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Personalized - Chicken Farm Fresh Eggs - CanvasPersonalized Chicken Farm Fresh Eggs Large Canvas Wall Art (Not Printed on Metal) Stretched on a Heavy Wood Frame Chicken Coop Decor Housewarming Gift to Chicken Farm OwnersBring an elegant touch to any room! This large, vivid colored artwork adds the perfect focal point to any room. UPDATED DESIGNS We created this design to be on trend with an elegant, timeless style that will greatly complement your homeMADE IN AMERICA All our canvas artwork is hand
Personalized - Chicken Farm Fresh Eggs - Large Canvas Wall Art (Not Printed on Metal) - Stretched on a Heavy Wood Frame - Chicken Coop Decor - Housewarming Gift to Chicken Farm OwnersBring an elegant touch to any room! This large, vivid colored artwork adds the perfect focal point to any room.UPDATED DESIGNS - We created this design to be on trend with an elegant, timeless style that will greatly complement your homeMADE IN AMERICA - All our canvas artwork is hand-stretched by our employees in Tomball, Texas. We take pride in doing the work here and doing it right.REAL WOOD - We only use real pine 1.5" stretcher bars. We never use cheap particleboard stretcher bars like other sellers.PREMIUM CANVAS - So much of what goes into the final reproduction depends on the quality and consistency of the canvas. We only use acid-free, heavy canvas, which is not only durable but will not degrade over time. The surface has been specially prepared to accept and hold the inks, allowing them to radiate the brilliant color.PREMIUM INKS - The canvas is printed one at a time with the finest UV resistant inks using the latest high-resolution giclee printers. As the ink is laid on the matched and coated canvas, the result is an absolutely opaque, rich and brilliant reproduction. In addition, the UV properties of the ink ensure a fade-resistant, long-lasting beautiful image for decades.HAND STRETCHED - To ensure that the canvas remains taught, it is hand stretched around hardwood stretcher bars, fixed using no less than one staple per inch.THE ART - Now that you know how much effort goes into each piece, itâs time to do the most important stepâ¦selecting your favorite image... Click the Select Options button to start your orderPOSTER - This design is also available for printing on heavy, matte, poster paper. Choose between our 12" x 24", 18" x 36", and 24" x 48" Poster sizes.
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4.7 ★★★★★
Based on 10 reviews
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Product Reviews
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked.
I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001