SKU: 73750891569

Raul Enmanuel - Simple en azul

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Description

Raul Enmanuel - Simple en azulAcrylic, charcoal, gesso, and crushed marble, or wood fibers, on 140lb. Arches Aquarelle paper, with deckled edges. 30 x 22, all of these works on paper were done between 2003 and 2009. Several articles have been written by renowned art critics on this artist. Please inquire. This is a wonderful example of Enmanuel's increasing command of the paper medium. His texture, composition, symbology, and technical mastery continue to improve. This is his more

Acrylic, charcoal, gesso, and crushed marble, or wood fibers, on 140lb. Arches Aquarelle paper, with deckled edges. 30” x 22”, all of these works on paper were done between 2003 and 2009.

Several articles have been written by renowned art critics on this artist. Please inquire.

This is a wonderful example of Enmanuel's increasing command of the paper medium. His texture, composition, symbology, and technical mastery continue to improve. This is his more recent work, and though his imagery leans toward the abstract, he has hinted that these paintings are representative of feminine, divine beings of a benevolent, and supportive nature. There is great power in these paintings, and the imagery seems to be blended with the abstract, tropical landscape quality he has become known for. Though there are hints of where Enmanuel's points of inspiration come from, the iconography he has developed is entirely his own. You may consult his bio for more details. There are several more paintings from this series available. Please inquire.

 

Enmanuel's work was prominently featured in the 4th season of the Fox Television's show "Prison Break". It was used to decorate the loft space in the show, and his work can be seen in a number of episodes. 

 

The origins of his iconography are in the early work of Wifredo Lam. One can see elements that are a reminder of this great artist's work. Though Enmanuel has used these elements as a point of inspiration, he has succeeded in making the work entirely his own. He has focused on Lam's early jungle work as a jumping off point, to create a body of symbols, and a language that depicts a reverence for Mother Nature, and his work has a power and intensity that is rarely found in contemporary art. We at MLA search for contemporary artists that have both conceptual genius, and technical mastery. A combination of qualities rarely found today, but present in abundance in the work of this brilliant artist. Enmanuel was selected to create two huge murals in Cuba. One is a 40 ft. mural at the Railway Station in Santiago, and the other is a 30 ft. mural in the lobby of the Melia Cohiba, which is the top hotel in Eastern Cuba. These are both extremely prestigious projects, and have placed this great artist in an important historical context. 

We have been in business for 20 years, and enjoy a very good feedback rating. We believe in, and offer outstanding customer service. We offer a life-time trade in policy. Please inquire. We enjoy a very good feedback rating. Check out MLA Gallery, Los Angeles on Google or on Facebook, at https://www.facebook.com/mlagallery/

 

MLA Gallery has many other paintings by Enmanuel, as well as a large selection of paintings, graphics, sculptures, and drawings by established Latin artists, and Latin Masters. Please inquire for many others.

 


 

 

Some biographical info on Enmanuel is as follows:

RAUL ENMANUEL POZO - BIOGRAPHY

Born in San Luis, Santiago, Cuba, 1958

 

Studies

1980-1985 Higher Institute of Art “CUBANACAN”, Havana, Cuba

1976-1980 National School of Art “CUBANACAN”, Havana, Cuba

1973- 1976   School for Plastic Arts Jose Joaquin Tejada, Santiago de Cuba

 

Solo Exhibitions

2004 – La locomotora de mi papa, Canvas Gallery, San Juan, Puerto Rico

2002 – Buscando Caminos, Galeria Juan Marinillo, Institute for the Friendship

            with People, Havana, Cuba

2000 – Mi Tiempo Vegetal, Casa de Teatro, Santo Domingo, Dominican Republic

1999 – Mi Tiempo Vegetal, Casa de Arte, Santiago de los Caballeros, Dominican

            Republic

1999 – Acrilicos sobre Telas, Galeria Oriente, Santiago, Cuba

1994 – Galeria Coral, Santa Fe de Bogota, Colombia

1993 – Tropico, Center of Applied Studies, Santo Domingo, Dominican Republic

1991 – Amuletos Recuerdo de mis abuelos, Galeria Oriente, Santiago, Cuba

1989 - Dibujos sobre Cartulinas, Galeria Cine Cuba, Santiago, Cuba

1988 – Dibujos sobre Cartulinas, Festival of Cuban Culture, Burdeo, France

1987 – 2nd annual Festival of Cuban Culture, Havana, Cuba

1987 – Apuntes para un Proyecto, Galeria de Arte Universal, Manzanillo, Cuba

1986 – De lo Nuestro La Vegetacion, Galeria de Arte Universal, Santiago, Cuba

1985 – Muntu, Galeria Galeano, Havana, Cuba

 

Collective Exhibitions

 

Participated in over 50 group shows in Cuba, the Dominican Republic, Colombia,

Portugal, France, and the United States.

 

2008 – The Americas Collection – Coral Gables, Florida

2008 – Featured artist - Spring Brewery Artwalk, MLA Gallery, Los Angeles, CA

2008 – Spring Brewery Artwalk, LS Contemporary, Los Angeles, CA

2007 – Fall Brewery Artwalk, MLA Gallery, Los Angeles, CA

2007 – Outstanding new contemporary artists, LS Contemporary, Los Angeles, CA

2007 – Elements of Abstraction, Gallery on State, Santa Barbara, CA

2006 – Brewery Artwalk, MLA Gallery, Los Angeles, CA

2005 – Crosscurrents, Soho Gallery, Studio City, CA

2005 – Contemporary Visions, Audis Husar Fine Art, Beverly Hills, CA

2005 – Brewery Artwalk, MLA Gallery, Los Angeles, CA

2004 – Tropical Profundo, MLA Gallery, Los Angeles, CA

2004 – Brewery Artwalk, MLA Gallery, Los Angeles, CA

2003 - Brewery Artwalk, MLA Gallery, Los Angeles, CA

2003 - Cuban Artists, Gallery Nader, Santo Domingo, Dominican Republic

2002 – Brewery Artwalk, MLA Gallery, Los Angeles, CA

2002 – Cuban Painters, Naipe Museum, Havana, Cuba

2001 – Cuban Artists, Gallery Nader, Santo Domingo, Dominican Republic


2000 – Four Abstract Painters, Galeria San Ignacio, Havana, Cuba

2000 - Participant in the 7th Havana Biennial

1999 - End of the Century Hall, Emilio Bacardi Museum, Santiago, Cuba

1999 - Serigraphy Workshop, Taller Rene Portocarrero, Havana, Cuba

1999 - Cuban Painters, Museum of the Americas, San Juan, Puerto Rico

1998 - Galeria de Arte Universal, Santiago, Cuba

1998 - Galeria Oriente, Santiago, Cuba

1997 - Salon de 30 de Noviembre, Santiago, Cuba

1996 - The Gallery of the Hotel Melia Cohiba, Santiago, Cuba

1995 - House of Culture Gallery, Lisbon, Portugal

1994 - Art Center Gallery, Nelva, Colombia

1994 – Five Cuban Painters, Viva del Arte Galeria, Bogota, Colombia

1993 - Four Cuban Painters, Art Gallery of the Dominican Institute of Applied

            Studies ( IDEA), Santo Domingo, D.R.

1990 – Contemporary Painting, Center for Dominican Architecture, Santo                                  

            Domingo, Dominican Republic

1988 – Cuban Painters, Centro de Arte 501, San Francisco

1988 - Cultural Assets Hall Fund, Santiago, Cuba

1987 - Salon 30 de Noviembre, Santiago, Cuba

1987 - Galeria de Arte Universal, Santiago, Cuba

1986 - Seven Cuban Painters, Gallery of the House of Culture, Havana, Cuba

1986 - Participant in the 2nd Havana Biennial

1985 - Students Hall of the Hermanos Sainz Brigade, Galerie Oriente, Santiago,

            Cuba

1984 – Students Hall, Higher Institute of Art, Cubanacan, Havana, Cuba

1984 - Participant in the 1st Havana Biennial – A Tribute to the Triumph of the

            Cuban Revolution, Lobby of the Carl Marx Theatre, Havana, Cuba

 

Murals

 

Restaurant of Melia Cohiba Hotel, Santiago, Cuba

Railway Terminal, Santiago, Cuba

Executive Airport, Santiago, Cuba

 

Awards

 

1999 - National Prize of Serigraphy, Workshop “Rene Portocarrero”

1998 - Cuban Cultural Assets Fund, 1st prize for painting

1998 - Salon Fin de Siglo, National Union of Cuban Writers and Artists (UNEAC)

1997 - Honorable mention – Emilio Bacardi Museum, Santiago, Cuba

 

1997 - First Prize, Acquisition for Permanent Collection, Emilio Bacardi Museum,

            Santiago, Cuba

1989 - National Award for the Painting on Canvas, TELARTE Vll, Cultural assets

            of Cuba Fund

1987 - Honorable mention, Painting, City Hall, Santiago, Cuba

1986 – 1st Prize for the Carnival Poster, San Luis, Santiago, Cuba

1985 - Honorable mention, Students Hall of the Hermanos Sainz Brigade,

           Galeria Oriente, Santiago, Cuba

1984 – 1st Prize for the Carnival Poster, San Luis, Santiago, Cuba

 

Distinctions

 

1998 - Shield of Villa de San Luis de las Enramadas, Santiago, Cuba

1997 – Official Key of the Cultural Assets of Cuba Fund, Santiago, Cuba

            Member of UNEAC (National Union of Cuban Writers and Artists)

            Member of the International Association of Plastic Artists

 

Collections

 

His works can be found in many permanent and private collections.

 

Emilio Bacardi Museum, Santiago, Cuba

Museo Polivalente, Santiago, Cuba

Center of Art Ceballo Estrella, Santiago, Cuba

MLA Gallery Collection, Los Angeles, CA

Banco de Reservas, Santo Domingo, D.R.

In addition to many private collections throughout Cuba, the Dominican Republic,

Colombia, Mexico, Jamaica Spain, Germany, France, Italy, Portugal, and the United States.


 

For more info call us at (323) 744-7550, or to see a greater selection of the gallery work, please visit our Artnet site at:

http://www.artnet.com/galleries/mla-gallery/

 

 

 

 

 

 

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Alessandra werner
Louisville, US
★★★★★ 5
Unsteady by Peyton Corinne
Format: Kindle
» The blue - Gracie Abrams « 0:00 ─〇───── 5:00 ↻ ◁ II ▷ ↺ · The way I feel about her is real, so deep it feels like a cord looped from inside me to her, tethering me to her. · This series is everything to me! The way Peyton Corinne incorporates mental health into all of her books is so special and important. The representation is always so good, and you can clearly tell that she puts a lot of effort and research into making things accurate. This book was so insanely addicting and fast-paced. It was a super quick and easy read, and I always thought about it when I wasn't actively reading it. Rhys Koteskiy, the man that you are. I'm going to be honest: at first, I wasn't sure I was going to enjoy this book because it was very much insta-love for him, but I think it was drawn out very well, and I also think it worked for his character development (iykyk). The way that he treated Sadie and showed her that constant reassurance that he was never leaving was so special. Not only was he a great love interest, but his healing from page 1 to 360 was incredible, and I think that if you're an athlete who has gone through injury and/or is struggling with an injury, the representation is HUGE. To be completely honest, I don't have much to say about her, but I absolutely loved Sadie, and I felt for her so much! This last note honestly doesn't have anything to do with the book or the author, but the comparison between Binding 13/Johnny and Shannon does a huge disservice to the book and creates a false expectation for the reader. All of this being said, I highly recommend this book and will certainly be reading all of Peyton's work!
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Reviewed in the United States on June 1, 2026
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Miri
Bozeman, US
★★★★★ 5
The Best Starter Writing Book Out There
Format: Kindle
Anyone who's serious about writing a book needs to start here. Gardner's advice on maintaining the "fictional dream" for the reader--that is, suspension of disbelief, immersion--is top notch. Part I, the discussion and overview of fiction, is engaging and helps contextualize the advice presented: where on the spectrum of the written word we are trying to fit into, what it aims to accomplish, what it needs to accomplish that, and how we go about creating it as writers. Part II covers the common pitfalls and offers technical advice. Style and structure are covered, with especially good lessons on diction and proper sequencing of signals in the test (stimulus, involuntary reaction, voluntary reaction--which may be thought of as cause & effect and is explained in greater depth in Dwight V. Swain's book as Motivation-Reaction Units), with solid explanations for why mistakes here harm the fictional dream and why it is important to get it right. Also covered are the "clumsy writing" mistakes such as characters looking in mirrors to shoehorn description into the text, as well as melodrama, which relies on cheap sleight of hand in writing as opposed to real drama. I loved the section on vocabulary, which explained the problem with writing-by-thesaurus while emphasizing the importance of expanding ordinary vocabulary that include more uncommon words (such as technical architectural terms like "lintel," which, while uncommon, are a benefit to writing) as well as brand names. What this book will do: - Give you a good overview of fiction - Help you understand what fiction tries to accomplish, why, and how - Explain the common clumsy mistakes and how to avoid them - Provide you exercises - Entertain you with Gardner's engaging writing voice (so it doesn't feel like a manual) What this book won't do: - Help you understand nonfiction and how to write it - Cover the common mistakes in-depth - Give you genre-specific advice - Cover anything related to self-publishing - Explain the business of writing - Take the place of critiquers, beta readers, or editors This is a great intro to writing craft book. It should, at the very least, help you understand what you're trying to do and identify your weaknesses so that you may find more narrowly tailored resources to help you. I find myself referring to the passages I highlighted quite often, both in the paperback and the Kindle version. FWIW, the Kindle version is now searchable. When I first bought it, it was not. The search function is a *great* help.
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Reviewed in the United States on February 10, 2016
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William
Massapequa, US
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book. What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
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Reviewed in the United States on September 6, 2017
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G. Fisher
San Leandro, US
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information. I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
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Reviewed in the United States on November 11, 2025
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Artie Anzaldua
Bozeman, US
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
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Reviewed in the United States on March 19, 2026

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