SKU: 84065197356

Kala Voyage Collection Unity Ukulele - Natural with Maori Design

$89.10 $99.00
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Description

Kala Voyage Collection Unity Ukulele - Natural with Maori DesignExperience the perfect blend of tradition and creativity with the Kala Voyage Collection Unity Ukulele, available at Irvine Art and Music. This stunning concert ukulele is crafted with a mahogany body and neck, complemented by a rosewood fingerboard, offering a rich and warm tone thats perfect for players of all levels. What sets this ukulele apart is the beautiful Maori inspired Unity design, meticulously etched by cultural artist Sam Mangakahia,

Experience the perfect blend of tradition and creativity with the Kala Voyage Collection Unity Ukulele, available at Irvine Art and Music. This stunning concert ukulele is crafted with a mahogany body and neck, complemented by a rosewood fingerboard, offering a rich and warm tone that’s perfect for players of all levels. What sets this ukulele apart is the beautiful Maori-inspired Unity design, meticulously etched by cultural artist Sam Mangakahia, showcasing the powerful value of unity.

Unique Design and Exceptional Craftsmanship

The Kala Voyage Collection is not just a ukulele—it’s a story. The Unity ukulele is part of this captivating collection, which features symbols representing Unity, Courage, and Guidance. The Unity design etched on the body serves as a constant source of inspiration and connection to deeper meanings, all while delivering superb playability and sound. With its mahogany construction, this ukulele provides a smooth, resonant tone, making it perfect for both beginners and seasoned players.

Built for Comfort and Performance

The Kala Voyage Collection Unity Ukulele features a comfortable "D"-shaped mahogany neck, making it easy to play for long sessions. The rosewood fingerboard ensures smooth playability and effortless transitions between chords. This ukulele also features ladder bracing for enhanced acoustics and increased top strength. The rosewood bridge, along with the Graph Tech NuBone nut and saddle, ensures excellent intonation and superior sound quality.

High-Quality Features:

  • Unique Maori Design: Laser-etched Unity design by Sam Mangakahia.
  • Mahogany Body: Produces a warm and resonant tone.
  • Comfortable "D" Shaped Neck: Provides an ergonomic playing experience.
  • Rosewood Fingerboard and Bridge: Enhances tonal warmth and sustain.
  • Ladder Bracing: Improves acoustics and strength.
  • Graph Tech NuBone Nut & Saddle: Ensures superior intonation and sustain.
  • Graph Tech Ratio Tuners: Provide precise tuning and stability.
  • Scale Length: 14.875" for easy handling and smooth playability.
  • Gig Bag Included: For convenient storage and protection.

At Irvine Art and Music, we specialize in offering quality musical instruments that inspire creativity and passion. Whether you’re a beginner or a seasoned musician, our collection of ukuleles and other instruments is designed to help you find your perfect sound. Let us be part of your musical journey today!

Tech Specs

  • Size: Concert
  • Number of Strings: 4
  • Color: Natural with Unity Maori Design
  • Finish: Satin
  • Top Material: Mahogany
  • Back & Sides Material: Mahogany
  • Neck Material: Mahogany
  • Fingerboard Material: Rosewood
  • Fingerboard Inlay: White Dots
  • Number of Frets: 18
  • Scale Length: 14.875"
  • Tuners: GraphTech Ratio tuners
  • Nut Material: GraphTech NuBone
  • Nut Width: 1.39"
  • Saddle Material: GraphTech NuBone
  • Strings: Aquila Super Nylgut
  • Case Included: Gig Bag
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 84065197356

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4.2 ★★★★★
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Lovechunk
San Leandro, US
★★★★★ 5
The Best Gift Ever!
Denomination: 0, Design Name: You're the best. (Animated)
Easy Peasy! Who doesn't like to get an Amazon eGift Card!
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Reviewed in the United States on May 17, 2026
T
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Tim M.
Port Orchard, US
★★★★★ 5
Great gift idea!
Denomination: 0, Design Name: You're the best. (Animated)
Always a great gift for anyone and easy to purchase and redeem.
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Reviewed in the United States on May 12, 2026
M
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Madison
Birmingham, US
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
Denomination: 0, Design Name: You're the best. (Animated)
Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
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Daniel Myers
Massapequa, US
★★★★★ 5
A Foundling's Felicity
This book or novel or whatever you may deem fit to call it has so many points in its favour that it's difficult to know where to begin. I think a rundown of a few of the myriad of characters that delight me personally might do for starters: Tom Jones - A young fellow with many "imperfections" if so they may be called, but a robust fellow with a "good heart." Prudence and what is commonly called virtue are not his strong suit - But may I remind the reader that virtue comes from the Latin word for "manliness"- Tom is certainly possessed of the word's etymological origins, if not of its modern usage (particularly in amorous matters)--And a good thing too, or we should have no story here to delight us! Squire Western- Another rambunctious character, who, for me, typifies all that is Eighteenth Century England. Every time he appeared in this book, whether it was to comment on wenching, wine, or riding to hounds a smirk would immediately cross my face followed invariably by chuckling by the end of the chapter. Henry Fielding - The author plays as much a part of the book as any of the characters with many prologues and prefaces and etc. For these, and for much of the rest of the book, I might add, the reader who has not had four years of Latin inculcated into him at an English boarding school would do well to buy the Oxford edition, which fully explains all the learned quotes - Also, as one who was thus inculcated but is inclined to laziness, the Oxford edition's notes prove extremely helpful also. Fielding also gives us a lively picture of the literary life of his time, which the Oxford footnotes do a deft job of explaining- In short, buy the Oxford edition. This review can not be comprehensive. There are simply too many characters to even make a go at encompassing them all. I'm merely describing some of the, to me, more delightful ones. The book as a whole is simply a joy to read, in its comic descriptions of all who will deign to admit that they are human, and of some priggish sorts who will not so deign. I can put it no better than Fielding Himself at the beginning of Book XV: "There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that is not true." In short, this is a delightful ramble of a book which, while entertaining the reader not too attached to Sunday School, sheds light on how unvirtuous the virtuous can be, and how kind and good-natured the roguish can be as well as giving us as good a history lesson on the state of affairs in Eighteenth century England (with attention given to the Jacobite Rebellion etc.) as many a "proper" history does. Who, I ask myself, would not delight in this book? ---Well...for the priggish, there's always Jane Austen.
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Reviewed in the United States on January 24, 2007
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Alexander Kobulnicky
Louisville, US
★★★★★ 4
The Sidekick in Early-Modern Literature.
Tom Jones is probably the most influential novel in English history, pioneering elements like complex characterization, social criticism and authorial interjection. But you already knew that. What you want to know is, is this a good book for us in the 21st century. And here, it's not so clear. The dialogue is pretty brisk, and some of the exchanges (the stereotypical Whig Mrs. Western arguing with her Jacobite brother is a particular treat) are actually funny. The latter part of the novel evolves into a farce, with a dozen characters engaged in scheming against one another, while Tom and Sophia helplessly go along. Farce works better in drama, where it has a faster pace, but it's always a welcome mode of comedy. You don't see enough farces. Some of the characters are evocative (why do I picture Blifil as looking like Ted Cruz?) but some are not: Dowling is just a lawyer, and Mrs. Miller is a good woman, like thousands who have come since, and that's all there is to it. It's not as if every character needs to, or can, be a fully realized person, but the parts of the novel spent with these human plot devices do feel mechanical. But Mr. Partridge, Tom's traveling companion, is in a different category altogether, and he just poisons the parts of the novel that he features in (chiefly the middle third). Eighteenth Century literature has a depressing reliance on goofy loose-lipped sidekicks: Mr. Partridge, Hugh Strap, Humphrey Clinker, Andrew Fairservice, Friday. Sometimes they're servants, but sometimes they're just stupid friends. Part of this must be practical: It's difficult to follow a wandering hero (and why are the heroes of these novels always wandering? But that's a different question altogether) without giving him a friend to talk to. Maybe early novelists had a hard time sketching characters who didn't have a way to discuss the ongoing action. But mostly, I think this is the bad influence of Don Quixote, which was becoming increasingly popular in England during this period. Sancho Panza is OK, and he's certainly the funniest element of that leaden tome. But Mr. Partridge *is* Sancho Panza, cowardice, superstition and all, and one Sancho Panza was more than enough. You know? There's a limited number of things that a silly, selfless, lazy pal can do, and it's hard to read about the same old doofus, yet again.
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Reviewed in the United States on April 28, 2016

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