SKU: 60823444637

Advance Paris X-Stream 9 Streamer, CD Player and DAC

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Description

Advance Paris X-Stream 9 Streamer, CD Player and DACX stream 9 A quality universal source with CD player, FM DAB radio, network player, digital analog converter (DAC), Bluetooth option the perfect product to complete your integrated amplifier Advance Paris has been passionately designing products for demanding audiophiles for more than 20 years. The X Stream 9 universal source is no exception to the rule. It will satisfy the amateur of quality sound on all of its sources. The doors of high definition

X stream 9

A quality universal source with CD player, FM / DAB radio, network player, digital / analog converter (DAC), Bluetooth option… the perfect product to complete your integrated amplifier

Advance Paris has been passionately designing products for demanding audiophiles for more than 20 years.
The X-Stream 9 universal source is no exception to the rule. It will satisfy the amateur of quality sound on all of its sources. The doors of high definition audio will be open to him!

The X-Stream 9 is both a network player, a DAC, a CD player, a PC/MAC player via its asynchronous USB-B X-MOS input and a DAB/DAB+ and FM digital tuner.
Whatever the medium of your favorite music – PC or MAC computer, smartphone, tablet, network hard drive, NAS or CD disc, you could benefit from a very high level of sound quality.
"Unlimited" has been our design philosophy for our universal source. Our engineers have integrated the best technologies on the unique condition that the results obtained result in soothing listening without aggressiveness of total purity.
The audio output stage as well as the decoding part have been particularly well cared for.

Combined with our audio stage, this low-distortion DAC (-112dB based on a signal-to-noise ratio of more than 120dB) will increase your listening pleasure tenfold!

The network player part of the X-Stream 9 allows you to manage streaming services (Spotify, Qobuz, etc.), several thousand local, national and global radio stations, playback of your disco library stored locally on your computer or network drive. Airplay and DLNA compatible.
Control of your network player can be done via the ADVANCE PLAYSTREAM application downloadable from the AppStore and Google Play.

The X-Stream 9 has a CD player incorporating the latest generation of Tamul servos ensuring stable and quality playback of your CDs. The solution used combines a 16-bit processor and a 24-bit DSP. It supports CD, CD-R/RW, CD-DA (MP3/WMA) playback.

Our universal source is also equipped with a USB-B X-MOS input for direct connection to your PC or MAC computer. This "high speed" asynchronous 32-bit / 8 core input allows the playback of all types of files up to DSD.

The X'Stream 9 can be configured as a variable or fixed output for perfect adaptation to the input level of your integrated amplifier. The volume will be controlled from the remote control or via the device itself.

The X-Stream 9 acts as a DAC, it is equipped with 3 optical inputs and 2 coaxial inputs.
In addition, our player has both balanced (XLR sockets) and unbalanced (RCA sockets) analogue stereo outputs as well as two optical and coaxial digital outputs.

The X-Stream 9 incorporates a BDD (Bluetooth Direct Digital) port for connecting our X-FTB 01 digital Bluetooth receiver. This receiver incorporates APTX which ensures CD quality on all your sources.

Spotify and more...

SPOTIFY CONNECT

The X-Stream 9 is SPOTIFY Connect compatible. You can choose your amplifier as a music streamer directly in the SPOTIFY app.

Terrestrial radio

FM/DAB

Find your FM (analog) and DAB (digital) radios thanks to the radio tuner included in the X-Stream 9.

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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 60823444637

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4.4 ★★★★★
Based on 21 reviews
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David R. Papke
Omaha, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
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DoubtfulReader
Belleville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Omaha, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
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J. Christian
Belleville, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Fort Morgan, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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