SKU: 75277513209

Peter Gabriel – Hit 2 Discs (Used) (Mint Condition) CD

Name: Peter Gabriel – Hit 2 Discs (Used) (Mint Condition) CD
Brand: sm10m.ch
SKU: 75277513209
Price: 650.00 USD
Availability: InStock
Rating: 4.6993 (28 reviews)

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Peter Gabriel – Hit 2 Discs (Used) (Mint Condition) CD1 1 Solsbury Hill Bass, Tuba Tony Levin Drums, Other [Directories] Allan Schwartzberg Electric Guitar, Classical Guitar, Banjo Robert Fripp Keyboards [Frontal] Jozef Chirowski Other [Full Frontal], Rhythm Guitar [Electric And Acoustic], Pedal Steel Guitar Steve Hunter Percussion, Other [Synthibam, Bones] Jim Maelen* Producer Bob Ezrin Recorded By Brian Christian Recorded By [With] Dave Harris (3), Jim Frank, Keith Grant, Robert Hrycyna, Robert

1-1	Solsbury Hill Bass, Tuba – Tony Levin Drums, Other [Directories] – Allan Schwartzberg Electric Guitar, Classical Guitar, Banjo – Robert Fripp Keyboards [Frontal] – Jozef Chirowski Other [Full Frontal], Rhythm Guitar [Electric And Acoustic], Pedal Steel Guitar – Steve Hunter Percussion, Other [Synthibam, Bones] – Jim Maelen* Producer – Bob Ezrin Recorded By – Brian Christian Recorded By [With] – Dave Harris (3), Jim Frank, Keith Grant, Robert Hrycyna, Robert Stasiak, Rod O'Brien Synthesizer, Programmed By – Larry Fast Vocals, Keyboards, Flute, Recorder – Peter Gabriel	4:23
1-2	Shock The Monkey Backing Vocals – Peter Hammill Chapman Stick – Tony Levin Drums – Jerry Marotta Engineer – David Lord Guitar – David Rhodes Producer – David Lord, Peter Gabriel Programmed By [Linn], Synthesizer [Prophet], Sequenced By [CMI], Backing Vocals, Vocals [Uncredited] – Peter Gabriel Remix – Danny Heaps, Julian Mendelsohn Synthesizer [Prophet] – Larry Fast	3:59
1-3	Sledgehammer Backing Vocals – Coral Gordon, Dee Lewis, PP Arnold* Bass – Tony Levin Drums – Manu Katche* Engineer – Daniel Lanois, Kevin Killen Guitar – David Rhodes Guitar, Tambourine – Daniel Lanois Producer – Daniel Lanois, Peter Gabriel Recorded By [Original Track] – David Bascombe Saxophone – Mark Rivera Trombone – Don Mikkelsen Trumpet – Wayne Jackson Vocals, Sequenced By [CMI], Piano, Synthesizer [Prophet] – Peter Gabriel	4:51
1-4	Don't Give Up Bass – Tony Levin Drums, Percussion – Manu Katche* Engineer – Daniel Lanois, Kevin Killen Guitar – David Rhodes Piano – Richard Tee Producer – Daniel Lanois, Peter Gabriel Recorded By [Original Track] – David Bascombe Synthesizer [Chorus CS80] – Simon Clark Vocals [Guest] – Kate Bush Vocals, Sequenced By [CMI], Piano, Synthesizer [Prophet, Linn] – Peter Gabriel	5:55
1-5	Games Without Frontiers Backing Vocals – Kate Bush Bass [Synthesized], Synthesizer – Larry Fast Drums, Percussion – Jerry Marotta Engineer – Hugh Padgham Guitar – David Rhodes Producer – Steve Lillywhite Vocals, Bass [Synthesized], Synthesizer, Whistle – Peter Gabriel Whistle – Hugh Padgham, Steve Lillywhite	3:57
1-6	Big Time Backing Vocals – Coral Gordon, Dee Lewis, PP Arnold* Bass [Drumstick Bass] – Jerry Marotta, Tony Levin Drums – Stewart Copeland Engineer – Daniel Lanois, Kevin Killen Guitar – David Rhodes Guitar [Surf Guitar] – Daniel Lanois Organ [Hammond], Sequenced By [CMI], Bass – Simon Clark Producer – Daniel Lanois, Peter Gabriel Recorded By [Original Track] – David Bascombe Saxophone – Mark Rivera Trombone – Don Mikkelsen Trumpet, Cornet – Wayne Jackson Vocals, Sequenced By [CMI], Synth, Synthesizer [Prophet, Linn] – Peter Gabriel	4:28
1-7	Burn You Up, Burn You Down Backing Vocals – Jules Shear, The Holmes Brothers Co-producer – Karl Wallinger Drum [Sabar] – Arona N'Diaye Drums – Billy Cobham Guitar – David Rhodes, Justin Adams Mixed By – Tchad Blake Piano – Karl Wallinger Producer – Peter Gabriel, Stephen Hague Programmed By – Chuck Norman Recorded By – David Bottrill, Richard Chappell Vocals, Backing Vocals – Karl Wallinger Vocals, Bass, Organ, Other [Nord Pulse] – Peter Gabriel	5:26
1-8	Growing Up (Tom Lord-Alge Mix) Backing Vocals – AD Chivers* Drums – Manu Katche* Drums, Percussion – Ged Lynch Guitar – David Rhodes Producer – Peter Gabriel Producer [Additional] – Steve Osborne Programmed By – Alex Swift, Pete Davis Recorded By, Engineer – Richard Chappell Remix – Tom Lord-Alge Vocals, Organ, Sampler [Sample Keyboards], Synth [Bass Keyboards], Effects [JamMan] – Peter Gabriel	4:48
1-9	Digging In The Dirt Bass – Tony Levin Djembe – Babacar Faye Drum [Tama] – Assane Thiam Drums – Manu Katche* Engineer [Recording And Mix] – David Bottrill Guitar – David Rhodes Guitar [Epiphone] – Leo Nocentelli Producer – Daniel Lanois, Peter Gabriel Programmed By – David Bottrill, Richard Blair Surdo [Surdu] – Hossam Ramzy Vocals – Ayub Ogada, Peter Hammill, Richard Macphail Vocals, Programmed By, Synth [Keyboard Bass], Keyboards – Peter Gabriel	5:15
1-10	Blood Of Eden (Radio Edit) Bass – Tony Levin Duduk [Doudouk] – Levon Minassian Engineer [Recording And Mix] – David Bottrill Guitar [Bridge] – Gus Isidore Hihat, Vocals – Daniel Lanois Mixed By [Bridge Section] – Richard Chappell Producer – Daniel Lanois, Peter Gabriel Programmed By – David Bottrill Programmed By [Additional] – Richard Blair Twelve-String Guitar – David Rhodes Violin – Shankar Vocals – Sinead O'Connor* Vocals, Synth [Keyboard Bass], Keyboards – Peter Gabriel	5:06
1-11	More Than This (Radio Edit) Backing Vocals – Melanie Gabriel, The Blind Boys Of Alabama Bass – Tony Levin Drums – Dominic Greensmith Drums, Percussion – Ged Lynch Guitar, Backing Vocals – David Rhodes Mandolin, Piano [Treated], Chamberlin [Chamberlain] – Jon Brion Mixed By – Tchad Blake Producer – Peter Gabriel Recorded By, Engineer – Richard Chappell Vocals, Organ, Piano, Effects [Mutator], Sampler [Guitar], Other [Wonky Nord], Drum Machine [MPC Groove] – Peter Gabriel	4:33
1-12	Biko Drums – Jerry Marotta Effects [Screeches] – Dave Ferguson* Engineer – Hugh Padgham Guitar – David Rhodes Producer – Steve Lillywhite Surdo [Surdu] – Phil Collins Synthesizer, Bagpipes [Synthesized] – Larry Fast Vocals, Piano, Drum Programming [Drum Pattern] – Peter Gabriel	6:58
1-13	Steam (Radio Edit) Baritone Saxophone – Reggie Houston Bass – Tony Levin Drum [Sabar] – The Babacar Faye Drummers Electronic Drums – Manu Katche* Engineer [Recording And Mix] – David Bottrill Guitar, Guitar [Solo] – David Rhodes Producer, Arranged By [Horn] – Daniel Lanois, Peter Gabriel Programmed By – David Bottrill, Richard Blair Tenor Saxophone – Tim Green (3) Trombone – Renard Poche* Vocals, Keyboards, Percussion – Peter Gabriel	6:02
1-14	Red Rain Bass – Tony Levin Drums – Jerry Marotta Engineer – Daniel Lanois, Kevin Killen Guitar – Daniel Lanois Guitar, Backing Vocals – David Rhodes Hihat – Stewart Copeland Producer – Daniel Lanois, Peter Gabriel Programmed By [Linn] – Chris Hughes Recorded By [Original Track] – David Bascombe Vocals, Piano, Sequenced By [CMI], Synthesizer [Prophet] – Peter Gabriel	5:39
1-15	Here Comes The Flood Engineer, Mixed By – David Bottrill Producer – Peter Gabriel Vocals, Piano – Peter Gabriel	4:32
	Miss
2-1	San Jacinto Backing Vocals – Jill Gabriel Chapman Stick – Tony Levin Drums – Jerry Marotta Engineer – David Lord Guitar – David Rhodes Guitar [Additional] – John Ellis (2) Producer – David Lord, Peter Gabriel Synthesizer [Moog Brass] – Larry Fast Vocals, Drums [Additional], Programmed By [Linn], Sequenced By [CMI], Backing Vocals – Peter Gabriel	6:31
2-2	No Self-Control Backing Vocals – Kate Bush Bass – John Giblin Drums – Phil Collins Engineer – Hugh Padgham Guitar [Burst] – Robert Fripp Percussion – Morris Pert Producer – Steve Lillywhite Saxophone – Dick Morrissey Synthesizer, Effects [Processing] – Larry Fast Vocals, Backing Vocals – Peter Gabriel	3:54
2-3	Cloudless Bass, Acoustic Guitar – Richard Evans (3) Didgeridoo – Ganga Giri Drums [On Loops Sampling] – Manu Katche* Drums, Percussion – Ged Lynch Drums, Programmed By [Bass] – Stephen Hague Electric Guitar – Peter Green (2) Electric Guitar, Acoustic Guitar, Backing Vocals – David Rhodes Loops [Tambourine], Drum Programming – Richard Chappell Mixed By – Richard Evans (3), Stephen Hague Organ [Hammond On Loops Sampling] – David Sancious Producer – Peter Gabriel, Stephen Hague Programmed By – Alex Swift Programmed By, Keyboards – Chuck Norman Recorded By – Richard Evans (3) Recorded By [Additional] – Richard Chappell Vocals – Myarn Lawford, Ningali Lawford, The Blind Boys Of Alabama Vocals, Keyboards, Piano – Peter Gabriel	4:47
2-4	The Rhythm Of The Heat Backing Vocals – David Rhodes, John Ellis (2) Bass – Tony Levin Drum [Ghanaian Drums Section] – Ekome Dance Company* Drums, Surdo – Jerry Marotta Engineer – David Lord Producer – David Lord, Peter Gabriel Synthesizer [Moog, Prophet] – Larry Fast Vocals, Surdo, Programmed By [Linn], Sequenced By [CMI], Synthesizer [Prophet], Backing Vocals – Peter Gabriel	5:19
2-5	I Have The Touch Backing Vocals – John Ellis (2) Chapman Stick – Tony Levin Drums – Jerry Marotta Engineer – David Lord Guitar, Backing Vocals – David Rhodes Mixed By – Peter Gabriel, Robbie Robertson Producer – David Lord, Peter Gabriel Synthesizer [Moog, Prophet] – Larry Fast Vocals, Programmed By [Linn], Sequenced By [CMI], Synthesizer [Prophet], Backing Vocals – Peter Gabriel	4:19
2-6	I Grieve Acoustic Guitar – Richard Evans (3) Bass – Tony Levin Drums – Manu Katche* Electric Guitar – David Rhodes Mixed By – Richard Evans (3), Stephen Hague Percussion – Ged Lynch, Stephen Hague, Will White Producer – Peter Gabriel, Stephen Hague Programmed By – Richard Chappell Programmed By [Spectre], Strings [Bridge] – Chuck Norman Recorded By, Engineer – Richard Chappell Violin [Double Violin Improvised] – Shankar Vocals, Sampler, Keyboards [Keys], Synth [Bass Keys] – Peter Gabriel	7:24
2-7	D.I.Y. Acoustic Guitar, Mandolin – Sidney McGinnis* Chapman Stick – Tony Levin Drums – Jerry Marotta Engineer – Ed Sprigg, Michael Getlin, Steve Taylor, Steve Short Keyboards – Bayete* Producer – Robert Fripp Synthesizer, Effects [Treatments] – Larry Fast Vocals, Piano – Peter Gabriel	2:38
2-8	A Different Drum Backing Vocals – David Sancious Engineer – David Bottrill Mixed By – David Bottrill, Peter Gabriel Percussion [Loop - Four Bars] – Doudou N'Daiye Rose* Percussion [Loop - Three Bars] – Fatala Producer – Peter Gabriel Surdo, Percussion, Other [Audioframe], Synthesizer [Prophet 5], Voice – Peter Gabriel Violin [Double Violin] – Shankar Voice – Youssou N'Dour	4:47
2-9	The Drop Mixed By, Recorded By, Engineer – Richard Chappell Piano [Bosendorfer] – Peter Gabriel Producer – Peter Gabriel Programmed By – Richard Chappell	3:03
2-10	The Tower That Ate People (Steve Osborne Mix) Bass – Tony Levin Drum Programming, Loops, Effects [Treatments], Tom Tom [End Toms] – Richard Chappell Drums – Manu Katche* Engineer, Programmed By – Richard Chappell, Richard Evans (3) Guitar – David Rhodes Producer – Peter Gabriel Programmed By, Other [Fills], Guitar [Chorus] – BT Remix – Steve Osborne Vocals, Keyboards, Effects [Treatments], Synth [Keyboard Bass] – Peter Gabriel	4:06
2-11	Lovetown Bass – Tony Levin Drums – Manu Katche* Guitar – Daniel Lanois, David Rhodes, Leo Necentelli* Horns – Reggie Houston, Renard Poche*, Tim Green (3) Mixed By – Richard Blair Producer – Daniel Lanois, Peter Gabriel Programmed By, Synth [Keyboard Bass], Keyboards [Keys], Vocals, Percussion – Peter Gabriel Recorded By, Engineer – David Bottrill	5:23
2-12	Father, Son Arranged By [Brass] – Peter Gabriel, Will Gregory Bass – Tony Levin Brass – The Black Dyke Band* Conductor [Brass] – James Watson (2) Engineer, Programmed By – Richard Chappell, Richard Evans (3) Mixed By – Richard Evans (3) Orchestrated By [Brass] – Elizabeth Purnell Producer – Peter Gabriel Vocals, Piano, Synthesizer – Peter Gabriel	4:57
2-13	Signal To Noise Arranged By [String] – Peter Gabriel, Will Gregory Backing Vocals – David Rhodes Dhol [Dhol Drums] – The Dhol Foundation Drums – Steve Gadd Guitar – David Rhodes Mixed By – Tchad Blake Orchestrated By – Nick Ingham* Percussion – Ged Lynch, Steve Gadd Producer – Peter Gabriel Programmed By – Richard Chappell Recorded By, Engineer – Richard Chappell Strings – The London Session Orchestra Vocals [Additional] – Nusrat Fateh Ali Khan Vocals, Sampler [Oxford Backwards], Mellotron, Effects [SansAmp], Drum Machine [MPC Groove], Synth [Bass Keys] – Peter Gabriel	7:34
2-14	Downside Up (Live) Bass, Vocals – Tony Levin Drums – Ged Lynch Engineer – Richard Chappell Guitar, Mandolin, Whistle, Vocals – Richard Evans (3) Guitar, Vocals – David Rhodes Keyboards, Vocals – Rachel Z Mixed By – Ben Findlay Producer – Peter Gabriel Recorded By [Location Recording] – Tim Summerhayes Vocals – Melanie Gabriel Vocals, Keyboards – Peter Gabriel	5:32
2-15	Washing Of The Water Arranged By [Horn] – Malcolm Burn Arranged By [String] – Johnny Dollar, Will Malone Baritone Saxophone – Reggie Houston Bass – Tony Levin Cello – Caroline Lavelle Drums – Manu Katche* Engineer [Recording And Mix] – David Bottrill Producer – Daniel Lanois, Peter Gabriel Recorded By [Horns] – Mark Howard Tenor Saxophone – Tim Green (3) Trombone – Renard Poche* Vocals, Keyboards – Peter Gabriel	3:54

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Product Reviews

Verified Purchase

Maddox

Alexandria, US

★★★★★ 5

Indestructible

Style: Fetch Balls (Pack of 2), Size: 3 inch

These balls are indestructible! We have a lab and a lab mix and they CANNOT damage these balls. They love them for fetch and to just chew on them (slightly squishy, but NO damage). Best toys we have bought for them.

WAS THIS REVIEW HELPFUL?YesReportShare

Reviewed in the United States on April 19, 2026

Verified Purchase

Animal Lover

Pawtucket, US

★★★★★ 5

Great trial set. Just be careful throwing the orange one!

Style: Assorted Balls (Pack of 3), Size: 2.5 inch

Blue isn't that easy to see in the yard White charges with bright light/UV and is truly a game changer for night-time fetch. Both dogs clearly favor it. Orange is easy to see in the grass at day They're 3 different weights as well, so double trial. I prefer medium for my big dogs, though light performs well too The orange is HEAVY and unyielding. Do NOT throw it with a ball thrower. It could damage your house or knock your dog out. Seems tough though.

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Reviewed in the United States on January 16, 2026

Verified Purchase

Spo509

Lowell, US

★★★★★ 3

Not as good as chuck it anymore

Style: Fetch Balls (Pack of 10), Size: 2.5 inch

I have bought these before and the where just like the chuck it balls. These are not those balls. The are lighter and my dog has already cause damage to one

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Reviewed in the United States on March 16, 2026

Verified Purchase

Careful 'n Selective

Pawtucket, US

★★★★★ 5

A Totally Unique and Lasting Ball Toy Which Captures My Older and Previously Lethargic Dog’s Attention

Size: 3.5"

At about the time of my dog’s 8th birthday, I felt discouraged when I noticed a change in his playing habits and he seemed bored with most of his former favorite playthings. At a younger age, he played for hours until he exhausted himself, and then after a deep and lengthy nap he would resume playing with his toys. His indoor playing time had decreased even though he was in perfect health. He does not have any arthritis, and he does not have any aches or pain, he was just mostly bored with his toys and after about 10 minutes of playing, he would walk away, stretch out and lie down. He seemed to have lost his interest in chasing after a ball, and I was getting desperate to find something new and completely different to end his daily lethargic existence. These Gnawsome squeak and light balls have re-captured his interest as something completely different that he had never experienced with any of his other toys. Currently, he has several of these squeak and light balls and in two sizes, the medium 3.5” and the larger 4.5”. There are a variety of colors with different color flashing lights. Both the medium and the extra-large size are suitable for larger breed dogs like my Old English sheepdog. The large dimension guarantees safety that he will not accidentally swallow and choke, because they are too big to slide down his throat. What makes this squeak ball unique is the addition of a flashing light, as this is something different that he had never experienced with any of his toys. As he mouths the ball, a light inside the ball starts to flash with color. When he sees the flickering light he then drops the ball and he stares and watches and perks up his ears. When the flickering light stops he bats the ball around, grabs it in his mouth and tries to squeak and flash the light again. It’s obvious that the flashing light fascinates him and he enjoys the squeak sound as he mouths this ball. In addition, the soft flexible rubber spikes must feel good against his gums. In the mornings as I struggle to wake-up and grab a cup of coffee, he is right there nudging my leg with his ball. He drops it at my feet, and starts running down our long hallway in anticipation of the throw and catch game. At night, it’s even better, I’ll turn off the lights and he can easily see the ball to catch it, and the ball lights flicker as it bounces against our hard tile floor. I started his Gnawsome Squeak and Light Ball collection almost a year ago with both the large and the medium ball sizes. He has two Reds, two Greens, and one Blue scattered around our home because he carries and plays with them from room to room. Each color ball has a different color light. The Red ones light up red, the Green ones flash a green light, and his Blue one flickers with both a red and a blue light. The only color that we don’t have is the yellow, but I’m still hoping to get that color too. I am impressed that they have all retained both the squeak and their flashing/flickering lights. These balls are lightweight so they really go a distance when thrown, and the color NEVER comes off on our white woodwork. This is one of the best dog toys that I have discovered, they are unique, durable and the squeak and flickering lights last through his mouthing, and normal playing habits. My dog loves them and they are his very favorite toys. In addition, and these light strobe balls may even work for a dog whose hearing has declined, because instead of hearing a ‘bounce’, the dog could just follow and chase the flashing light.

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Reviewed in the United States on August 21, 2017

Verified Purchase

JHF

Natrona Heights, US

★★★★★ 5

Great Toy!

Size: 3.5"

My dog loves it. The ball is not soft, that's why I chose it for my super chewer dog. The squeak pitch is a medium level. The ball fits comfortably in her mouth. I would say it's an average weight.

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Reviewed in the United States on February 1, 2026