SKU: 27092426607

Hans Burkhardt : Abstract with tan, yellow and orange

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Hans Burkhardt : Abstract with tan, yellow and orangeHans Burkhardt : Abstract with tan, yellow and orange, From the collection of Dr. Aurelio de la Vega, the world renowned Cuban composer, conductor, and music professor, who taught at Cal State Northridge (CSUN) for over three decades, during which time he was Distinguished Professor of Music and Director of the Electronic Music Studio. This work is in good very condition. We unconditionally guarantee the authenticity of the work, and will provide a

Hans Burkhardt : Abstract with tan, yellow and orange, From the collection of Dr. Aurelio de la Vega, the world renowned Cuban composer, conductor, and music professor, who taught at Cal State Northridge (CSUN) for over three decades, during which time he was Distinguished Professor of Music and Director of the Electronic Music Studio.

This work is in good very condition. We unconditionally guarantee the authenticity of the work, and will provide a COA. This work was acquired by the present owner in the mid 1970’s. This is a stunning linocut, by this Swiss/American Master. Measures 15 1/2 × 21" (39.4 × 53.3 cm), and is signed, numbered 4/10 from a very small edition, and dated 1974, in pencil. This work is in very good condition.

Hans Burkhardt (1904 – 1994) was a Swiss-American artist who immigrated to New York in 1924. He studied at Cooper Union and then at Grand Central School, where he met Arshile Gorky, a pivotal artist in the transition from Surrealism to Abstract Expressionism. Burkhardt quickly became Gorky’s colleague and trusted friend. They even collaborated on several works. From 1928 to 1937, Burkhardt shared Gorky’s studio. Willem de Kooning, another Gorky disciple, was a frequent guest.

Moving to Los Angeles in late 1937, Burkhardt served as a link between East and West Coast progressive art. Anticipating the work of his contemporaries in New York and Europe, he began to forge his signature style. From the 1930s through his final work in 1993, Burkhardt’s art presents a poignant testament to the human experience. His output includes monumental anti-war work (“the fiercer ones”) as well as lyrical expressions of hope (“the happy ones”). His anti-war work responded to the Spanish Civil War, World War II, Korea, Vietnam, and conflicts in Central America and Iraq. It is for good reason that Eugene Anderson wrote that Burkhardt was “Goya’s spiritual heir.” Explaining his choice of subjects, Burkhardt simply stated, “I paint the way I live.” 
In the 1940s Burkhardt met and exhibited with a group of transplanted Surrealists in Los Angeles, including Man Ray, Knud Merrild, and Eugene Berman. Describing his work of this time, he wrote, “(my) paintings evolve out of emotions and ideas” — a process not unlike the Surrealist’s conception of the genesis of creative thought.

In 1950, while Painterly and Color Field Abstract Expressionism held sway in New York, Burkhardt worked in isolation in Los Angeles and Mexico, painting rich abstract work of extraordinary emotional range. 

During the 60s, as the Los Angeles art world was seduced by California Light and Space, Hard Edge, Minimalism, and Pop Art, Burkhardt continued to paint independent works of great emotional power. His masterpiece, My Lai, includes human skulls embedded into a dark scorched earth surface reminiscent of Baroque altarpieces. This work predates work by such artists as Anselm Kiefer by twenty years. Suggesting a legacy for the artist, Donald Kuspit wrote that “Burkhardt is a master — indeed the inventor — of the abstract memento mori.”

During the 70s, Burkhardt created a series of paintings entitled “Graffiti,” in which he responded to socio-political upheaval in his Swiss homeland. These Neo-Expressionist works anticipated the street art of Jean-Michel Basquiat.

Hans Burkhardt is known for his meticulously structured and balanced paintings that blur the distinction between abstraction and representation. Burkhardt continually returned to depictions of war through abstract paintings dated from as early as World War II and as recently as the Gulf War in the early 1990s. A talented draughtsman and former student of Arshile Gorky, Burkhardt thought painting must have careful drawing as its basis. He always sketched in pencil, pastels, or ink before building up his heavily layered, fleshy surfaces in oil.

In 1992, Burkhardt was honored in New York by the American Academy of Art for his lifetime achievement. He died in Los Angeles in 1994.

Just some of his solo shows and museums with this American Master's work in their permanent collections:

1939 Stendahl Gallery, Los Angeles
1945 Los Angeles County Museum of Art: “Hans Burkhardt”
1951 Museo de Bellas Artes, Guadalajara, Mexico: "Exhibicion de Pinturas Modernas" 
1953 Fisher Gallery, University of Southern California, Los Angeles
1957 Pasadena Art Museum, California: "Ten Year Retrospective"
1962 Palace of the Legion of Honor, San Francisco: "Thirty Year Retrospective"

1964 Palm Springs Art Museum
1968 San Diego Museum of Art: "Vietnam Paintings"
1972 Long Beach Museum of Art, California: "Retrospective 1950 – 1972" 
1973 California State University, Northridge: "A Retrospective Exhibition"
1977 Santa Barbara Museum of Art, California: "Linocuts and Pastels" 
1978 Laguna Beach Museum of Art, California: "Mark Tobey / Hans Burkhardt"
1982 Jack Rutberg Fine Arts, Los Angeles: "Arshile Gorky and Hans Burkhardt"
1983 Jack Rutberg Fine Arts, Los Angeles: "Hans Burkhardt: Basel Graffiti Series"
1984 Jack Rutberg Fine Arts, Los Angeles: "Pastels: 50 Years of Figurative Expressionism"
1985 Jack Rutberg Fine Arts, Los Angeles: "Hans Burkhardt: The War Paintings"
1990 Portland Art Museum, Oregon: "Mark Tobey and Hans Burkhardt"
1991 Jack Rutberg Fine Arts, Los Angeles: "Hans Burkhardt: Desert Storms" 
1992 American Academy of Arts and Letters, New York: "Hans Burkhardt"
2008 California State University Northridge: "Hans Burkhardt"
2017 Jack Rutberg Fine Arts in conjunction with the Getty Foundation’s Pacific Standard Time: LA/LA: "Hans Burkhardt in Mexico"

Hans Burkhardt’s works have in recent years increasingly been exhibited in museums nationally and internationally. He continues to attract significant critical attention from some of the leading art historians such as Peter Selz and Donald Kuspit. Burkhardt’s works are included in the collections of such major museums as:

The British Museum, London
Victoria and Albert Museum, London 
Irish Museum of Modern Art, Dublin
Guggenheim Museum, New York
Whitney Museum, New York
Hirshhorn Museum, Washington, DC
The National Gallery of Art, Washington DC
Portland Art Museum, Portland
Harvard Art Museum, Boston
Philadelphia Museum of Art, Philadelphia
Lowe Art Museum, Miami, Florida, F
ine Arts Museum of San Francisco
Palace of the Legion Honor, San Francisco
Cal State University, Northridge (CSUN)
USC Fisher Museum of Art, Los Angeles
The Norton Simon Museum, Pasadena
Sonoma County Museum, Santa Rosa
Santa Barbara Museum of Art
Los Angeles County Museum of Art (LACMA).

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SKU: 27092426607

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Ashley Morgan
Belleville, US
★★★★★ 5
ABSOLUTELY A MUST for Omegaverse Girls!!!
I ABSOLUTELY LOVE Jillian West and her books!!! I’m so happy I already bought book two and now I have to buy the others for the Assurance Security series!! Not gonna lie Val kind of annoyed me at the beginning but she grew on me!! Her men are chef’s kisses!!! Holt annoys me some but I can let it slide. I already bought part two so I’m going to be reading that in between work phone calls!!!! DON’T TELL MY BOSS 😂😂😂😂
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Reviewed in the United States on September 30, 2025
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Carmen Alicea
Carnegie, US
★★★★★ 4
Baby bumps and bodyguards
Format: Kindle
Dark, emotional, and unexpectedly tender, Not Ready is an omegaverse romance that delivers found family feels, fierce protectiveness, and a very pregnant heroine who refuses to break. Vale’s on the run from a stalker, but lands in the arms of three private security alphas, cue the swoony tension, fake marriage twist, and slow-burn heat. It’s a little gritty, a little soft, and a whole lot addictive. If you love protective alphas, high stakes, and heroines with quiet strength, this one’s a must-read.
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Reviewed in the United States on December 18, 2025
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Shianne Whipple
New York, US
★★★★★ 5
Strong Omegaverse Comfort and a Attention Grabbing Plot
Format: Kindle
Jillian West never misses when it comes to Omegaverse, and Not Ready is no exception. This story was the perfect blend of cozy comfort and emotional depth while still delivering a strong plot. Vale is such a powerful heroine, she is strong, capable, and determined but I love that she still allows her pack to love and take care of her. It’s that balance of independence and vulnerability that makes her so relatable. The relationship dynamics were amazing: Bishop is steadfast and completely head over heels, Mercy is skeptical but protective in his own way, and Holt is the hesitant one whose slow fall is so satisfying to watch unfold. The romance hits that sweet spot between insta-love and cautious build, keeping me hooked the entire way through. And that ending. Oh my god, the cliffhanger! I need the next book in this duet immediately.
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Reviewed in the United States on August 28, 2025
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NLB
Omaha, US
★★★★★ 5
Interesting
Format: Kindle
So I will say I enjoyed the story, for sure had its moments where it dragged but it was a great story. I really liked that omegas picked their alphas/make the pack. Normally the Alphas make it and the omega fits in with them which is great but I enjoyed this new version where all the power basically went to the omega. It was a nice change of pace. I can admit some of the weird bedroom stuff with her being pregnant was odd, it’s really not hard to do stuff when pregnant (I know I’ve had two and it’s normal and even encouraged at the end especially if you want the baby out). But I like the story as a whole and will read the second, I do hope the next one isn’t dragged bc it stopped being action or tense after she met her alphas and I don’t think it was brought up or properly done when they tried to do it. More sweet after she left.
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Reviewed in the United States on November 11, 2024
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Altairjones
Boise, US
★★★★★ 3
I’m a little disappointed.
Format: Kindle
I usually like Jillian West’s books but this one was missing a lot for me. The pregnancy didn’t come across as real. She’s on her feet for 12 hour days but is perfectly healthy at 8 months pregnant? Yet the week she moves in all of a sudden she’s not? She is planning on actually running during one of the plot buildups. But at 8 months pregnant that’s incredibly hard to do. The lack of breathing ability and lung space, the change in body center, mass, and gravity. All of it prohibits running, unless you’re an athlete this didn’t come off as at all realistic. I didn’t feel any connection with the alphas. There wasn’t any emotional connection. It could be because of the tense it was written in. But I didn’t get any deep feelings out of this. It came across as checking off boxes. Even the spicy scenes weren’t really believable for me. I wanted to see them fall for her, and it just kind of all fizzled. Even Bishop. One thing I did really like was the ending. I did not see it coming and I’m interested in reading book two because of it. But on the whole this book was mostly disappointing for me.
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Reviewed in the United States on March 16, 2024

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