SKU: 89453675060

Korg MICROAUDIO722 USB-C Audio Interface

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Description

Korg MICROAUDIO722 USB-C Audio InterfaceOffering a clean layout and high quality audio for streamers, content creators, and home recordists, the Korg microAUDIO 722 is a compact 2x2 USB C audio interface with up to 24 bit 192 kHz sampling. Sporting an integrated analog low pass high pass filter derived from the miniKorg 700S, this interface offers unique tonal shaping potential. The microAUDIO 722 features two XLR 1 4" combo mic line Hi Z inputs, and balanced DC coupled outputs ensuring

Offering a clean layout and high-quality audio for streamers, content creators, and home recordists, the Korg microAUDIO 722 is a compact 2x2 USB-C audio interface with up to 24-bit / 192 kHz sampling. Sporting an integrated analog low-pass / high-pass filter derived from the miniKorg 700S, this interface offers unique tonal shaping potential.

The microAUDIO 722 features two XLR-1/4" combo mic/line/Hi-Z inputs, and balanced DC-coupled outputs ensuring quality sound without excessive complexity. Optimized for streaming applications, the microAUDIO 722 sports integrated loopback and zero-latency direct monitoring capabilities. The headphone output is assignable, allowing you to send whatever audio you want to the headphones.

Switched functions include 48V phantom power, a Stereo Link function for controlling both input channels with one knob, a mono or stereo mix selection switch, and controls for the analog filter, such as MIDI or USB-controlled cutoff, low, high, and bypass filter modes, free or synchronized rate, and LFO or envelope modes. The interface can be powered by USB bus power or a USB power adapter, supporting mobile use on the go (power adapter and USB-C cable sold separately). USB-C also enables easy use with mobile devices, such as smartphones and tablets. The microAUDIO 722 includes a Korg software bundle, iZotope Ozone Elements, Ableton Live Lite, and the Filter Ark plug-in suite.

Authentic Analog Filter

The microAUDIO 722 incorporates the iconic analog filter from the miniKorg 700S, known for its warm, musical response. It can be used as a standalone analog filter or integrated directly into your DAW setup, adding unique tonal shaping possibilities.

Connect a guitar or bass to use it as an auto-wah effect, or route digital synthesizers through it to introduce classic analog motion and character. The filter includes Low-Pass, High-Pass, and Bypass modes and can process inputs as well as any audio played back from a connected computer. With MIDI I/O connectivity, you can automate the filter, synchronize with external hardware, and explore creative hybrid workflows that blend digital precision with the miniKorg 700S’s distinctive analog behavior.

Intuitive, Hands-On Control

Each channel of the microAUDIO series features versatile Mic, Line, and Hi-Z inputs with 48V phantom power, plus assignable noise gate and either a compressor or limiter for smooth, musical gain with minimal noise. These processors can be applied not only to input signals, but also to any audio played back from a connected computer.

Front-panel knobs provide direct access to essential functions, and zero-latency direct monitoring ensures immediate feedback during recording or live performance.The headphone output can be assigned independently of the main outputs, allowing you to route a click track exclusively to the headphones or monitor cue signals when connected to DJ applications.

Creative Workflow with Stereo Link

The Stereo Link function allows both channels to be controlled simultaneously with a single knob, making it ideal for stereo synthesizers and other paired sources. This workflow keeps the technical side simple, so you can stay focused on creating.

Ready for Streaming and Mobile Creation

Built-in loopback mode sends computer audio directly into your livestream or DAW without complicated routing. This is ideal for streaming, sampling, or capturing content on the fly. With USB-C connectivity, microAUDIO works seamlessly with smartphones and tablets, making it easy to create or stream from anywhere. Whether recording at home, performing onstage, or streaming online, the microAUDIO series adapts to your workflow and delivers consistent, professional sound.

Filter Ark

Bundled exclusively with microAUDIO, Filter Ark is Korg’s next-generation filter plug-in for DAW-based production. It faithfully reproduces legendary analog filters from the MS-20, Polysix, miniKORG 700S, and ARP Odyssey, while introducing new models such as physically modeled resonators and vowel-based filters.

With up to four filters routable in series, parallel, or feedback configurations, plus morphable LFOs, sequencers, and macros for advanced modulation, Filter Ark turns filtering into a creative instrument. Scale quantization and performance-ready presets ensure every movement is musical, unlocking expressive sound design far beyond traditional filtering.

Software Bundle for Instant Creation
In addition to Filter Ark, microAUDIO includes a complete software suite with instruments and production tools such as Ableton Live Lite, Native Instruments Komplete Select, and iZotope Ozone Elements. This covers everything from composition and recording to mixing and mastering.
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SKU: 89453675060

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4.4 ★★★★★
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A. Thurston
Natrona Heights, US
★★★★★ 3
Solid example of 70's filmmaking
I had forgotten that I had this film in a pile to "watch later" and finally did and was glad I did. This overlooked 1972 film from director Michael Richie while short on run time and story development is still a worthy viewing experience.Mr.Richie went onto a fine career doing such films as The Candidate,The Bad News Bears,Semi-Tough and a few notable comedies like Fletch and Wildcats.He also did Student Bodies which he had his named removed from so nobody's perfect.The film has a great cast it stars veteran tough guy actor Lee Marvin as Nick a mob fixer who is assigned a job to reel in a renegade hood. This hood is a guy named Mary Ann( I kid you not) and he runs a drug and white slavery ring out in rural Kansas City.Played to the cusp of over acting by Gene Hackman Mary Ann uses a meat packing/slaughterhouse plant as a front for his illegal activities.Mary Ann has a dim witted brother called Weenie(at least not Ginger to his brother Mary Ann thankfully) who acts as the muscle played by Gregory Walcott.Nick is a city slicker based out of Chicago who is quiet,mean looking and well dressed.Mary Ann is loud and obnoxious and a country boy .Mary Ann has angered the Chicago mob by stopping his payments and going rogue.He's also grounded up previous gangsters from Chi-Town who were sent to persuade him into sausages and sent them back to Chicago in bundles of meat.So Nick ,a trusted sidekick driver and 3 "green" young wannabees head from Chicago to Kansas City to see what can be done to correct the situation.What you get besides a lot of violence is the classic city versus country scenario. Slick Nick and company pop into Mary Ann's barn where various young girls are being drugged and penned like pigs or cows would be.One of the girls is played by Sissy Spacek(you might have heard of her) and another is played by 70's B movie starlet Janit Baldwin( Gator Bait,Ruby) .Nick is not amused by MA's little gambit and informs him that he's taking one of the girls as down payment for what he owes.He chooses Poppy (Spacek) a pretty little blond who along with Violet was raised in a Missouri orphanage .Said orphanage also was a front for breeding future girls to be sold as sex slaves.MA says that he'll make good on the money he owes but of course you KNOW he's not going to.Violence erupts Nick and Poppy are on the lamb and the rest of Nick's associate's are either killed or on the run as well.Nick and Poppy have a memorable scene in a wheat field where a hired hand tries to grind the two up with a giant wheat harvester .This scene is the most memorable thing in Prime Cut.You feel the fear of 2 people lost in a wheat field and a giant combine machine trying to rip them to shreds.The film has great cinematography and the colors are top notch.Something about 70's cinema and the whole style of shooting makes it stand out.As a last twist in the story Mary Ann is married to Clarabelle (Angel Tompkins) who once was involved with Nick.Will she aid Nick in bringing down her husband or stay loyal to him? This film could've used more story building and feels rushed at times.It's also the film debut of the young Sissy Spacek who's good here.She play's naive and resourceful very good here.Poppy her character reminds me of the character played by Jennifer Jason Leigh in Miami Blues. Both have that "are you kidding me" sense of naiveness that makes them endearing.Baldwin also made her debut here and is less memorable but fine for what's asked of Violet.To sum it up if you want a fine nights viewing I recommend Prime Cut.The cast is stellar ,the look awesome and the action intense.
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Reviewed in the United States on December 25, 2011
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Damaged by Dub
Pawtucket, US
★★★★★ 5
An important restoration
These three films contain so much beauty, and so much heartache, it's hard to know where to begin. First off, if your a ciniphile, or criterion collector, it's pretty much a must to own these newly restored films. I believe the original prints where very damaged , or completely lost in a fire, so the restoration is nothing short of amazing. The films do look older then they are, but the clarity and visual beauty is not diminished here at all. The films basically follow a young boy Apu throughput his life, growing up Bengali in India , and the trials and tribulations he faces from his poor rural behinings, to his education and later move to Calcutta. On my initial viewing of these films, I thought the heartache was too much, and quite honestly put them out of my mind, but they actually never left, due to the power of them, and the vision of this fantastic director, and the talented actors. Upon reviewing them, at least 3 times each, I realize there is much beauty and hope, along with the pain..in these quite frankly incredible films.
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Reviewed in the United States on August 21, 2021
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Andy
Grantham, US
★★★★★ 5
One of The Undeniable Masterworks of Cinema
This extraordinary trilogy earns it's place among cinema's greatest masterworks. The saga a young Bengali boy's journey into adulthood, feeling his way through the mysterious world, as he experiences living in rural poverty, trains to be a priest like his father, attends university in Calcutta, the unusual circumstances that he meets the love of his life, and becoming a wandering writer. Filmed in an unpretentious neorealist style, simply told but complex in nature, life, loss, love, family, religion, and one's place in the world are all confronted with uniquely gentle and artistic charm and heart breaking tragedy. These films are so pure, so genuine, and so thoughtful, they reach the heights of humanity in cinema. This towering landmark in Indian cinema was a shot heard around the world when first released in the 1950's , winning awards, establishing Satyajit Ray as a world class director, popularizing the music of Ravi Shankar, and has enchanted film-lovers ever since. This Criterion Collection set is superb. Extra content includes plenty of interviews, documentaries, and essays. The restoration is excellent -nothing short of a miracle, considering the original prints were damaged in a fire (this is documented in one of the many extras). These are must-see entries in world cinema and highly recommended to fans of foreign film (especially Kurosawa and Italian neorealists) and those that appreciate great storytelling.
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Reviewed in the United States on August 11, 2018
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Prashant Arora
Alexandria, US
★★★★★ 5
Terrible delivery
This review is about product delivery. The Apu Trilogy is one of the best trilogies in the style of Italian neorealism ever made. These movies are international treasures and should be preserved for posterity. I wish Amazon packaging had considered that. When Amazon sends me a single battery, it comes wrapped and boxed in a giant box. Almost everything comes in oversized packages, but they sent the three DVDs without any protective envelope, box, or sleeve. It arrived in its original packaging, dinged on all four corners. The DVDs were a birthday gift. Extremely disappointed!
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Reviewed in the United States on August 11, 2023
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Lance Tilford
Los Angeles, US
★★★★★ 5
Stunning Document of Humanity
I waited far, far too long to immerse myself in the films of Satyajit Ray. After finally watching the Apu trilogy on The Criterion Channel, I immediately purchase the Criterion set (because the internet's going down someday and these are pantheon-level, must-have films). Ray's 3-film trilogy following the arc of a boy's life from his idyllic rural village in India to the teeming metropolis of Calcutta covers just about every aspect of human growth and conflict. Family, curiosity, mischief, tragedy, love, desire, intellectual pursuit, and ultimately, the responsibility of parenthood all unfold in Ray's epically framed cinema. At times one feels as if watching a documentary, glimpsing the intimate moments of lives we might never otherwise see. Ray's direction lets every scene breathe fully and the actors feel perfectly natural. It's also a real treat to hear the early works of a young Ravi Shankar in his perfectly timed soundtrack utilizing both traditional and modern treatments of Indian music. Ray's Apu trilogy--as well as the rest of his film catalogue--are must-watch movies for any student of film or anyone who appreciates a beautiful, heartfelt, and philosophical portrait of people enslaved by pleasures, responsibilities, and tragedies.
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Reviewed in the United States on August 24, 2021

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