SKU: 14853946694

Munay Alpaca Western Hat in Camel

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Description

Munay Alpaca Western Hat in CamelHandcrafted by skilled women artisans in Perus Sacred Valley, this felt alpaca blend hat is carefully hand blocked for a structured, polished shape. The wide brim and western inspired design offer a bold yet elegant statement, while the soft yet durable alpaca blend ensures warmth and lasting comfort. A removable woven intention crown band is included, handwoven by Quechuan artisans. More than just a cultural symbol, it serves as a distinct fashion

Handcrafted by skilled women artisans in Peru’s Sacred Valley, this felt alpaca-blend hat is carefully hand-blocked for a structured, polished shape. The wide brim and western-inspired design offer a bold yet elegant statement, while the soft yet durable alpaca blend ensures warmth and lasting comfort.

A removable woven intention crown band is included, handwoven by Quechuan artisans. More than just a cultural symbol, it serves as a distinct fashion statement, enhancing the hat’s unique character. Designed with intricate Andean patterns, each band represents aspirations such as gratitude, protection, intuition, or strength. Choose one that complements your color preference or aligns with your personal journey, allowing you to customize your look with meaning.

More than just an accessory, this luxurious piece reflects a commitment to preserving traditional craftsmanship and empowering artisans. Each purchase directly supports these talented women, providing fair wages, sustainable employment, and the opportunity to pass down their cultural artistry for generations.

Available in sizes Small (Size 7, 56 cm, 22"), Large (Size  7 1/4, 58 cm, 22 7/8") and X-Large (Size 7 1/2, 60 cm, 23 5/8").  Refer to measuring instructions in size chart.

  • Materials: Blend of Alpaca Wool, Sheep Wool, Felt, Interior band is made from a cotton and polyester blend
  • .4 lbs
  • Dry Clean Only
  • Made in Peru
  • Ships from Venice Beach, California
  • Artisan-set shipping charges included at checkout

Choose An Intention Band

Intention hat bands are removable accessories designed to personalize your hat while embodying specific aspirations or qualities. Each band is intricately woven with patterns that symbolize various intentions, allowing you to choose one that resonates with your personal journey. For example, the Gratitude Intention Hat Band represents thankfulness, while the Protection Intention Hat Band symbolizes safeguarding and security.  By selecting an intention band that aligns with your aspirations, you can infuse your hat with deeper meaning and reflect your unique path.

One selection is included with each hat purchase. Please refer to intention band images and meanings below and make your selection to the right.

 

WEAR YOUR INTENTION
Each one of our Andeana intention bands tell their own story and have their own meaning. Handcrafted textiles that embody culture and tradition, they are yours to wear with intention. Which intention will you choose to wear on your custom Andeana Hat?

HAPPINESS - Ayni
You are calling in more happiness, gratitude, and reciprocity into your life. To the Quechua people, the idea of "happiness" is when there is reciprocated energy in nature and the universe. “Ayni”, meaning “today for you, tomorrow for me,” suggests that giving comes before receiving. This colorful, dotted pattern represents the gathering of energy and living beings that work together to become a unified whole.


RESILIENCE - Rapi
You are calling resilience into your life. Rapi means Coca Leaf in Quechua, which is the most resilient plant being able to grow at extreme high altitudes. The leaf of the coca can be chewed or brewed into a tea to help the people in the Andes mountains combat the symptoms of altitude sickness. The symbol of the coca leaf represents strength and courage in the face of adversity and hardships 


PURPOSE - Mayu
You are calling your destiny or purpose into your life. Mayu means River in Quechua and the Quechua people always find a way to describe ideas in their language metaphorically through nature. Just as a river always flows in one direction yet at times changing course as it ends up at its final destination, so does a person when they pursue their truth path. Let this intention guide you in the right direction.


VITALITY - yaku
You are calling vitality into your life. Yaku means Water in Quechua, which is the source of life. This diamond design represents lakes. When there is something depicted inside of the diamond it means the lake is healthy and strong. This intention calls in physical health for the body and mental well-being for the mind and spirit. Health is Wealth.


CONNECTION - Sacha
You are calling in more meaningful and spiritual connections into your life. Sacha means tree or forest in Quechua. This design of branches that are often used as a border for larger textiles represents the Tree of Life which is the source connects all three layers of Heaven, Earth, and the Underworld. Connect with what you need in all areas of life.


BALANCE- Puma Claw
You are calling balance and equilibrium into your life. The animal Puma, in Quechua, represented Kay Pacha, or the God of the Middle World (Earth). The symbol of the puma claw shows the importance of being grounded in the earthly world that’s inhabited by living beings. It’s a symbol of equilibrium and encouraging balance in your day-to-day life.


LOVE - Munay
You are calling love into your life. Munay means Love in Quechua, this X O design is one of the first patterns that girls will learn from their mothers at a young age to weave when being taught the ancient Incan weaving designs. Perhaps inspired by Ayahuasca and plant medicine, the Quechua believe that this pattern is the fabric of the universe and what all matter is made from. Essentially, this design represents “universal love.” This intention strengthens family love, soulmate love and most importantly, self-love.


PROTECTON - Nawi
You are calling protection and good luck into your life. Nawi means Eye in Quechua. This “evil eye” pattern protects the textile and wearer by “reflecting” bad energy away, allowing a change of fortune and luck to enter in. The “Evil Eye” symbol is one of the only symbols that spans across all cultures, oceans, and religions, reaching as far as the Incan empire. Wear this intention when faced with adversity or uncertainty to give you strength, confidence, positive energy and protection.


COMMITMENT - TACLLA
You are calling perseverance and commitment into your life. Taclla means plow in Quechua and the Quechua people use this foot plow to turn the soil so they can sow the seeds and plant for their future crops. Before they use the plow, they believe in honoring Pachamama, or Mother Earth so that she will in turn gift them with a bountiful harvest. This band literally and figuratively represents the idea of “Reaping what you sow” and putting in the commitment.


ABUNDANCE - Tika
You are calling in abundance into your life. Tika means Potato Flower in Quechua. This design shows the importance of potatoes to the Andes and its people. When you plant and nurture a seed, it will continue to grow and give you more than what you started with. The Andean people believe that if you respect or pay homage to the earth, it will reward you abundantly. By wearing this intention you will be reminded that abundance is all around you and you will look at the world in a new perspective.


POWER - Apu
You are calling in more spiritual strength into your life. Apu can mean both “God” or “mountain” in Quechua. This design of the mountain skyline of the Sacred Valley is a powerful symbol. The Incas believed that the mountains have a spirit that is alive. In Peruvian mythology, the Andes Mountains rise up from the human world toward the spiritual realm giving the Incas a connection to the most powerful gods in the heavens. To them, spirituality was the strongest and ultimate power a human could have


WISDOM - Chaska
You are calling wisdom into your life and the ability to connect with the universe to learn spiritual truths. "Chaska" means star in Quechua and in the Andean tradition the stars were almost a mirror of their life on Earth, with many of the same animals and items represented. The Inca were the only culture to believe that all of the constellations were formed by the dark spaces between the stars, not the stars themselves. You will be reminded to gain wisdom from your life experiences and learn from the ancient knowledge of our ancestors.


SURRENDER - Saqey
You are calling in Surrender, release, and liberation into your life and letting go of things that do not serve you anymore. “Saq’ey” means “Leave it Behind” in Quechua and it is symbolized by the serpent or zig-zag pattern.  In the Inca culture, the serpent, or Ukhu Pacha, is the God of the Underworld. Rather than representing death,  the snake was a symbol of rebirth, transformation, immortality, and healing. Just like a snake sheds its unwanted skin to start fresh, we need to shed our old beliefs and thought patterns and to find peace within to continue growing. The Inca believed the serpent represented eternity and the continual renewal of life.


FLOURISH - Wayta
You are calling in Prosperity, success, and growth into your life. “Wayta” meaning “flowers” in Quechua is represented by the the famous embroidered flower motif popular with the Wari artisans in the Ayacucho region. Ayacucho has a long history of socio-political violence from Colonial times to the Guerrilla insurgency in the 1980’s. During times of conflict, the women of Ayacucho became the main bread-winners of their families through selling their embroidery. Now in peacetime, they have introduced more vivid, blooming flower designs as a sign of the rebirth of a city that was once destroyed and representing the joy of new flourishing times.


GRATITUDE - Kintus
You are calling Gratitude into your life. “K’intus” means a “bouquet” or the coming together of an offering that shamans bundle together with coca leaves, flowers, or fava beans as an offering to Pachamama. In ancient Quechua, Pachamama has been revered as the spirit of Mother Earth. It is she who harvests the land so that farmers can grow crops for their survival, brings the rains, and has the power to sustain or destroy life on Earth. An offering to Pachamama is a kind of reciprocity between the material and spiritual world that reminds us to be grateful for everything we have been given; remembering to give back what we have already taken from the Earth.


HONOR - kuychi
You are calling in honor and luck into your life. K’uychi means Rainbow in Quechua and according to Inca mythology, Manco Capac, the mythical founder of the Inca Empire, considered the rainbow a sacred and fortunate sign that the world would not be destroyed by water. The Cusqueño flag is a rainbow and is a tribute to their heritage and their founder. Quechua populations make up about 40% of the people in Peru and over the years they have experienced great discrimination, but their deep respect for their culture, spirituality, values and lifestyle has always prevailed. Honoring one’s heritage is the greatest form of respect. This intention can also act as a reminder of being proud of oneself and their identity. It's a vital part of leading a healthy and happy life.


CONSCIOUS - pacha
You are calling in consciousness and energy flow into your daily life. The spiral design is an important symbol in Inca mythology representing equilibrium. The spiral is an ancient symbol of unity, wholeness and completion and it represents the never-ending cycle of life and a path to the Creator. “Pacha Mama” or Mother Earth is represented by the symbol of the Spiral, which serves as a representation of the movement of the energy of Earth and the Universe. With everything originating from the centre and expanding outwards, the Spiral serves as a valuable model for the transformation and growth of human consciousness. Pacha also refers to a specific moment in time, encouraging its wearer to be conscious of the present moment. Be conscious of the now, the present moment you are in.


INTUITION - Kojo
You are calling in more intuition and trust into your daily life. The square woven design to the Maya represents the Four cardinal Directions (North, South, East, and West) the stages of life (birth, youth, elder, death), the seasons of the year (Spring, Summer, Winter, Fall), the Aspects of life (spiritual, emotional, intellectual, physical), and the Elements of nature (Earth, Fire, Wind and Water). The Maya civilization had four cardinal directions – and a fifth element for the center of these directions representing other dimensions. The square pattern repeated 5 times represents this 5th unknown dimension. Believing in this quadrant of core principles will create a strong foundation for all of your spiritual and earthly notions, which will help solidify core belief systems in your life.


UNITY - Inlak’ech
You are calling in “unity” and “respect for all beings” into your life. Inlak’ech, which in Mayan means “You are my other me”, represents the concept of the universe as a great unity where everything is related. In Mayan culture, we do not exist as separate entities, we exist from our belonging and relationship with the community and with everything that surrounds us. Not just individuals, but plants, animals, the winds, and the spirits are united and nothing exists without the relationship to the other. That is why any action of one affects the other. Just as the night does not exist without the day, everything is connected and we have to hold a deep respect for how we are all part of a whole. Each color woven into this intention band represents the diversity of all living things that are different, yet are all woven together.


TRANSFORMATION - Chakana
You are calling in “transformation” and personal evolution into your life. In Quechua, "Chakana" translates to "bridge" or "crossing over." The shape of the Chakana, or Inca Cross, is the most important Inca symbols and represents the Southern Cross constellation. The stair-steps between the four cardinal points each represent a stage of emotional, cognitive, and spiritual development: (Love, awareness, Passion, and Productivity). The center of the Inca Cross is the portal to the unknown representing achievement of spiritual wisdom and the awakening of our higher consciousness. The three step design also represents the three realms of spirituality (past-underworld, present-material world, future-God). Thus, the Chakana is a symbol of the collective unconscious which was an Incan map for complete spiritual development.


 

Hat Care

Brush off dust and lint with a soft brush, and use a damp cloth to spot clean. Gently steam hat brim with an iron or steamer to re-store shape.

Always place a towel between hat and iron when steaming/ironing.

Dry clean only.


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Kyle Henderson
Fort Morgan, US
★★★★★ 5
A must-read for anyone interested in communication studies, rhetoric, American public debates
Format: Paperback
In this seminal book, Fisher expounds his "narrative paradigm," a sweeping theory of human communication and more. Professor Emeritus at USC's Annenberg School of Communication, Fisher's discipline was rhetoric. But the book's subtitle -- "Toward a Philosophy of Reason, Value, and Action" -- isn't a stretch. Fisher's theory is a grand project extending its purview way beyond the communication department's door. At root is Fisher's rejection of what he calls the "rational world paradigm," which falsely separates logos from mythos, reason from imagination, fact from value. Doesn't work that way, Fisher says. No such thing as a value-free belief, assertion, or action. Instead, we evaluate according to a "logic of good reasons" -- reasons we value as good -- rooted in the narratives of our experience. An under-appreciated aspect of Fisher's work is the application of his theory to American politics. America's most enduring narrative is The American Dream. But that dream comprises two sub-narrative strands: the "materialistic myth" and the "moralistic myth." These two strands broadly represent conservative and progressive impulses respectively, but those threadbare categories don't do Fisher's explication justice. The two myths find their roots in the narratives of the earliest Americans, and have been battling it out ever since. It's a credible understanding of the history of American public moral debates.
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Reviewed in the United States on April 28, 2010
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Michael Kleeberg
Houston, US
★★★★★ 4
Insider's Book
Format: Paperback
Wlater R. Fisher is an expert in his field. His grasp of classical theory is daunting. Human Communication as Narrative explains his new theory well. However, it IS an insider's book, intended for scholars. I have a master's degree in rhetoric and composition, and my progress through it was slow--however, this was more attributable to my having stopped at an MA than it was to Fisher. I found his theory exhaustively researched, skillfully and thoughfully developed, and eminently applicable to the practice of contemporary rhetorical study. I would regard this book as a must-have for any serious student of rhetoric.
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Reviewed in the United States on April 22, 2011
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PWL
Chelsea, US
★★★★★ 5
Not only will this give you a great overview/introduction, but Fisher is a good writer as ...
Format: Paperback
I'm a fan of the Narrative Paradigm, and this is the seminal work on that. Not only will this give you a great overview/introduction, but Fisher is a good writer as well. Very clear, succinct, and engaging.
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Reviewed in the United States on December 1, 2016
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Hugh of Skokie
Waukegan, US
★★★★★ 5
The Dark Roots of Liberalism
Format: Hardcover
Italian philosopher/intellectual history Domenico Losurdo's study of the origins of liberalism is a tour de force of thorough scholarship and rigorous critique. Losurdo seems to have read all of the collected works of all of the significant thinkers in the liberal tradition, from Locke to de Tocqueville and beyond, and has created a coherent and compelling narrative of their themes and variations, as well as their rhetorical tropes and myriad contradictions. Classical liberalism, as here presented, is an attempt to translate the world, in all its richness and mystery, into property, and to transform property into the fullest expression of both nature and nature's God. It involves fetishizing "liberty" and disdaining equality, which is seen -- correctly -- as potentially compromising the God-given prerogatives of property holders. Losurdo's liberals divide the world into the "community of the free" -- always a minority -- and the servile majority. These masses do not deserve liberty or political participation because they perceive government as a way to address human suffering, and not simply as a bulwark protecting the divine rights of capital, i.e. the "private" realm. The classical liberal sees government as good to the extent that it has no social function at all -- because poverty and radical inequity are understood not as the outcome of human social and political arrangements, but as a reflection of immutable natural law and simple human frailty. Social Darwinist and eugenic motifs float through the Liberal symphony almost from the beginning, supplanting without really changing the earlier Protestant notion of predestination, but shifting the location of eternal reward or damnation to the marketplace and workplace. Thus liberalism sides against social emancipation, whether of slaves or peasants or factory laborers. The job of workers within a liberal commonwealth, as depicted by most of these thinkers, is to embrace their freedom to starve and cherish the institutions that oppress them in the sweet and holy name of Liberty. Slavery makes many of these thinkers uneasy, but it is not as profoundly disturbing to them as the prospect of central government tampering with the sacred rights of property holders by abolishing an institution that makes a mockery of any concept of human liberty. It is the radical thinkers of the French Revolution, and those influenced by them, who come out favorably here -- the ones who believe that the community must be seen as one body, and that freedom and dignity belong to all, without exception. Losurdo reminds us that it was not classical liberals who abolished slavery -- it was the Black Jacobins who brought the Rights of Man to the subjugated Africans of Haiti in history's only successful slave rebellion (at least since Moses). They were supported by the religiously inspired abolitionists, who saw slavery in moral rather than capitalist terms. Losurdo shows that liberalism took on the despotism of Church and Crown, only to create a harsher and colder absolutism of Money and Market, wrapped up in the rhetoric of Reason and tied with the ribbon of Freedom. And though classical liberalism has mutated over time and allowed the community of the free to expand somewhat, its fundamental biases remain in place, as witnessed in every ding-dong attack against "big government" or the "nanny state." Losurdo's "counter-history" of liberalism places these tediously reflexive political gambits in historical context, showing that they are rooted in a vision of the state as a kind of gated community, serving those within the threshold of privilege, suppressing those on the outside. At a time when political discourse centers on the percentages of the included and excluded, the worthy and the unworthy -- Occupy Wall Street's 1 percent and 99 percent, Mitt Romney's 47 percent (which was also his percentage of the vote) -- Losurdo's study is highly relevant and enlightening. It underscores the deep tensions between classical liberalism -- with its governance by and for the elite, and passive citizenship for the rest -- and the ideals of participatory and inclusive democracy, i.e., social democracy. It is an important book, and I recommend it to everyone with an interest in the history of political theory, and a desire to understand why our own political processes seem to take place in an abstract realm so cosmically distant from the reality of everyday life.
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Reviewed in the United States on November 24, 2012
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Malvin
Massapequa, US
★★★★★ 5
A brilliant reassessment of Western intellectual history
Format: Kindle
"Liberalism: A Counter History" by Domenico Losurdo offers a brilliant reassessment of Western intellectual history. Dr. Losurdo is a leading Italian intellectual who has taught at university for many decades. Dr. Losurdo's book will interest readers desiring bold, thoughtful and compelling perspectives on U.S. and European history; with insights that may be very useful to us today. More than anything else, Dr. Losurdo's work articulates a highly original and powerful critique of the ideology of capitalist property relations. Diving into the writings of John Locke, Adam Smith, Bernard de Mandeville and other influential Enlightenment thinkers, Dr. Losurdo explains that the principle goal of liberalism (used here in the European sense of the word) was to secure the rights of property holders over the poor; without the meddlesome interference of church and monarchy. Readers who are accustomed to viewing U.S. history through rose-colored glasses will find their views severely challenged here. Dr. Losurdo persuasively argues that Thomas Jefferson, Benjamin Franklin and other revolutionaries enthusiastically embraced liberal ideology in order to help institutionalize its brutal slave economy. Put another way, it seems that Independence was ultimately about the prerogatives of the elite class who comprised the "community of the free" to buy, sell and own slaves. Dr. Losurdo goes on to explain how Americans put philosophy into service to justify Anglo-Saxon racial superiority and the violent dispossession of native peoples' lands. Dr. Losurdo discusses how liberalism has influenced world history since the American Revolution. Through Dr. Losurdo's scholarship, we gain appreciation for the inherent tension that exists between liberalism's `emancipation' of the people who are privileged by virtue of their race and class; versus the `dis-emancipation' of the working class and poor who are comprised mostly of people of color. So, while liberals' greatest proponents have tended to use violence to lock in elite privilege (colonialism, the U.S. Civil War, the two World Wars), radicals have often struggled in the name of freedom for the people (the Haitian Revolution and the French Revolution). Importantly, Dr. Losurdo challenges us to rethink the idea that progress is a natural by-product of liberalism. It is probably more accurate to say that liberals would be content to have the people live in misery; and that freedoms have been gained by ordinary people through struggle and collective action. The importance of this insight cannot be overstated. By compelling us to think anew about the liberal legacy, we can more easily detect the liberal apologists who pander for the one percent; while empowering the 99 percent of us to speak truth to power. I highly recommend this outstanding book to everyone.
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Reviewed in the United States on April 28, 2014

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