SKU: 40666421693

Country Pursuit Puffed Rice Mixer 5kg

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Description

Country Pursuit Puffed Rice Mixer 5kgCountry Pursuit Puffed Rice Mixer is a simple, time honoured addition to your dogs bowl, trusted for generations by dog lovers and working dog handlers alike. This light, hypoallergenic rice blend brings gentle nourishment to every meal, whether used to top dry kibble, enrich wet food, or customise a home cooked diet. Naturally easy on the stomach and free from wheat, gluten, artificial colours, and preservatives, it is ideal for dogs with sensitive

Country Pursuit Puffed Rice Mixer is a simple, time-honoured addition to your dog’s bowl, trusted for generations by dog lovers and working-dog handlers alike.

This light, hypoallergenic rice blend brings gentle nourishment to every meal, whether used to top dry kibble, enrich wet food, or customise a home-cooked diet.

Naturally easy on the stomach and free from wheat, gluten, artificial colours, and preservatives, it is ideal for dogs with sensitive digestion or those needing extra digestive support.

Because it is light and low in fat, it adds satisfying bulk without heaviness, helping dogs feel fuller for longer while supporting healthy weight management.

Whether balancing energy after a long day in the field, supporting recovery, or simply adding wholesome reassurance to everyday feeding, this is thoughtful nutrition you can see and feel in every wagging tail.

Available in a 5kg value bag for regular feeding, a 750g pack for everyday flexibility, and a 175g sample size for first-time trials or occasional use, Country Pursuit Puffed Rice Mixer fits seamlessly into real life with dogs.

How to Use

Country Pursuit Puffed Rice Mixer is designed to be used as a flexible addition to your dog’s regular meals.

  • Use as a topper mixed with dry kibble to add light texture and gentle bulk
  • Stir into wet food to improve consistency and aid digestion
  • Combine with home-cooked meals to provide an easily digestible carbohydrate base
  • Ideal for dogs with sensitive stomachs or those needing lower-fat meal support

Introduce gradually and adjust the amount according to your dog’s size, age, activity level, and individual needs.

Energy

350 kcal per 100 g
88 kcal per 25 g average serving

Composition

Rice, additives.

Analytical Constituents

  • Crude Protein: 7.5%
  • Fat Content: 2.7%
  • Crude Fibre: 0.8%
  • Crude Ash: 0.9%
  • Phosphorus: 0.1%
  • Calcium: 0.02%
  • Moisture: 12.5%

Storage & Handling Advice

Store in a cool, dry place away from direct sunlight.

Once opened, keep in an airtight container to maintain freshness.

As with all pet foods, we recommend washing hands after handling.

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SKU: 40666421693

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4.6 ★★★★★
Based on 27 reviews
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D
Verified Purchase
David R. Papke
Carnegie, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Charlottesville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Belleville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Fort Morgan, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Louisville, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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