SKU: 55344343569

Cecilio Sanchez - Suenos

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Description

Cecilio Sanchez - SuenosThis print measures 20" x 28" (50cm. x 70cm.), and is in very good condition. Signed and numbered 88 100. Sanchez is one of the most talented up and coming artists in Metepec. He is most well known for his barro pigmentado in miniature. The clay is colored using natural minerals. He specializes in small trees of life, Noah's Ark, Nativities, Angels, etc. In 2014, Cecilio was one of 2 artists invited to represent the State of Mexico by presenting one

This print measures 20" x 28" (50cm. x 70cm.), and is in very good condition. Signed and numbered 88/100.

 

Sanchez is one of the most talented up and coming artists in Metepec.  He is most well known for his barro pigmentado in miniature. The clay is colored using natural minerals.  He specializes in small trees of life, Noah's Ark, Nativities, Angels, etc.  In 2014, Cecilio was one of 2 artists invited to represent the State of Mexico by presenting one of his works to the Vatican.

 


 

Mexico has the oldest printmaking tradition in Latin America. The first presses were established there in the 16th mainly to print devotional images for religious institutions. Because of their ephemeral nature, few of these early impressions survive. A rare early exception is a 1756 thesis proclamation printed on silk presented by a candidate for a degree in medicine. With the introduction of lithography to Mexico in the nineteenth century, printmaking and publishing greatly expanded, and artists became recognized for the character of their work. José Guadalupe Posada (1851–1913) is often regarded as the father of Mexican printmaking. His best-known prints are of skeletons (calaveras) published on brightly colored paper as broadsides that address topical issues and current events, love and romance, stories, popular songs, and other themes. Posada demonstrated how effective prints were for creating a visual language that everyone could understand and enjoy. In the early twentieth century, their example had a profound impact on artists who, in response to the turbulent political climate and social unrest, were similarly eager to reach broad audiences.

 

The best-known artists in Mexico from the early decades of the twentieth century are Diego Rivera, José Clemente Orozco (1883–1949), and David Alfaro Siqueiros (1896–1974)—“Los tres grandes” (The Three Greats). They were all committed to politics but expressed their views through their art in very different ways. Of the three, Rivera—who returned to Mexico from Europe at the invitation of the government in 1921 to work on a mural project—rose to greatest prominence. Rivera’s 1932 lithograph Emiliano Zapata and His Horse, based on a detail from one of his murals at the Palace of Cortés Cuernavaca to the south of Mexico City, has become an iconic twentieth-century print. Zapata was a landowner-turned-revolutionary who formed and led the Liberation Army of the South. He embodied the aims of agrarian struggle that aspired to improve conditions for those who worked on the land. Zapata was assassinated in April 1919. Rivera’s print conflates different moments of oppression with optimistic emancipation. It was commissioned and published by the Weyhe Gallery in New York for sale to American collectors. Orozco and Siqueiros also made prints for the U.S. market, a number of which are devoid of political content.

 

The establishment of the print collective known as the Taller de Gráfica Popular (Workshop of Popular Graphic Art, TGP) in Mexico City in 1937 best expresses the symbiosis between prints and politics that had developed in Mexico. Its founders, Leopoldo Méndez (1902–1969), Luis Arenal (1908/9–1985) and Pablo (Paul) O’Higgins (1904–1983), were committed communists who abandoned mural painting to concentrate on printmaking, demonstrating how important prints had become as a vehicle for artistic, social, and political expression. Some of its members had belonged to the League of Writers and Revolutionary Artists (LEAR), which had been launched in 1934. The TGP has a fascinating history steeped in astonishing artistic production and political intrigue. The Bolshevik revolutionary and Marxist theorist Leon Trotsky arrived in Mexico in 1937, much to the horror of the communists represented by Siqueiros, who regarded him as a pro-fascist provocateur. Rivera was a supporter of Trotsky and established a Mexican branch of the Fourth International, a socialist organization that had its own journal, Clave, and ran articles attacking the USSR and the Mexican Communist Party. Siqueiros, then a guest member of the TGP, with fellow printmakers Antonio Pujol (1913–1995) and Luis Arenal, led an attempt to assassinate Trotsky in May 1940. The TGP workshop was their rendezvous point. After the failed attempt, Pujol ended up in prison and Siqueiros fled the country. Their action caused terrible ruptures in the TGP, with some remaining committed to the communist cause and others pressing for a more moderate line.

 

By 1947, the year that the Society of Mexican Printmakers was founded, printmaking had broadened its horizons far beyond its proletarian roots. In fact, printmaking was now considered to be the most intimate of media. Post World War II artist felt a need to reassert private values in opposition to highly politicized work. They opened the way to more subjective investigations of personal identity and myth.

 

Jose Luis Cuevas, Rufino Tamayo, and Francisco Toledo are fine examples of the new sensibility. These later artists have kept alive Mexico’s reputation for excellence in the graphic arts. A common Mexican trait on either side of the U.S.–Mexico border is the passionate interest in Mexicanidad (Mexicanness) and what comprises Mexican identity. Perhaps this obsession to understand the concept of Mexicanidad comes from nearly five centuries of mestizaje – the interracial and cultural mixing that first occurred in Mesoamerica among Native Indigenous groups, European Spanish and enslaved Africans during the 1520s. By the 18th century, Mexican identity had developed. Mestizaje was the process that constructed it. The museum’s permanent collection showcases the dynamic and distinct Mexican stories in North America, and sheds light on why Mexican identity cannot be regarded as singular; its vast diversity defies any notion of one linear history. -

 

Nuestras Historias destaca la colección permanente del museo, la cual expone las historias dinámicas y diversas de la identidad mexicana en Norteamérica. La exhibición muestra la identidad cultural como algo que evoluciona continuamente a través del tiempo, de regiones y de comunidades,  en vez de señalarla como una entidad estática e inmutable, exhibiendo para esto, artefactos mesoamericanos y coloniales, arte moderno mexicano, arte popular, y arte contemporáneo de los dos lados de la frontera EE.UU-México.  La gran diversidad de identidades mexicanas mostradas en estas obras desafía la noción de una sola historia lineal e identidad única. 

 



 
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SKU: 55344343569

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Gene
Bozeman, US
★★★★★ 5
Works great! Buying more.
Size: 10 Outlet
Works great! Love the feature that allows you the ability to turn individual plugs off and on. The ability to run the chords through both ends for a clean look is a nice feature too. In the process of buying two more for the bedrooms.
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Reviewed in the United States on February 17, 2026
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Brian
New York, US
★★★★★ 5
Versatile, High-Quality Power Strip for Home Use
Size: 6 Outlet
Nice, Heavy-Duty Power Strip that can be used in many ways. I installed two of these strips in my garage and am pleased with the results. The individual switches for each plug is a plus if you need that amount of control. The strip mounted easily. The materials and quality appear to be excellent, telling me that the power strip will last many years.
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Reviewed in the United States on January 1, 2026
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R L
Omaha, US
★★★★★ 4
Review of product 9-20-24
Size: 6 Outlet
Have yet to use the product however writing a placeholder reveiw for now. I spent nearly an hour or maybe more looking at sooooo many surge protector/power strips at least 100 on 8 different websites and let me tell you.. not sure on quality but OMG good luck on trying to find a high joules this one being 3300J that also has individual off and on switches and be heavy duty at this price point.. nothing to do with price point even they simply don't make them.. this is the legit only one.. the rest were low joules around 1200J did not have individual switches, or were not heavy duty. So If I wanted all of these things this was the product I had to choose from. That being said this does look like a decent quality item that will actually last me several years possibly my lifetime. I prefer to buy quality products that actually work as intended for a minimum of 10 years of quality service life regardless of what product I am buying. 10 years of quality service life is a reasonable standard for products that would potentially see daily use. the standard for those that might not know used to be 100 years of quality service which was most people's lifetime on all products regardless of what they were, however the whole. History lesson for those that don't know about manufacturing goods. Planned obsolescence is In economics and industrial design, planned obsolescence (also called built-in obsolescence or premature obsolescence) is the concept of policies planning or designing a product with an artificially limited useful life or a purposely frail design, so that it becomes obsolete after a certain predetermined period of time upon which it decrementally functions or suddenly ceases to function, or might be perceived as unfashionable. I like to call out products and companies that are not making quality goods and also causing world pollution, to further decrease from 100 years quality standard to 10 years and companies still have problems meeting my lowered standard of 10 years is insane to me that people let themself be used like this, and end up supporting these terribly manufactured goods. These low quality goods end up contributing to world pollution on a massive scale over the years.
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Reviewed in the United States on September 20, 2024
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Christopher Flynn
Waukegan, US
★★★★★ 5
Great for my workshop
Size: 10 Outlet
So I love these long strips. There's a few companies that make these but when I saw the individual power switches on this for each outlet, I thought this would be great for my workshop desk. Now I can know for sure that the power is off to a particular device and I don't have to go plugging in and unplugging to be safe. Just hit the switch. I also like that there are plenty of outlets so I don't have to unplug something just to plug something else in. I don't often use all the devices at the same time so this works out perfectly for me.
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Reviewed in the United States on March 20, 2026
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Christopher Campbell
Lake Worth, US
★★★★★ 5
I need more of these
Size: 6FT, Style: 1 Pack
I recently picked up the HHSOET Rotating Mountable Power Strip to tame the chaos of cords in my home office, and I’ve got to say, it’s been a fantastic addition. With 12 outlets, a sleek black metal design, and a clever rotating feature, this thing delivers both function and style in spades. Right out of the box, the build quality impressed me. The all-metal construction feels rugged and durable—definitely a step above those flimsy plastic power strips I’ve used in the past. It’s got a solid heft to it, which gives me confidence it’ll hold up under daily use, whether I’m plugging in my laptop, monitors, or a slew of chargers. The black finish adds a stylish touch, blending seamlessly with my setup instead of sticking out like an eyesore. The standout feature for me is the 360-degree rotating design. I mounted it under my desk using the included screws (super easy install, by the way), and being able to swivel the outlets to the perfect angle made cable management a breeze. Whether I needed the plugs facing forward for easy access or tucked back to keep things tidy, this power strip adapted effortlessly. It’s such a smart touch for a versatile setup—great for everything from a gaming rig to a workshop bench. With 12 outlets, I’ve got more than enough space for all my gear. The spacing isn’t super wide, so bulky adapters might block neighboring slots, but I managed to fit my essentials without too much hassle. The 6-foot power cord is a nice length—long enough to reach my wall outlet without needing an extension, but not so long that it’s a tangled mess. Plus, the built-in 1200-joule surge protector gives me peace of mind, knowing my pricey electronics are safe from power spikes. The on/off switch is another handy perk. It’s got a satisfying click and a light to show when it’s powered, making it easy to cut power to everything at once without unplugging a single cord. I’ve found it especially useful for saving energy when I’m done for the day. There are a couple of small quirks. The outlets are a bit close together, so if you’ve got a lot of oversized plugs, you might not use all 12 spots. Also, while the metal body looks great, it’s a fingerprint magnet—nothing a quick wipe won’t fix, though. Mounting was straightforward, but I’d recommend double-checking your surface; the included screws worked fine on wood, but drywall might need anchors. All in all, the HHSOET Rotating Mountable Power Strip is a sturdy, stylish, and versatile solution for anyone juggling multiple devices. It’s transformed my cluttered desk into a clean, organized workspace. If you’re looking for a heavy-duty power strip that doesn’t compromise on looks or utility, this one’s a winner.
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Reviewed in the United States on March 18, 2025

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