SKU: 88214228513

Empire Apple PLU labels 4124

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Description

Empire Apple PLU labels 4124Empire Apple PLU stickers 4124 PLU label Pricing is for 10,000 labels. DO YOU NEED CUSTOM PLU STICKERS? CLICK HERE FOR A FREE QUOTE We can change out the colors and the logo, to create your own custom label, if needed. For larger quantities or a custom label quote please CLICK HERE or click the FREE Quote button below to receive a FREE no obligation quote. Size: 0. 625" x 0. 813" oval Labels Per roll: Approx. 2,000 Material Stock: #142 white gloss

Empire Apple PLU stickers 4124

PLU label Pricing is for 10,000 labels.

DO YOU NEED CUSTOM PLU STICKERS? CLICK HERE FOR A FREE QUOTE

We can change out the colors and the logo, to create your own custom label, if needed. For larger quantities or a custom label quote please CLICK HERE or click the FREE Quote button below to receive a FREE no-obligation quote.

Size: 0.625" x 0.813" oval

Labels Per roll: Approx. 2,000

Material Stock: #142 white gloss direct food contact w/#309 ULO varnish

Adhesive: permanent FDA approved direct food contact

Common uses: Apples, Oranges, Lemons, Kiwi and any other small fruit or vegetables.

Here at American Price Mark, we have an electric PLU label gun that these labels fit in perfectly and apply labels much faster than the hand-powered labelers. We carry both the Lithium-Ion battery-powered labelers and the hand-powered labelers.

We also carry a line of stock plu labels for apples, lemons, green peppers, and many more. Go back to the PLU labels page to see all of them.

Here is a list of all the apple PLU labels we carry:
Cortland 4106, Haralson 4058, Honeycrisp 3283, Mcintosh 4019, Sweetango 3603, Braeburn 4103, Braeburn 4101, Empire 4126, Empire 4124, Evercrisp 3490, Fuji 4131, Fuji 4129, Gala 4132, Ginger Gold 4096, Ginger Gold 4097, Golden Delicious 4137, Golden Delicious 4136, Honeycrisp 3283, Ida Red 4142, Ida Red 4140, Jonamac 4143, Jonamac 4141, Jonagold 4146, Jonagold 4144, Jonathan 4150, Jonathan 4148, Mcintosh 4152, Paula Red 4157, Paula Red 4155, Red Cort 4106, Red Cort 4104, Red Delicious 4168, Red Delicious 4167, Rome 4171, Rome 4169 

 

Label applicator options:

https://www.americanpricemark.com/collections/plu-labels

 

Minimum order 10,000 labels, if you need more, click the custom quote button below.

Pricing is for 10,000 labels.


Custom PLU labels Available

We also make custom PLU labels and manual label applicators. We have PLU labels that fit a wide range of different size fruit and vegetables. For example, our small PLU labels are used on Apples and Limes, our medium size PLU labels are used on Squash and Bell Peppers, and our largest label is generally used on Watermelons.

 

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SKU: 88214228513

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4.1 ★★★★★
Based on 8 reviews
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Product Reviews
R
Verified Purchase
Rachel S.
Fort Morgan, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
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Reviewed in the United States on May 29, 2014
E
Verified Purchase
Eileen O Malley Callahan
Battle Creek, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Massapequa, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
San Leandro, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Phoenix, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020

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