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Description
Littmann Classic III Monitoring Stethoscope: Smoke & Lime Green - Blue Stem 5875Littmann Classic III Monitoring Stethoscope: Smoke & Lime Green Blue Stem 5875 It's here! The next generation of a clinical icon Introducing the brand new Littmann Classic III stethoscope from 3M Littmann. With the first major upgrade of the iconic Littmann stethoscope in 18 years, the NEW industry standard has arrived! The Classic III stethoscope brings new design, materials, and technology to the Littmann stethoscope series thats been used and
Littmann Classic III Monitoring Stethoscope: Smoke & Lime Green - Blue Stem 5875
It's here! The next generation of a clinical icon
Introducing the brand new Littmann Classic III stethoscope from 3M Littmann. With the first major upgrade of the iconic Littmann stethoscope in 18 years, the NEW industry standard has arrived!
The Classic III stethoscope brings new design, materials, and technology to the Littmann stethoscope series that’s been used and trusted by millions of medical professionals worldwide for decades. With a two-sided chestpiece, dual tunable diaphragms, improved tubing, and much more, the Classic III stethoscope combines the best of new and traditional.
As with the Cardiology III, full adult and paediatric auscultation is available through its dual head chestpiece simply by rotating the central spline to alternate between the two sides. The more compact one piece diaphragm and rim assemblies have further increased acoustic sensitivity. The binaurals have been redesigned with larger diameter ear tubes and a thicker single lumen binaural to transfer sound more effectively. The selector spline is now recessed to allow a flush fit with the binaural tube and now features a visual indicator for easy identification of the operational diaphragm.
Features
- NEW double-sided, dual diaphragm chestpiece for both adult and paediatric assessment.
- NEW: The paediatric side is also easily transformed into a traditional open bell by replacing the single-piece diaphragm with the supplied non-chill rim.
- NEW chestpiece is precision-machined into an aesthetically pleasing, less angular shape.
- NEW single-piece diaphragm instead of separate diaphragm/rim making it easier to attach and easier to clean due to the smooth unbroken surface.
- NEW: The stem features an open side indicator to easily identify which diaphragm is in operation.
- NEW next-generation tubing gives even longer tube life with improved resistance to skin oils, alcohol and staining.
- 3M’s ‘Tunable Technology’ lets you easily switch from low to high frequency sounds by switching from light to firm pressure on both the adult and paediatric sides of the chestpiece.
- High acoustic sensitivity when performing general physical assessment.
- Laser engraving of text and symbols to personalise your scope and avoid theft/loss
- Larger ear tubes on the anatomically designed headset comfortably positioned for better sound transfer. Easy adjustment by simply squeezing or pulling apart the eartubes.
- Comfortable Snap-Tight soft seal eartips create an excellent acoustic seal to reduce ambient noise.
- No natural rubber latex or phthalate plasticisers are used in the tubing or any other component—to help protect health and the environment.
- Complement your personal style with Littmann’s large range of chestpiece finishes and tubing colours.
- Used as a diagnostic aid as part of the physical assessment of a patient.
- 5 year warranty includes free repair on any manufacturing or material defects.
- Littmann performance rating of 7 out of 10.
- Tubing: Plum (69cm/27.2"). Finish: Stainless Steel
NEW CHESTPIECE DESIGN
Precision machined engineering
DUAL DIAPHRAGM
Adult and paediatric sides both with tunable diaphragm
LOW FREQUENCIES (ADULT)
Apply light pressure with the floating diaphragm. (Bell mode)
HIGH FREQUENCIES (ADULT)
Apply firm pressure with the floating diaphragm. (Diaphragm mode)
LOW FREQUENCIES (PAEDIATRIC)
Rotate the chestpiece. Apply light pressure.
HIGH FREQUENCIES (PAEDIATRIC)
Apply firm pressure with the small floating diaphragm.
TRADITIONAL BELL
Transforms into a traditional open bell with the adapter provided.
STEM INDICATOR
Visual identification of the operational diaphragm.
VERSATILITY
Easily interchangeable between open bell and tunable diaphragm, giving three possible functions.
Shipping Notes
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
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4.5 ★★★★★
Based on 30 reviews
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Product Reviews
★★★★★ 5
Work nicely
These work beautifully and last a long time! Definitely worth it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 21, 2026
★★★★★ 1
Poor product
Blade was not sharp enough to remove hair. The raggedy blade scratched and but my face. Very disappointed. My granddaughter had a different brand of this item and it was so smooth removing the hair.
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Reviewed in the United States on January 24, 2026
★★★★★ 5
I absolutely loved this book.
Format: Paperback
“This book is about creativity, based on histories of contemporary people who know about it firsthand. It starts with a description of what creativity is, it reviews the way creative people work and live, and it ends with ideas about how to make your life more like that of the creative exemplars I have studied. There are no simple solutions in these pages and a few unfamiliar ideas. The real story of creativity is more difficult and strange than many overly optimistic accounts have claimed. For one thing, as I will try to show, an idea or product that deserves the label ‘creative’ arises from the synergy of many sources and not only from the mind of a single person. It is easier to enhance creativity by changing conditions in the environment than by trying to make people think more creatively. And a genuinely creative accomplishment is almost never the result of a sudden insight, a lightbulb flashing on in the dark, but comes after years of hard work.”
~ Mihaly Csikszentmihalyi from Creativity
Creativity with a capital C—the type of Creativity that changes the world.
How can we go about cultivating it in our lives? That’s what this book is all about.
Our guide is Mihaly Csikszentmihalyi—one of the founders of the positive psychology movement. Csikszentmihalyi (pronounced “cheeks sent me high”) is a professor at Claremont Graduate University and the former Chair of the Department of Psychology at the University of Chicago who wrote the classic book Flow: The Psychology of Optimal Experience .
This book features the wisdom gained from over three decades of research along with over one hundred interviews with extraordinary people—from scientists and business leaders to artists and poets.
Warning: Although deeply insightful, it’s not an easy read. If you’re looking to understand creativity at a deeper level via one of the world’s leading (and legendary) psychologists then I think you’ll enjoy it as much as I did.
Here are some of my favorite Big Ideas:
1. What is Creativity - Domain + field + person.
2. Attention - + Being kind weird
3. Complexity - + Resolving dischotomies.
4. Rhythms - Your ideal days?
5. Creativity + Flow - The 9 elements
Well, there we go. That’s a super quick look at this great book. Time to get our flow on as we tap into our Creativity and optimize + actualize!
More goodness— including PhilosophersNotes on 300+ books in our *OPTIMIZE* membership program. Find out more at brianjohnson . me.
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Reviewed in the United States on May 10, 2016
★★★★★ 5
5 Stars – A Must-Read for Anyone Interested in Creativity!
Format: Paperback
Creativity: The Psychology of Discovery and Invention* by Mihaly Csikszentmihalyi is a brilliant exploration of the inner workings of creativity and the human mind. Whether you’re an artist, entrepreneur, or simply someone interested in understanding how creative breakthroughs happen, this book provides a fascinating blend of psychology, real-world examples, and deep insights.
What sets this book apart is its comprehensive approach to creativity, going beyond the idea of it being a mysterious or innate trait. Csikszentmihalyi breaks down the creative process into digestible parts, showing how environment, discipline, curiosity, and flow all play a crucial role in fostering creative discovery. The interviews with a wide variety of highly creative people—including scientists, artists, and business leaders—add incredible depth and context to his theories.
One of my favorite takeaways is how Csikszentmihalyi emphasizes the balance between freedom and structure in creative work, and how finding the "flow" state can lead to moments of true innovation. The book not only helped me better understand my own creative process but also offered practical advice for cultivating creativity in everyday life.
This is an insightful, inspiring read for anyone who wants to dive deeper into the psychology behind creative genius. Highly recommend!
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Reviewed in the United States on September 10, 2024
★★★★★ 4
Personal Creativity does not equal Domain Transformation
This was a good if not a great book. Its greatest strength lies in the thesis introduced early on and supported throughout that the kind of creativity that leaves a trace in the cultural matrix rests not in the personal creativity of the individual, but in what Csikszentmihalyi tags the "systems approach " to creativity. To have any effect, a creative idea must be couched in terms that are understandable to others, pass muster with the experts in the field (i.e. the gatekeepers to the domain), and be included within the cultural domain (the set of symbolic rules or procedures) to which it belongs. In this systems view, the definition of a creative person is someone whose thoughts or actions change a domain or establish a new domain (pp. 27-28). This is no easy task, especially since he or she needs to learn the existing domain or domains first, and almost always necessitates being in the right place at the right time (e.g. studying quantum physics at the beginning of the 20th century or women seeking academic opportunities when WWII broke out).
Having established this in the first 30 pages, if you didn't read the remaining 350 you wouldn't miss much. But I still enjoyed reading the stories and thoughts of selected individuals whom the author deemed as "creative" according to the definition above (However, I disagreed with the selection of a few of these and would have chosen at least one more person of faith in addition to the Quaker who was briefly highlighted. Also on the issue of faith, I found the author's grouping on page 371 of studying the bible with addictive behaviors such as cruising the internet and betting on horse races to be rather laughable!).
Some additional personal nuggets I gleaned from this book include the following:
1. Those who persevere and succeed must be creative not only in their manipulation of symbols but maybe even more in shaping a career and a future for themselves that will enable them to survive while continuing to explore the strange universe in which they live (p. 199).
2. When seeking to allow your mind to make new connections in a beautiful setting, just sitting and watching is fine, but taking a leisurely walk seems to be even better. The shaping of one's personal space is also important. The Greek philosophers settled on the peripatetic method, preferring to discuss ideas walking up and down in the courtyards of the academy. When we participate in this kind of "semiautomatic activity" that uses a certain amount of attention, we allow the rest of it to be free to make connections among ideas, often from different domains, well below the threshold of conscious intentionality. "Devoting full attention to a problem is not the best recipe for having creative thoughts. "(p. 138)
3. Both creativity and innovation on the one hand and conservation and traditionalism on the other are both equally important. "Neither uncritical acceptance nor wholesale dismissal of human creativity will lead us far. " (p. 322)
The final section deals with how to enhance personal creativity. Some of these ideas were helpful (e.g. to seek to be surprised and to seek to surprise another person at least once every day, to seek to look at problems from multiple perspectives instead of assuming you see the issue clearly from one perspective, etc.) but others just seem to be taking up space on the page. I'm afraid the phraseology of how to use psychic energy more effectively on page 356 and a few other places lost my interest almost completely.
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Reviewed in the United States on November 15, 2010