SKU: 28542297417

BUGATTI Type 59 - 1935 Belgian Grand Prix - Jean-Pierre Wimille Figure Edition

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Description

BUGATTI Type 59 - 1935 Belgian Grand Prix - Jean-Pierre Wimille Figure EditionSpecial Edition with Jean Pierre Wimille Driver Figure Limited to just 5 pieces The Figure Around 22 cms 8 inches tall Digitally sculpted by our artists in Venice 3D printed and exquisitely hand painted in Venice The Model 1: 8 scale model, over 52 cms 20 inches long Perfectly captures the car raced by Jean Pierre Wimille in the Belgian Grand Prix on the 14th of July 1935 at Spa Francorchamps Each model hand built and assembled by a small team of

  • Special Edition with Jean-Pierre Wimille Driver Figure
  • Limited to just 5 pieces

The Figure

  • Around 22 cms/8 inches tall
  • Digitally sculpted by our artists in Venice
  • 3D printed and exquisitely hand-painted in Venice

The Model

  • 1:8 scale model, over 52 cms/20 inches long
  • Perfectly captures the car raced by Jean-Pierre Wimille in the Belgian Grand Prix on the 14th of July 1935 at Spa-Francorchamps
  • Each model hand-built and assembled by a small team of craftsmen
  • Made using the finest quality materials
  • With removable engine cover
  • Over 5000 hours to develop the model
  • Over 500 hours to build each model
  • Thousands of precisely engineered parts: castings, photo-etchings and CNC machined metal components
  • Original CAD designs created after scanning chassis 59122 in the ownership of Ralph Lauren
  • Archive imagery and paint codes supplied by Bugatti

Three of the edition of 5 have already been sold and there are now only 2 driver model pairings available to order. Both the model and the driver figure can be ordered either in pristine clean pre-race condition, or patinated to reflect post-race dust and grime.

We have long wanted to create driver figures that will match the quality of our 1:8 models and sit or stand well alongside them. Now we are working closely with a studio in Venice, Italy to originate and hand paint very refined and perfectly posed figures, that accurately represent each driver’s physicality and character. We are starting with a very small edition of only 5 models of the Bugatti Type 59 accompanied by a standing figure of Jean Pierre Wimille. Our research into his appearance at the time of the race has been deep and extensive. The type of suit he wore, his shoes, his physique and complexion have all been very carefully considered and rendered into this very fine figure of J.P. Wimille.

The ultimate expression of the Bugatti Grand Prix car, the Type 59 was a testament to Ettore and Jean Bugatti’s extraordinarily creative engineering talents. In an era when the art of race car design was arguably superseded by the science, the Type 59 remained competitive despite its continued use of ‘old-fashioned’ mechanics. Though often defeated by its more modern government-funded rivals, its long, low and slender bodywork, have earned it a very special place in Grand Prix history. The Type 59 remains Bugatti’s last successful Grand Prix racer.

The Type 59 is generally regarded as an artistic masterpiece: it still retained the heritage from the iconic and all-conquering Type 35, which Ettore Bugatti had designed a decade earlier, but in extending the wheelbase of the new chassis frame, he created a beautiful Grand Prix car with perfect proportions. Under the all-aluminium bodywork lived its straight-eight engine. The power unit was a new development, led by Ettore’s eldest son Jean, not only to power the Type 59 race car but the upcoming Type 57 grand tourer. In Grand Prix specification, it was fitted with twin camshafts, dry sump lubrication and a lightened crankshaft. At its debut the engine displaced 2.8 litres, which was soon supercharged to just under 3.3 litres, and a separate four-speed gearbox was fitted roughly midway between the engine and rear differential for optimal weight distribution.

The Type 59’s steel ladder frame chassis was nearly identical to that of its predecessor, the Type 54. Unusually the front and rear axles were constructed from two halves treaded together in the middle, adding some flexibility to the traditional solid axles. Ettore Bugatti favoured the two-seater Grand Prix concept, and the Type 59 was no exception, the driver was offset to right of the car’s centre, and his famed eye for design to exquisite detailing such as the superbly engineered piano-wire spoke wheels. This particular addition was supported by strong mechanics: an aluminium back-plate dealt with the torque from the drive and the braking, whilst the spokes themselves only supported radial loads.

Lengthy delays meant that the Type 59 did not debut until late in the 1933 season and the car required modification to compete under the new ’750 kg’ regulations that would come into effect in 1934. The Bugatti was not particularly successful on the track but, although its rivals Auto Union, Mercedes-Benz and Alfa Romeo had made significant innovations with independent suspension and hydraulic brakes, the Type 59 remained competitive, despite its continued use of solid axles and cable operated drum brakes. It won a single major Grand Prix, at Spa in 1934 and, even then, there were many mitigating factors. Bugatti’s German rivals Mercedes-Benz and Auto Union withdrew from the race beforehand (rumoured to be due to issues with Belgian customs authorities at the border) and issues plagued the other competitors, meaning only seven entries started the race, three of which were Type 59s. Bugatti’s remaining major adversary, Alfa Romeo flew into a commanding lead, before both of their entries retired, one due to a crash and the other as the result of a broken oil pipe, leaving the route clear for René Dreyfus and Antonio Brivio to claim a fantastic 1-2 victory for the French marque. The Type 59 did see some more success in minor Grand Prix though: Jean-Pierre Wimille claimed victories at Algiers in 1934 and Deauville in 1936 whilst, in 1935, Robert Benoist won in Picardy.

Today, Type 59s are prized collector items and have estimated values in excess of £10 million. Just seven cars were built in Grand Prix configuration, of which four raced for the Bugatti works team and all have survived to this day. Current owners include Ralph Lauren and the industrial designer Marc Newson. One former Grand Prix chassis, converted to a sports car configuration back in the 1930s, sold at auction for £9.5 million in 2020.

This fine 1:8 scale model is based on the car as raced by Jean-Pierre Wimille in the Belgian Grand Prix on the 14th of July 1935 at Spa-Francorchamps and the standing J.P Wimille Figure accurately represents his physicality and character at the time of the race. Wimille qualified fourth and made a fantastic start flying into second position on the opening lap, but the French hope for victory suffered an early retirement after just seven laps due to engine issues. To create the Type 59, we used our supremely accurate digital scanning on chassis 59122, kindly allowed by its current owner Ralph Lauren, and, with the cooperation of Bugatti, developed this stunningly detailed and precise replica at scale.

The Bugatti Type 59 – 1935 Belgian Grand Prix Wimille Figure Edition is limited to just 5 pieces.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 28542297417

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I use this cleanser with the other cleanser they have, the green one. It’s actually crazy how much it changed my skin routine. I didn’t change my products and only my cleansers and there was a huge improvement. Using them both together feels very nice, there is literally a slight glow on my face after i’m done washing it. The cleanser itself is an oil and helps get my makeup off well. My face is usually oily but my t-zone can be a bit dry, these combined helped my face go back to a “normal” balance. So happy with my purchase, definitely recommend.
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Reviewed in the United States on May 25, 2026
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M. Dalbey
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Removes makeup well, and doesn't leave the skin too oily. Didn't cause me breakouts. Just clean skin. However, if you have sensitive eyes and skin, avoid the eye area. I had burning and discomfort around the eyes
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I’m 52 and post-menopausal, with dry, increasingly sensitive skin, and I’ve used a lot of cleansing oils over the years—especially from Korean brands. Some are too heavy, some don’t rinse cleanly, and some leave a film that makes me want to wash my face again immediately. This Anua Heartleaf Pore Control Cleansing Oil is one of the few that gets everything right. The texture is beautiful. It’s lightweight and fluid, not thick or overly oily, so it spreads easily across the skin without feeling heavy. It has enough slip to break down makeup and sunscreen quickly, but it doesn’t feel like it’s sitting on top of the skin. What really stands out is how well it emulsifies and rinses clean. As soon as you add water, it turns into a soft, milky consistency and washes away completely. There’s no greasy residue left behind, and my skin feels clean and balanced—not coated or stripped. It removes everything easily, including sunscreen and makeup, without needing to rub or tug at the skin. That’s especially important for me because I’m careful about how much friction I use on my face now. Even though it’s marketed for pore control, it doesn’t feel harsh or drying at all. The heartleaf gives it that calming, skin-friendly feel, and my skin always feels comfortable after using it. No tightness, no irritation—just clean, soft skin. I also like that it works beautifully as part of a double cleanse. It does the heavy lifting in the first step, and then I can follow with a gentle cleanser without feeling like I’m over-cleansing. Another thing worth mentioning is the value. The bottle is a good size, and you only need one or two pumps per use, so it lasts. For the performance you get, it feels like a very solid purchase. Overall, this is an exceptionally well-balanced cleansing oil—effective enough to remove everything, but gentle enough for dry, mature skin. It leaves the skin clean, calm, and comfortable, which is exactly what I want from a first cleanse. This is one of those products that quietly earns a permanent place in the routine because it just works.
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