SKU: 45500820300

Lindby Convertible Tote Bag

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Description

Lindby Convertible Tote BagLindby Backpack The Convertible Daypack for Everyday Freedom Meet the Lindby backpack by Kapten & Son a smart, convertible urban backpack and tote hybrid built for real life mobility. With its clean look, compact 12L volume and cleverly designed interior, its made for people who juggle work, errands, side projects and mini adventures without changing bags three times a day. Crafted from recycled PET vegan tech material, the Lindby is water repellent,

Lindby Backpack – The Convertible Daypack for Everyday Freedom

Meet the Lindby backpack by Kapten & Son – a smart, convertible urban backpack and tote hybrid built for real-life mobility. With its clean look, compact 12L volume and cleverly designed interior, it’s made for people who juggle work, errands, side projects and mini adventures without changing bags three times a day. Crafted from recycled PET vegan tech material, the Lindby is water-repellent, robust and easy to care for – a minimalist everyday pack that hides a lot more functionality than it lets on.

Who is it for?

Urban commuters, hybrid workers, young parents, creative nomads and anyone who wants a versatile, city-ready backpack that can instantly turn into a tote. If your days swing from office to café to playground to train – sometimes all before lunch – the Kapten & Son Lindby keeps pace: hands-free when you need it, low-profile when you don’t, whether you’re walking, cycling or hopping on a last-minute train.

What Makes It Stand Out

  • 🖐️ Convertible carry (backpack → tote): Padded, adjustable straps for backpack mode that you can tuck away behind the second back layer, plus sturdy top handles for tote mode – switch styles in seconds, no repacking needed.
  • 📐 Optimised 12L city format: A slim silhouette that still fits a full day: laptop, tablet, notebook, lunchbox and daily essentials, without feeling bulky on your back or at your feet in a café.
  • 💻 Made for laptops & tablets: A padded laptop compartment (29.5 x 25 x 2 cm – fits most 14" laptops, including 14" MacBook) plus a dedicated tablet sleeve, so your main devices stay protected, separate and easy to reach.
  • 🧩 Ultra-organised interior: Front zip pocket, inside zip pocket, two open pockets, a flat compartment for a changing mat or extra laptop protection, plus internal and external bottle holders so nothing disappears to the bottom.
  • 🌍 Travel-smart, conscious build: Suitcase attachment on the back, cabin-friendly size and a vegan, recycled PET outer fabric that’s water-repellent and made to handle years of everyday city use.

For work, it comfortably swallows a 14" laptop, tablet, notebook, charger and lunchbox. For parent life, you can swap in nappies, wipes, spare clothes and bottles – the organisation stays the same, only the mission changes. On the move, whether you’re hopping on your bike, rushing for a train or leaving for a spontaneous overnight stay, the Lindby backpack stays close to your back and keeps your essentials exactly where you expect them.

Why You’re Going to Love It

Whether you pack light or tend to carry a few “just in case” extras, the Lindby adapts without turning into a bulky cube on your back. It stays compact, neat and easy to live with – the kind of bag you don’t have to think about.

  • Switches from backpack to bag in a moment, while your packing and organisation stay exactly the same.
  • Keeps your day beautifully organised with dedicated spots for laptop, tablet, bottles, small items and on-the-go essentials.
  • Sits close and low-profile on your back – comfortable in packed metros, narrow streets or busy coffee shop queues.
  • Handles everyday weather with its water-repellent vegan tech material, ideal for commutes, drizzle and the odd surprise shower.
  • Easy to clean, built to last and ready to follow you from weekdays to weekends and spontaneous city breaks.

If you’ve been searching for a compact, organised everyday backpack that follows you from laptop days to parent life and cabin trips without sacrificing style, the Lindby quietly ticks all the boxes. Add it to your setup and stop switching bags for every scene – one pack, all your missions.

Love the Kapten & Son aesthetic but sometimes need more space? Take a look at the Bergen Pro – same clean vibe, extra volume for longer days. Prefer a roll-top travel companion instead? The Lisbon backpack is ideal for weekend escapes and one-bag adventures. You can also explore all our Kapten & Son backpacks to find the format that fits your lifestyle best.

Technical Specs – Lindby

Brand: Kapten & Son
Product type: Convertible backpack / tote bag, compact urban daypack
Style: Minimalist, urban, unisex
Main materials: Recycled PET vegan tech outer fabric, recycled PET lining
Inside colour: Grey
Dimensions: 38 (H) x 40 (W) x 13.5 (D) cm
Volume: 12 L
Weight: 1.02 kg
Laptop compartment: 29.5 x 25 x 2 cm (fits most 14" laptops, including 14" MacBook)
Closure system: Zipper
Water-repellent: Yes
Vegan: Yes
Comfort: Padded, adjustable shoulder straps
Pockets & organisation: Front pocket with zipper; 2 additional inside pockets; 1 inside pocket with zipper; 1 tablet compartment; 1 compartment for changing mat or extra laptop protection; 2 side bottle holders; 2 elastic bottle holders inside
Travel features: Suitcase attachment; second back layer to hide shoulder straps for tote mode; cabin-friendly size
Use cases: Daily commute, office, university, city breaks, light travel, parent bag, personal item on flights

FAQ

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Yes. The padded laptop compartment measures 29.5 x 25 x 2 cm and fits most 14" laptops, including a 14" MacBook. There is also a separate tablet compartment for an iPad or e-reader, so your main devices stay protected, organised and easy to reach.

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Yes. The outer fabric is made from recycled PET vegan tech material that is water-repellent – perfect for light rain, splashes and everyday commutes by foot or by bike. For heavy downpours or long exposure, we recommend using an additional rain cover for maximum protection.

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With its compact 12L format and slim profile, the Lindby backpack easily fits under most plane seats or in overhead compartments. Depending on the airline, it can count as a personal item – simply compare our dimensions (38 x 40 x 13.5 cm) with your airline’s cabin and personal item rules to be sure.

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For most everyday scenarios, yes. The 12L capacity is optimised for a typical day: 14" laptop, tablet, charger, notebook, wallet, keys, a bottle and a few extras (like a light jacket or lunchbox). If you regularly carry bulky gear or pack for several days, a larger model like the Bergen Pro or Lisbon might suit you better.

+

Yes – it’s a great option for active parents who don’t want the look of a traditional diaper bag. The Lindby includes two side bottle holders, two elastic bottle holders inside, plus a dedicated compartment that can hold a changing mat or spare clothes, while still keeping your tech separated and protected.

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The Lindby comes with padded, adjustable shoulder straps for backpack mode. When you prefer a cleaner, more minimal look, simply tuck the straps behind the second back layer and carry it by the top handles as a tote bag. You don’t need to change how it’s packed – the interior layout stays exactly the same.

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Yes. The Lindby is fully vegan and made from recycled PET materials, offering a durable, easy-care build while lowering its environmental impact compared to conventional synthetic fabrics. It’s a solid choice if you’re looking for a vegan, recycled urban backpack that still looks clean and premium.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 45500820300

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4.9 ★★★★★
Based on 13 reviews
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Product Reviews
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D. Mikels
Waukegan, US
★★★★★ 3
"The devil knows why. . ."
I have mentioned before in a distant review of the past that each book has a "moment of truth," that shimmering macrosecond where the reader either becomes hooked (and therefore can't wait to finish the work), or disappointed (whereby the book is either put aside, or finished grudgingly). For me, alas, Bulgakov's THE MASTER AND MARGARITA evoked the latter, although I finished the book and readily appreciated the author's rather fantastic and satirical story of Satan and his pesky retinue wreaking havoc in 1930s Moscow. That Mikhail Bulgakov is an exceptional writer is a given; if only I was fluid in Russian where I could read his words as written I would no doubt be even more impressed with his prose and style. This Vintage Press edition (translated by Diana Burgin and Katherine Tiernan O'Connor) certainly pays homage to this classic with a meticulous eye for detail, followed by notes on each chapter that I found to be invaluable. So then, what's the problem? Well, I enjoy humor and satire as much as the next guy (I suppose), but a story depicting Satan as some sort of instrument of salvation--an instrument in alliance with Yeshua--for the book's two protagonists was just. . .too much. The Master, a writer who cannot endure the pain of rejection, is one-dimensional and sullen, while Margarita, his love, becomes a willing pawn of the devil. And the story blithely suggests that death through its mortal release is preferable to life (which is understandable, given Bulgakov's failing health as he finished the book). The fantastic notion of the story--of illusion, madness, a huge talking cat, flying through the air, and a Satanic ball--is a clever device, but eventually it wears thin. As a playwright, Bulgakov uses an abundance of theater officers, bureaucrats, and authors as unhappy victims of Satan's antics (no doubt the author was settling countless scores); unfortunately, the names of these characters are in Russian, and many of the names vary by a vowel or a letter, making it very difficult for the reader to keep track of "who's who." And the parallel story of Pontius Pilate and the crucifixion--told from a political, not spiritual, perspective--was interesting, yet bizarre. In fact, "bizarre" is a good word to describe THE MASTER AND MARGARITA in its entirety; it's an interesting, fantastic, metaphysical tale, yet requires too much suspension of disbelief. --D. Mikels
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Reviewed in the United States on May 24, 2004
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Dr. Mike
Carnegie, US
★★★★★ 5
If you read rarely, or all the time, don't miss this! (It's easy to do)
This is simply one of the best works of literature, allegory, and even poetry, ever put together. It took decades for Mikhail Bulgakov to write this actually, and over the past century, his Faustian flavored tale about the nature of people and the power religion vs. the state vs. the devil knows.... has become a cult classic in Russia. Note that this is pure Bulgakov (as author) and this listing names one of the 2 wonderful translators who collaborated on getting the flavor of the language just right. They make it clear that this was a total collaboration of expert translators. At the end they offer additional notes about some of the details and finer points of history or the Russian language. There are also some additional passages included for the first time, which the earlier translation omitted. I read this when it was first translated (80s?) and a college friend who had escaped from Communism insisted I read this. It was great then, as literature, human drama, and superb writing. Bulgakov amassed a huge following once his work was actually published, after his death. Some of his work is only now being published and read. I recently found myself in front of Flat #50, near Patriarchs Ponds (Moscow), the setting where the first part of this addictive novel begins. Berlioz (in the guise of literary czar, not the famous composer) is arguing with a poet about the existence of G-d when interrupted by, who the devil knows, but soon it is clear that literary and bureaucratic Moscow have become friends to the devil. Mr. Woland and his interesting entourage are about to put on a show at the theater, promising to be magical. Great book. Like other great Russian *stories*, this captures human nature, anguish, curiosity and the variations in the rules of right/wrong, possible/impossible. It's quite a ride through the supernatural as well as theological and even medical., If you immerse yourself in it, you'll see many foreshadows of Harry Potter magic. Serious must read, for the adventure, mystery, the Faustian morality play, which takes pokes at both religion and "civil" humankind. A#1 recommend - and it may help to understand Russian (and human) psychology, and how we use words to invent smoke, mirrors, and fables which mirror life and death and love.
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Reviewed in the United States on July 16, 2014
C
Verified Purchase
C. Collins
Lake Worth, US
★★★★★ 5
A masterpiece at several levels
This amazing book can be interpreted at several levels or just read for the sheer enjoyment of the bazaar antics of all the characters. I found it to be full of profound concepts wrapped in a chaotic and fantastic romp of a good story. First, I thought the story was a tale of revenge. Bulgakov was highly discriminated against and his work suppressed throughout his career and life. A genius' work is smothered by Soviet brainless censors while a literaray elite develops composed of talentless writers and editors who only push the Communist Party line. Bulgakov has these nit-wits become the play-toys of the Devil in a story of hilarious dark comedy. Bulgakov never got revenge against the system that impoverished him until after his death when readers laugh at the incredible uncomfortable situations the Devil creates for the Moscow talentless literary elite. Second, the tale is a satiric critique of the Soviet system under Stalin. Many Soviet methods of social control, such as apartment assignments by the state, set the stage for wild adventures for Soviet citizens caught in this overly centralized society. The chapter on the Soviet authorities trying to take over the apartment of the be-headed editor from the Devil and his assistants is some of the most clever satire ever written. The magic shows performed by the Devil in a state-owned theater was a perfect commentary on the weaknesses of the Soviet system. Third, the novel is a superb essay on the killing of God as a political act. The Devil is delighted to come to the Soviet Union where belief in God is under attack and atheists rise to positions of power and status. The Soviets tried to kill God to better control their citizens. The genius of this book is that Bulgakov tells us the tale of Pontius Pilot and the High Priest of Jerusalem playing a careful came of strategy with the life of Jesus Christ. Both men had reasons to kill Jesus so that they could both maintain political power. But these two men are wise and they wish for the other party to take the blame for the crucifiction. Since Jewish law did not allow for the death penalty, the High Priest must manipulate Pilot to give the orders. However Pilot uses spys and murderers to cast blame back on the Jewish leadership by murdering Judas and throwing thirty silver pieces into the home of the High Priest. God must always be killed/maimed/distorted for a totalitarian government to maintain control. Suppression of God doesn't simultaneously suppress the Devil. Fourth, the events related in the story are extremely fun to read. The encounter with the Devil in the public park, the scenes in the dead editor's apartment, the magic show, the insane assylum, the Devil's ball, the flashbacks to Jerusalem, all will stick in your mind for days after you finish the book. This novel was finally released after Bulgakov had been dead for 30 years. The Devil in the story predicts this future when he says: "Manuscripts don't burn."
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Reviewed in the United States on February 5, 2005
K
Verified Purchase
KB2187
Port Orchard, US
★★★★★ 5
I Really Enjoyed This
Format: Paperback
I really enjoyed this book. The story is coordinated with Star Wars Vol. 8 Mutiny on Mon Cala and Star Wars Vol. 9 Hope Dies. It is not necessary, but to get a more rich, fuller story, you'll want to read this book first then switch over to those two Star Wars main series volumes. I'm giving this review 5 Stars, but I have to say that I wavered on docking it by one star. I'm not crazy about the art. And, although the story is excellent (and as much as I love a good Vader story), I didn't enjoy it as much as I did those two Star Wars volumes I mentioned above; Volumes 8 & 9, Mutiny at Mon Cala and Hope Dies. Those books are top notch excellent. This book, I'd say, is a notch down, at very, very good. Read it and see what you think. As a whole, I like how Marvel is filling out the years between the original trilogy movies with these stories. This story about the Battle of Mon Cala, over two different series, is fantastic.
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Reviewed in the United States on April 27, 2019
P
Verified Purchase
PWDecker
Alexandria, US
★★★★★ 5
A great volume with great Tarkin/Vader relationships
Format: Paperback
I am continuing to enjoy this ongoing series showing Darth Vader shortly after Episode 3. It's cool seeing Mon Cala prior to Imperial control. I like how there's a bit of a tie-in with the ongoing Star Wars comic series. There are also flashbacks to the Clone Wars era. I like this time period. Each jedi that evaded Order 66 is dealing with the new world in a different way. I also really enjoyed seeing a young Ackbar. There are two standalone issues included in this volume. First, there's a story that shows the relationship between Darth Vader and Tarkin developing into what we see in the original trilogy. The other is an Annual written by Chuck Wendig. This shows another interesting Vader/Tarkin dynamic. There are a bunch of great references that I love in this issue! Project Stardust. Geonosis. Krennic. Galen Erso. Overall, it's a really cool tie-in to Rogue One. Yet again, I give this volume of the ongoing Darth Vader: Dark Lord of the Sith a 5/5.
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Reviewed in the United States on September 19, 2018

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