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Botch – An Anthology of Dead Ends [CLEAR VINYL] – New LP2023 reissue of 2002 LP. Legendary Tacoma, Washington mathcore hardcore metal band Botchs final EP An Anthology of Dead Ends was originally recorded in 2002, serving as a swan song sending off one of heavy musics most inventive groups. Now, the bands final EP is set to be re issued on Sargent House over 20 years after its original release. Their monstrous concoction of metal, noise, indie rock guitar trickery, and depth is on full display. This is a
2023 reissue of 2002 LP.
Legendary Tacoma, Washington mathcore/hardcore/metal band Botch’s final EP An Anthology of Dead Ends was originally recorded in 2002, serving as a swan song sending off one of heavy music’s most inventive groups. Now, the band’s final EP is set to be re-issued on Sargent House over 20 years after its original release. Their monstrous concoction of metal, noise, indie rock guitar trickery, and depth is on full display. This is a last will and testament to the group's drive and intent, cementing their legacy as one of the untouchable greats, already having influenced many a group.
Bassist Brian Cook, guitarist David Knudson, drummer Tim Latona, and vocalist Dave Verellen formed Botch in 1993, eventually becoming one of the most significant bands of their time. Their final show was June 15, 2002, the same day as the original release of An Anthology of Dead Ends. The members would go on to play in These Arms Are Snakes, Minus the Bear, and Russian Circles, among others, with acclaim for the band coming mostly post-breakup.
Bassist Brian Cook, guitarist David Knudson, drummer Tim Latona, and vocalist Dave Verellen formed Botch in 1993, eventually becoming one of the most significant bands of their time. Their final show was June 15, 2002, the same day as the original release of An Anthology of Dead Ends. The members would go on to play in These Arms Are Snakes, Minus the Bear, and Russian Circles, among others, with acclaim for the band coming mostly post-breakup.
A good day for Botch consisted of utterly laying to waste everything in their path and having a grand ol’ time while doing so, huge monstrous concoctions of metal, noise, indie rock guitar trickery, full of depth and minute secrets which slowly secreted themselves with successive listens. There is no question that part of what made Botch so great is their ability as players, but more important, and even more impressive perhaps, was the way they fit the pieces together - odd time signatures, seemingly impossible riffs made to sound easy, the occasional melodic passages, and devastating anthemic movements that managed to inspire hordes while simultaneously escaping the redundant simplicity of the conventional hardcore sing along. In their nine years of existence Botch managed to push out a slew of 7”s, split EPs, and two full lengths. With each successive release Botch upped the anti considerably - not just for themselves as a band, but for the underground as a whole. Their first full length American Nervoso (early 98) put them “on the map”and thrust them into the league of then hardcore heavy weights, i.e. Converge, Coalesce, Deadguy, etc. Following this album with a few years of extensive touring and preparation for the next release, Botch elevated their status within the “scene”(as well as outside of), and began to grab the attention of the world at large. However it wasn’t until the release of their second masterpiece (and we don’t use that term loosely) We Are the Romans, that Botch fever took hold nationally and internationally, infecting thousands and garnering the praise of music journalists far and wide. This tremendous 6 track EP is a fitting testament to their will and intent, cementing their legacy as one of the untouchable greats. As shown from the opening notes of “Spaim”, they absolutely refuse to go down quietly.
Produced by Matt Bayles and Botch
Recorded at Studio Litho by Matt Bayles in March 2002
Mixed at Avast by Matt Bayles assisted by Troy Tietjen
Mastered at RFI by Ed Brooks
Design Conception and construction by A. Turner and J. Hellmann for Hydra Head Industries
Photography by J. Hellmann
©2002 Hydra Head Records, P 2002 Botch
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4.3 ★★★★★
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Product Reviews
★★★★★ 5
Very good speakers
Size: Pair
The r51ms are used to compliment my klipsch rp500m speakers and a 12 inch subwoofer in a large living room. By placing the r51m speakers to the outside walls , and the rp500m speakers to the interior, closer to the amplifier, and with the subwoofer set on deep bass only at just enough volume to barely compliment the sound, the large living room is more than sufficiently covered with at least true high fi quality sound, if not true budget audiophile sound. My entire 2.1 system is all klipsch. That's how I want it.
I am using them with a high powered tube amplifier, so presence and clarity is awesome. Placement is critical. I was initially disappointed until I switched the r51ms to the spread to the outside walls position, and the rp500ms to the interior, closer to the amplifier. The difference was remarkable. The 2 different klipsch speakers, ie one a rp and the other a r series blend together perfectly with no clash whatsoever because of somewhat more refined sound on the rp500m speakers. The rp500m speakers do sound higher end , but they are supposed to, but with the speakers as outer r51m and inner rp500m, and the klipsch subwoofer at deep bass with just a touch of volume the result is sound of such quality that I can honestly say I can be content and satisfied with it. I can say my system is complete, and no further improvement, upgrades are needed. Tower speakers as primaries are not necessary because of the high quality of sound and the high sensitivity of the 4 klipsch bookshelf speakers and klipsch subwoofer. This saves me money during this rapid inflation period of time. I could easily say that what I have sounds more than good enough to be satisfied and content with without any desire to upgrade further at this point.
Shipping speed was excellent via Amazon itself, and the box and speakers arrived in handled with care and new condition.
I am not disappointed at all now that the r51m speakers are the outside speakers, spread apart from corner wall to wall to compliment the interior placements of my rp500m speakers by klipsch. Im all klipsch here and I love it. 5 stars categorically. As previously stated, I see no need for primary tower speakers, even in a large living room, and that equals high quality sound and savings of money at the same time. I recommend these speakers. They do more than just do sound quality wise.
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Reviewed in the United States on August 22, 2025
★★★★★ 5
Awesome speakers.
Size: Pair
Love Klipsh speakers. Beautiful, full, rich, clear sound. Combine with a sub for best sound. Very loud. Love these.
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Reviewed in the United States on April 30, 2026
★★★★★ 5
Love it
Size: Pair
These are nice for any audiophile. They look and sound amazing.
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Reviewed in the United States on May 14, 2026
★★★★★ 5
Great Sound
Size: Pair
Great things sometimes come in little packages. Powerhouse sound with virtually no input at all. Tight, crisp, and well-made as usual from Klipsch. If you are looking for a powerhouse monitor these are what you want.
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Reviewed in the United States on April 22, 2026
★★★★★ 4
Great starter speakers - for the right price.
Size: Pair
A good all-around pair of starter speakers if you're planning on using them as standalones. These will have zero trouble filling a small to medium sized space with rich and detailed sound at low to mid volumes. The bass is adequate for their size. They're not going to knock your socks off on more thumpy genres. I would imagine pairing them with a subwoofer would make quite the difference but for rock and some synth pop, they're pretty sweet. Plus the copper woofers look very striking without the faceplates.
That said, I say these are best suited at low to mid volumes because cranked, the higher frequencies can be awfully fatiguing coming out of these speakers. I would not pay anywhere close to the $349 MSRP for these (you can probably find a pair of far superior RP-600Ms for around that price nowadays). Around $150 seems like a sweet spot for the R-51Ms, but the Sony SSCS5s and Fluance Signature bookshelfs are very comparable, if not better sounding for around the same price. Still, these will probably more than satisfactory if you're not expecting to be blown away by them.
UPDATE 5/20/25:
Can confirm that the subwoofer made a big difference. I was going to retire these since I replaced them with some bigger floor speakers on my main setup but I decided to try them out in place of the factory speakers on the Klipsch ProMedia 2.1 I have hooked up to my computer. Not only does the onboard amp seem to drive them okay at not-insane levels of volume - they sound really sweet paired with the 6.5-inch subwoofer. While I won't change my rating, I do highly recommend getting a sub along with these speakers.
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Reviewed in the United States on April 11, 2025