SKU: 59807980469

SpeedFactory Racing AWD Wagovan Rear Differential Install Kit for MFactory D16 40mm LSD

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Description

SpeedFactory Racing AWD Wagovan Rear Differential Install Kit for MFactory D16 40mm LSDWe are proud to introduce our pain free installation kit for the MFactory D16 40mm LSD into the Wagovan RT4WD rear ends for those of you that appreciate attention to detail and want to do things the right way. This is by far the easiest and most cost effective drop in LSD solution when paired with our bolt + shim installation kit! You will save hours of tedious labor & frustration and retain the critical proper factory set backlash & gear mesh

We are proud to introduce our pain-free installation kit for the MFactory D16 40mm LSD into the Wagovan RT4WD rear ends for those of you that appreciate attention to detail and want to do things the right way. 

This is by far the easiest and most cost-effective drop-in LSD solution when paired with our bolt + shim installation kit!

You will save hours of tedious labor & frustration and retain the critical proper factory set backlash & gear mesh pattern. Forget about machining bolts & bolt holes or machining your LSD flange, fussing with repeated test fitting, and attempting to source or make the proper shims.

Pair our installation kit with an MFactory LSD for the ultimate in ease of use & proven performance - this is the exact setup used in our 6-second OUTLAWD Civic!

Installation Kit Includes:
• x10 Black Oxide Coated Grade 12.9 Bolts
• x2 Precision Stainless Steel shims

• NOTE: Bolt torque spec is 74 lb-ft. 

Order Honda PN# 91006-PX5-008 if you need new differential bearings (not included). These are the correct 40x68x22 NTN bearings that are needed for the Wagovan RT4WD rear differential.

**This kit is intended for installing an LSD into a good condition rear end. Always verify your clearances as good standard building practice.  If you are performing a full rear end rebuild then you will still need to set and check all tolerances, gear mesh pattern, and backlash.

 

FAQ: HOW DOES IT WORK? - DON'T YOU ALWAYS HAVE TO RE-SHIM?

It has come to our attention that many are saying this kit can't work because you always have to re-shim and re-set the gear mesh and backlash with shim sizes that are unknown until you attempt to install and then measure everything. It should be noted that we are not advocating for poor assembly practices and not checking things with this kit. Let's get into the details:

1. THE BOLTS - No, they're NOT just bolts with a shorter head.

You’ll be able to use the existing unthreaded secondary holes in the MFactory LSD with our custom designed Grade 12.9 bolts that incorporate both a low profile flanged head that clears the differential carrier as well as an enlarged shoulder profile (larger diameter than the OEM bolt shoulder) that eliminates all ring gear side-to-side slop for proper fit into the unthreaded holes in the MFactory D16 LSD (which are not only a larger diameter but also located on a larger pitch circle diameter than the threaded holes in the Wagovan ring gear).

Yes, there are always other ways to "ghetto mod" things like cutting down bolt heads OR buying cheap, weak low-grade non-flanged head hardware store bolts OR buying expensive ARP bolts and ignoring the slop in the mismatched holes - these custom bolts are simply the RIGHT way to do it which is why we took the time to design and produce them. 

2. THE SHIMS - Install 1 of the provided precision stainless steel shims on each side of the MFactory LSD before pressing on the differential bearings and re-assemble using the original factory installed outer shims in their respective original positions on the left and right side carriers.

How is it possible that you don't have to re-shim to achieve proper gear mesh and backlash? It's because MFactory holds excellent tolerances on these LSD's (as does Honda on the OEM differential) and their D16 LSD is a specific amount shorter than the OEM differential by the same distance on both sides relative to the ring gear mounting face position. These precision shims effectively bring the MFactory LSD to the same width as the OEM differential and place the ring gear in the original factory set location between the carrier towers when utilizing the original outer shims in their original locations. 

Now you have retained the original Honda Factory set bearing preload as well as gear mesh pattern and backlash without having to adjust the outer shims, and you have proper grade 12.9 bolts that clear the carrier towers and lock the ring gear in position without any possibility of side to side rotational movement as it should be.

Quick, easy, and correct LSD installation is the result and we have yet to install one and have it measure outside of factory specifications. Regardless, always double check & verify your clearances as good standard building practice.

 

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SKU: 59807980469

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Product Reviews
K
Kindle Customer
Dallas, US
★★★★★ 5
Loved this story
Format: Kindle
This is hands down one of the best books I've read. The plot was great, the characters were sexy, intense and just explosive. I did not stop reading until I finished the book. Was hoping for a better ending since it was such a wonderful book. When I saw it was reprinted I figured that was why due to the ending being rushed. I'm still giving 5 stats due to their chemistry and the intense love they shared on and off the island beyond their rescue. I just wanted more for them at the end, and the the loser husband to get what he deserved.I look forward to maybe a second book on their passionate love story.
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Reviewed in the United States on March 10, 2024
R
RSL
Pawtucket, US
★★★★★ 3
DNF
Format: Kindle
I decided to read this based on another review here. I started skipping and couldn't finish it. The writing is good but the behavior of the MCs put me off at times. Our parents took us camping (not car camping) a lot through my teens and the lesson was, from my youngest age, if the excrement encounters the turbine, get your bearings, assess, make a plan, follow it -- no time for drama. There would always be time for a freakout once the situation was resolved. (And if it wasn't resolved, freaking out wouldn't be an option.) Apparently, neither Helen nor Lana were ever taught that lesson because there's plenty of drama, and I lost respect for them. Worse, the drama continues with this endless back and forth right up to the very last page. I actually blinked. I've read rushed endings before, but this took the cake. Overall, this is a portrayal of women that bugged me. It felt almost stereotype-y regarding being overly dramatic and unable to keep it together under stress. Maybe I just hit the bad parts, but I couldn't keep reading to find out, in case there were more, and the repeated drama after the rescue didn't give me hope. Please, Sapphic authors, can we have more books celebrating feminine resilience? Cara Malone has a pretty good one about a bunch of shipwrecked queer women. We need more of that, and less of this. I'm giving this book 3 stars because the writing is good and I didn't finish, so may have missed better parts.
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Reviewed in the United States on July 23, 2024
P
Verified Purchase
Paula Cappa Reviews
Charlottesville, US
★★★★★ 5
If you can only afford one craft book on Dialogue, this one is it.
Format: Hardcover
The art of dialogue. How does a writer get it just right to be effective, yet original, dramatic but not too dramatic, captivating and satisfying, and most important of all convincing? The thrust of this book is how McKee spends time on characterizations and the art of the subtext—vital to thrilling and effective dialogue. McKee explains how subtext works, the thinking behind it, shows you its most effective moments, why it works well or poorly, and gives you the tools to make it work. The result: amazingly clear insight. No kidding, if you want to fully understand subtext in dialogue and sharpen your skills, this is the writing book to get. Conflict in dialogue, turning points, even sentence designs techniques. McKee describes the “suspense sentence” and the “periodic sentence.” Because prose is a natural medium for storytelling, you will learn how Charles Dickens used ‘counter pointing exposition’ and its effectiveness for the reader. I hadn’t seen this kind of hook in writing before, hadn’t heard this term before. Very powerful technique; of course none of us writes like Dickens, but what an example on how to swoop the reader in. What’s one of the takeaways in Dialogue by Robert McKee? “Quality storytelling inspires quality dialogue.” Which inspires a read of McKee’s other remarkable craft book “Story”—a great companion read as both books belong on any serious writer’s bookshelf.
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Reviewed in the United States on July 28, 2016
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Verified Purchase
Bookworm
Louisville, US
★★★★★ 5
It's All Right Here. All of it.
Format: Hardcover
I shouldn't even be writing this review because doing so only creates my competition. I'm writing it for Robert McKee out of respect and love for him as one of the best instructors I've never met. I have both STORY and now, DIALOGUE in hardcover, on my Kindle, and the audio version (he narrates his books) in my headphones. I read it, I listen to it and take it with me when I travel. Sometimes I listen and read at the same time. Most nights I listen to the audio version in my sleep. In other words, I eat, sleep and breathe this book. I did the same thing with Story, his other book. I may go to my grave never fully comprehending the vast wealth of knowledge contained in these two books. That's OK. What I can tell you is this. With nothing but STORY as my guide, my very first screenplay took seven months and thirty-five drafts from start to finish. But. That screenplay became a Hallmark Movies and Mysteries feature film. The producers liked it so much they gave me another assignment. That one took six weeks, and they bought the first draft. I'm now working on my fifth script; this one is in the six-figure category, with five figures upfront just for the Treatment. And I owe it all to everything I've learned from studying Robert McKee, supplemented by what I learned from everyone else. Over the past thirty years, I’ve studied with forty plus instructors and highlighted hundreds of books and listened to dozens of recorded seminars. All that information is summed up and thoroughly explained in Robert McKee's two books STORY and now DIALOGUE. I won't live long enough to absorb everything he teaches. And I still study two hours a day as a warm up for my writing. I’d recommend Aaron Sorkin, Warner Hertzog, William Goldman (both Sorkin and McKee say he's the greatest), Blake Synder, Chris Vogler, Michael Hauge, William Akers, and anybody else you can find who’s willing to share their knowledge. Because you never know when a concept you didn’t realize you didn’t understand or needed is going to show up. Especially when presented from a different perspective. Having said that, if you are serious, and I mean dead serious, about becoming a working screenwriter, or any other kind of fiction writer for that matter, then you have no choice but to study McKee like your literary life depends on it. Buy the hardcover, buy the Kindle version, and buy the audio version of DIALOGUE and STORY. And supplement these two works with any other material that speaks to you. If you do this, you will become a first class screenwriter or novelist or playwright, because all three genres are only different ways of presenting a Story. If you can’t commit to this, unless you’re a genius or prodigy, you’re wasting valuable time which could be spent following your true life calling. But if your heart’s desire is to become a working writer, then sooner or later you’ll have to know everything in McKee’s two books. So, you might as well bite the bullet and jump in head first. It's all right here in STORY and DIALOGUE. All of it. Thank you, Mr. McKee. You, sir, changed my life.-- Jimmy Hager
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Reviewed in the United States on September 21, 2016
J
Verified Purchase
jk Smiles
Pawtucket, US
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018

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