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Description
ANDY WARHOL 'Brillo Box' (2017) REPLICA Wood Storage Box'Brillo Box' by Andy Warhol (after), 2017REPLICA of one of the artist's most iconic pieces of commercial packaging. Based on Warhol's 'Brillo Box' display museum display from 1964. 17 x 17 x 14. 25 Inches43. 2 x 43. 2 x 36. 2 Centimeters2 color screen print on plywood panels with removable top. Limited Edition (Sold Out). Artwork displayed on all 4 sides with blank white top.*Note: Overall good, previously displayed original condition. Minor signs of
'Brillo Box' by Andy Warhol (after), 2017
REPLICA of one of the artist's most iconic pieces of commercial packaging.
Based on Warhol's 'Brillo Box' display museum display from 1964.
17 x 17 x 14.25 Inches
43.2 x 43.2 x 36.2 Centimeters
2-color screen print on plywood panels with removable top.
Limited Edition (Sold Out).
Artwork displayed on all 4 sides with blank white top.
*Note: Overall good, previously displayed original condition. Minor signs of wear/age.
ABOUT THE ART
In the mid-1960s, Andy Warhol carried his consumer-product imagery into the realm of sculpture. Calling to mind a factory assembly line, Warhol employed carpenters to construct numerous plywood boxes identical in size and shape to supermarket cartons. With assistance from Gerard Malanga and Billy Linich, he painted and silkscreened the boxes with different consumer product logos: Kellogg’s corn flakes, Brillo soap pads, Mott’s apple juice, Del Monte peaches, and Heinz ketchup. The finished sculptures were virtually indistinguishable from their cardboard supermarket counterparts.
Warhol first exhibited these at the Stable Gallery in 1964, cramming the space with stacked boxes that recalled a cramped grocery warehouse. He invited collectors to buy them by the stack, and, though they did not sell well, the boxes caused controversy.
In reference to his boxes, Warhol later said that he “wanted something ordinary,” and it was this mundane, commercial subject matter that infuriated the critics. The perfectly blank “machine-made” look of Andy Warhol’s boxes contrasted sharply with the gestural brushstrokes of abstract expressionist paintings.
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