SKU: 84714640375

I Did It For You/ The Money

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Description

I Did It For You/ The MoneyHand signed Lenticular Panel on Acrylic Limited Edition Artwork by James McQueen. Elusive artist James McQueen continues to evolve his bold, book based designs with the release of his second lenticular collection. Double Take, a confident evolution of James McQueens lenticular journey, the artist embraces once again the transformative nature of the medium, creating artworks that shift and reveal themselves depending on the viewers angle. With his

Hand-signed Lenticular Panel on Acrylic Limited Edition Artwork by James McQueen.

Elusive artist James McQueen continues to evolve his bold, book-based designs with the release of his second lenticular collection. Double Take, a confident evolution of James McQueen’s lenticular journey, the artist embraces once again the transformative nature of the medium, creating artworks that shift and reveal themselves depending on the viewer’s angle.

With his candid, provocative and poignant words on modern life and love, he speaks a universal language that transcends generations, borders and culture; the relatability of McQueen’s phrases allows the viewer to reflect on their own personal stories, leaving room for the viewer to use their imagination and make their own connections with the artworks. Weaving layered storytelling through his richly painted surfaces, the lenticular format allows him to hold more than one thematic idea within a single artwork, past and present, sincerity and satire, confidence and contradiction.

Blurring the line between image and interaction, the artworks offer layered narratives within a single frame - the result is tactile, immersive and unmistakably McQueen.

Using a specialist lens system to create the optical transformation, each lenticular is produced using the highest quality materials. Every piece is individually digitally printed to ensure a precise multi-frame transition. Combined with the premium extruded lens surface, this guarantees a museum-quality fine art lenticular with exceptional clarity, depth and fluidity. The layering is both physical and symbolic, humour revealing honesty, surface giving way to subtext.

As McQueen explains: 'The exposure of these layers represents the history and journey of the artwork, just as a used book will have its own story.'

McQueen’s work carries the unmistakable influence of pop and street art, and like the pioneering figures of those movements, he continues to challenge expectations of contemporary art. His deliberately chosen titles subtly suggest narratives, leaving space for the viewer to interpret and form their own connection.

This artwork is a hand-signed lenticular panel on acrylic limited edition and is available in a set of four.

Find out more about the Double Take 2026 collection or alternatively shop more James McQueen art.

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SKU: 84714640375

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4.5 ★★★★★
Based on 8 reviews
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J
Verified Purchase
J. A. White
West Palm Beach, US
★★★★★ 3
Comprehensive, but not convincing to this non-believer
Format: Paperback
Having previously read Fawn Brodie's , I read this one to get the believer's view. Bushman is at his best describing the evolution of Smith's thinking and revelations. Although the book is long, it is well written and authoritative. It gives a deeper understanding of Smith's religious philosophy than does Brodie's book. To his credit, Bushman confronts many of the crucial controversies surrounding Smith. From my non-believer's perspective, however, the defenses of Smith are not remotely convincing. Some examples: 1. DNA analysis shows without question that the American Indians came from east Asia. This fact is in direct contradiction of the traditional LDS view that Native Americans are lost Israelites. Bushman argues that Smith may have been writing about a small tribe somewhere in New York, or about people outside North America altogether. Within a few pages, Bushman has forgotten about this controversy altogether, and happily describes the Book of Mormon as a history of the American Indians. 2. Smith made the huge mistake of reproducing parts of the hieroglyphics he claims to have interpreted as the "Book of Abraham." These documents have been translated by scholars and have nothing to do with Abraham. Bushman (pp. 291-2) puts forth the argument that Smith's translation may not have been a true translation, but instead may have been a divine revelation simply inspired by the presence of the scrolls. Bushman suggests the same for the Book of Mormon. This is a truly shocking stance for an LDS believer to take: if Smith's "translations" weren't translations, why should anyone believe that his revelations were divinely inspired? Ironically, Bushman's view here sounds much like Brodie's: Not anticipating that scholars would use the Rosetta stone to translate hieroglyphics, Smith imagined that bogus translations would not be found out. 3. Smith repeatedly lied about whether he and the Saints were practicing polygamy. Bushman's defense of Smith in this context reminds me of Bill Clinton's statements regarding Monica Lewinsky: Smith held a secret definition of the term "polygamy," and thus felt free to mislead (or lie) with impunity. The facts, as reported by both Brodie and Bushman, support the conclusion that Smith coerced women into his bed by arguing that their eternal salvation was at stake. The stain of Smith's lustful "revelation" regarding polygamy continues to haunt the LDS, which claims to recoil from earthly polygamy but argues that men (not women) get to have harems in heaven. Despite these complaints, I recommend this book to non-believers who are patient enough to get through it. I feel that I have much greater insight into the LDS mindset than I did before.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 21, 2008
I
Verified Purchase
Ian
Whiting, US
★★★★★ 5
The definitive paperback edition
Format: Paperback
I purchased the Oxford World's Classics edition of "Le Morte d'Arthur: The Winchester Manuscript" for a school reading assignment, and I can say with confidence that this is the version you want. The original Old English is present (it was virtually a new language), complete with very useful footnotes to assist with antiquated words and phrases. The story was intriguing, colorful, and poignant (it's a downer, but a well-written one), filled with memorable characters such as Sir Gareth and Sir Launcelot. If you have a taste for classic literature and are looking for a challenge, definitely give "Le Morte d'Arthur" a read, especially with this version.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 1, 2023
J
Verified Purchase
Josephine DiNovo
West Palm Beach, US
★★★★★ 5
This copy is an excellent modernization of Malory's text with helpful footnotes and endnotes
Format: Paperback
I got this book for class, so I've only read large segements of it. This copy is an excellent modernization of Malory's text with helpful footnotes and endnotes. The footnotes were always available to explain unfamiliar words without interrupting the flow of the story.
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Reviewed in the United States on May 18, 2016
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Verified Purchase
Nico Agostinelli
Los Angeles, US
★★★★★ 5
Fast Shipping
Format: Paperback
I received this book one week ahead of the expected shipping date. It was new and in good quality as described. Highly recommend this seller.
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Reviewed in the United States on August 9, 2024
R
Verified Purchase
Randy Bone
Lexington, US
★★★★★ 4
Delightful text, but the omissions are frustrating
Format: Paperback
The modern spellings of the original Middle English text make this book quite easy and fun to read. However if you're trying to follow the actual complete storyline or compare it side-by-side with one of the original full text versions the frequent omissions quickly become quite evident and frustrating as you realize just how abridged this version actually is. That being said, the foot-of-page glossary and explanatory notes are quite helpful and informative. If only they wouldn't have left so much of the text out this would be a five-star review.
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Reviewed in the United States on December 25, 2019

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