minor burns
- Protection against skin breakdown
- A fixation device for catheters.
Dressing Application
1. Cleanse the wound and ensure that the skin surrounding the wound is clean, dry, and free from creams and/or wound cleansing solutions.
2. Select a dressing that is of a suitable size and shape. Ensure the dressing has a 2 cm overlap around the wound edge.
3. To apply the dressing, open pouch and peel the liner from the dressing to expose the adhesive surface.
4. Position the dressing centrally over the wound bed and apply. Press the exposed adhesive side of the dressing onto the skin surrounding the wound, do not press onto the wound. The remaining white card frame around the dressing gives it rigidity and makes it easier to apply.
5. Once the dressings is secure, slowly lift and remove the white card frame and smooth down the dressing edges. Then smooth the entire dressing from the centre toward the edges.
6. When applying to a contoured area, 365 Film may be cut in order to aid adhesion (please note the bacterial barrier property is compromised if the dressing is cut).
Dressing Removal
1. To remove 365 Film from the wound, gently peel and lift one corner of the dressing from the skin.
2. Support the skin whilst peeling the dressing off by stretching horizontally (not vertically) and in the direction of hair growth. As the film is stretched, the adhesive releases and the film turns an opaque white colour.
3. Care should be taken to avoid skin damage with repeated applications, or on patients with fragile skin.
4. Clean the wound in order to remove any remaining exudate residue before wound assessment or the application of new dressings.
Dressing Wear Time
• The frequency of dressing changes will depend on the on condition of the wound and clinical circumstances. Dressings can be left in place for up to 7 days, if signs of infection are observed, remove the dressing.
Precautions;
• Stop any bleeding at the site before applying the dressing.
• Do not stretch the dressing or skin during application as tension can cause skin trauma.
• Care should be taken to avoid skin damage with repeated applications, or on patients with fragile skin.
• If the condition of the wound deteriorates, consult your healthcare professional.
• Do not use if the packaging has been damaged.
• Sterile.
• Single Use.
• Latex Free.
• Store in a cool dry place out of direct sunlight.
*Data Source: Independent testing completed to BS EN 13726-2 by SMTL. Report No: 15/4925/10
| Product Specification | |
| Adhesive | Acrylic |
| Brand | 365 Healthcare |
| Dressing Length | 25 cm |
| Dressing Size | 10 x 25 cm |
| Dressing Width | 10 cm |
| GS1 Barcode Each Pack | 05056003405125 |
| GS1 Barcode Inner Pack | 05056003405118 |
| GS1 Barcode Outer Case | 05056003405101 |
| Latex | Latex Free |
| Material | Polyurethane Film |
| NPC Code | ELW880 |
| Pad Material | None |
| Sterile | Sterile |
| Wound Pad Length | 25 cm |
| Wound Pad Size | 10 x 25 cm |
| Wound Pad Width | 10 cm |
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- Free Standard Shipping on $100+ Orders to the USA.
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4.1 ★★★★★
Based on 16 reviews
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Product Reviews
★★★★★ 5
A classic
Format: Mass Market Paperback
The Once and Future King is a saga I didn't want to end. There's enough in it to read it again, and again. The paperback squeezes 4 books into a volume you can carry in a purse, but unless you're traveling, I would recommend buying the books separately, with illustrations.
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Reviewed in the United States on May 9, 2026
★★★★★ 5
The Once and Future TH White
This book is in my lifetime top ten list. I've read it three times. Its pages are full of wisdom, humor, mysticism and hard life, an unbeatable combination. I call the story "a hopeful tragedy." For sure it is a high tragedy up to Greek levels and then some. And yet it's hopefulness lies in King Arthur's ability to continue deepening, learning, reaching for the goodness that he still believes is in every person.
Someone said that The Once and Future King was the "Harry Potter" of its day. While I love the Harry Potter series, Rowling is no T.H. White. Her writing is a serviceable yeoman's march compared with White's kingly, profound, sometimes soaring performance. Harry changes very little as he grows up, while his supporting characters seem to stay exactly the same. Not so with Arthur. He changes before our very eyes, sometimes not for the better, as does Lancelot, Guinever and others. Though both tales are mythological, White's story feels real and gets us deep down in the bowels of our conscience, our morality and our fears. Eventually, it provokes compassion, allowing us to become more forgiving of ourselves and others. Not a bad way to live in the world. When you really learn something, you become a different person. You will really learn something from The Once and Future King, making T.H. the Once and Future White.
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Reviewed in the United States on May 17, 2009
★★★★★ 3
Not what I expected
Format: Mass Market Paperback
I love stories about King Arthur and that time period in general. I really looked forward to this book because of the high ratings and my special interest in the subject. There was a lot to like about the book. The author was imaginative and, at times, the writing and characters came alive.
I have to say sometimes it was kind of like riding in an old car over a road filled with pot holes -- I kept getting shook out of the story by either references to things not from that time period or the endless social commentary that seemed to be the real point in the author writing the story. By about halfway I was wondering why he didn't give up on the story and just write a philosophy book. He wasn't being subtle. I just wanted to get back to the action and felt like I was being preached at through the narrator and the characters. I also love historical details but be aware that this author tends to mention armor and then go on and on for a while to explain it down to the tiniest detail - same with jousting - the details of what the men are wearing as fashion - what is hanging in the room - and so on.
As for the characters, it was sad to see Arthur diminish to being almost a shadow or joke near the end. The glorious king who was supposed to be so strong appeared to have no power to do anything and even allowed himself to have no voice in his own court (Gawaine did the talking). He didn't have any real presence after the very beginning though - not even as a tragic character until the very end. The author didn't make him feel like a real person in what is supposed to be his story. Arthur is the shadow between Lancelot and Gwen (or Jenny), Arthur is the go-between for the vengeful knights in his failing efforts to keep peace... He stands back hoping something will happen to stop the burning of his wife... he is not instigating but moderating action. He is even described as plain, shuffling... Not the grand King Arthur.
Merlyn was a joke as well. His magic was more like a Disney cartoon special than anything resembling Arthurian legend and the constant references to things from the future (or Merlyn's past if you buy him living backwards) kept yanking me out of the "story world" and the other characters almost never reacted to it - as if it were normal. He leaves soon after Arthur becomes king and never comes back (you know the whole locked in the cave thing).
The character most fleshed out is Lancelot. The author spends a great deal of time into his motives, feelings and actions through almost the entire book. If it weren't for the very beginning, you might be able to make an argument that more is written of Lancelot than of Arthur. Lancelot seems stronger, more driven and more clearly defined nearly at all times in the book. You know what he wants and how far he'll go to get it.
In the end I am glad I read it, but it isn't my favorite Arthurian book and I doubt I'll read it again.
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Reviewed in the United States on November 30, 2010
★★★★★ 5
A Classic
Format: Mass Market Paperback
A classic that deserves to be re-read to our children and grandchildren
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Reviewed in the United States on March 22, 2026
★★★★★ 4
A challenging read
Every now and then I challenge myself with a classic. This one was definitely that - a challenge. Allow me to explain.
First, this is the story of King Arthur. All the characters are present: Gweniviere, Lancelot, Merlin, the Knights of the Round Table, the sword in the stone, Mordred, and all the ones I’d ever heard of in retellings-of the story. However, many were not as good, bad, beautiful, handsome, or courageous and pure of heart as I’d been led to imagine. These characters were messy and deep with honor and dishonor battling within them. But there was a quiet strength and desire to do good about them. So, this book challenged my preconceived images of these characters.
Second, this book is long. It is divided into four parts. The first two parts were more familiar (maybe) and were a little easier to read. They told of Arthur’s early education under Merlin, pulling the sword from the stone, and establishing the Round Table - the glory days. Part three tackles the love triangle between Arthur, a Gwen, and Lancelot; the quest for the Holy Grail; and the rise of Mordred. Part four got a little tedious describing the fall of Arthur’s reign, the destructive force of lies and secrets, and the power of evil. This section challenged me with some very deep theological and philosophical musings amid the battles among friends and family.
Finally, this book is written using a Middle English wordings and geographic dialect. I had to look up many words (not all definitions could be found) to really understand some things, but was generally able to follow the story. The author also frequently talked directly to the reader which took some getting used to. The writing style definitely challenged my vocabulary and ability to follow transitions from author speaking to characters.
One last thing, the ending was left somewhat open to interpretation and imagination. I choose to believe the happiest of the possible outcomes. I’m glad I read this book, but i think I’ll go read something a little easier next!
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Reviewed in the United States on March 22, 2020