SKU: 5623074994

Hilda Netflix Original Series 6 Book Set Collection By Stephen Davies & Luke Pearson

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Hilda Netflix Original Series 6 Book Set Collection By Stephen Davies & Luke PearsonTitles In This Set: Hilda and the Hidden PeopleHilda and the Great ParadeHilda and the Nowhere SpaceHilda and the Time WormHilda and the Ghost ShipHilda and the White Woff Hilda And The Nowhere Space We rejoin our favourite blue haired heroine to find her warding off the nightmarish Marra, rescuing weather spirits and searching for the elusive black hound and she's still got to make it to the Sparrow Scout badge ceremony on time! There is no shortage

Titles In This Set:
Hilda and the Hidden People
Hilda and the Great Parade
Hilda and the Nowhere Space
Hilda and the Time Worm
Hilda and the Ghost Ship
Hilda and the White Woff


Hilda And The Nowhere Space

We rejoin our favourite blue-haired heroine to find her warding off the nightmarish Marra, rescuing weather spirits and searching for the elusive black hound ... and she's still got to make it to the Sparrow Scout badge ceremony on time! There is no shortage of unexpected twists, turns and new friends in this latest installment of the Hilda fiction series.

Hilda And The Great Parade

Meet Hilda: explorer, adventurer, avid sketchbook-keeper and friend to every creature in the valley! Hilda and her mum have settled into their new home in the city of Trolberg, and our heroine is trying to fit into this new and very different way of life. Though she's made a new friend, the city is vast and unfamiliar, and as night falls, both Hilda and her mum are lost in the bustling Bird Parade, desperate to reunite! Will this concrete labyrinth ever feel quite like home?

Hilda And The Hidden People 

Meet Hilda: explorer, adventurer, avid sketchbook-keeper and friend to almost every creature in the valley! Join our beloved heroine as she encounters her very first troll, negotiates peace with some very persnickety elves, and reunites two lovelorn ancient giants. Fantastic creatures and daring adventures are all just part of another average day for Hilda, but what will she do if she is forced to move to Trolberg city, far away from her beloved valley home? Dive into the adventure with this illustrated chapter book, based on the first two episodes of the show.

Hilda and the Time Worm

Based on the hit Netflix series, join Hilda and Twig for more hilarious adventures in the 4th volume of the illustrated fiction series.

Hilda and the Ghost Ship

Based on the hit Netflix series, join Hilda and Twig for more hilarious adventures in the 5th volume of the illustrated fiction series. We rejoin our favourite blue-haired heroine Hilda to find her caught up in a crisis in Trolberg. Ships are vanishing from the harbour and no one knows why.
Could the answer lie out on Cauldron Island? Meanwhile, David suspects wild weather predictor Victoria Van Gale is up to no good as she moves into the old windmill. There is no shortage of unexpected twists, turns and new friends in this latest instalment of the Hilda fiction series.


Hilda and the White Woff

Based on the hit Netflix series, join Hilda and Twig for more hilarious adventures in the 6th volume of the illustrated fiction series. Our favourite blue-haired heroine has to find and rescue Mum before she's eaten by a troll. This means entering the Rock Forest, where Hilda will come across some amazing and magical creatures.

Along the way, we'll discover the story behind Twig becoming Hilda's very own deer fox. There is no shortage of unexpected twists, turns and new friends in this latest instalment of the Hilda fiction series.

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SKU: 5623074994

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4.5 ★★★★★
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Tripp Moore
Louisville, US
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork. The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable. Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere. This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching. The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography. Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
J
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Joel Bradford
Phoenix, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
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Mr. Watkins
Draper, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
M
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***moviemaker***
Dallas, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
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W.P.
Grantham, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026

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